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"Frankenstein," "Wuthering Heights," and the Oscars: Revisiting the Novels behind Today’s Film Adaptations

Mar 10 2026
As new film adaptations bring Mary Shelley and Emily Brontë back into the spotlight, explore scholarship that examines the unsettling power of these nineteenth-century novels.
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Excerpt from Charlotte Brooks's "The Moys of New York and Shanghai"

Mar 10 2026
An exclusive look at Charlotte Brooks's THE MOYS OF NEW YORK AND SHANGHAI with an intro by the author.
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Trans Cinema Doesn’t Just Improve Visibility—It Imagines Better Worlds

Mar 10 2026
By Laura Horak, author of Trans Cinema: Making Communities, Identities, and WorldsSince the rise of the concept of “transgender” in the 1990s, many activists, filmmakers and scholars have worked to make trans people more visible. Those efforts have made a real impact — increasing trans visibility ha...
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Timothée Chalamet May Not Care about Opera or Ballet . . . but UC Press Does

Mar 10 2026
Recent scholarship from UC Press journals shows why opera and ballet still matter.
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The Bride! A Celebration of the Monstrous Feminine

Mar 09 2026
With the release of Maggie Gyllenhaal's "The Bride!" in theaters, author Surekha Davies celebrates the "monstrous feminine."
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UC Press February Award Winners

Mar 09 2026
UC Press is proud to publish award-winning authors and books across many disciplines. Below are our February 2026 award winners. Please join us in celebrating these scholars by sharing the news!
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How Brazilian Cinema Captured the Moment: A Q&A with Gerd Gemünden

Mar 09 2026
Winner of two Golden Globes, "The Secret Agent" has been nominated for four Academy Awards. The film's critical success underscores the special moment Brazilian cinema is currently enjoying.
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Whether of Not "Sinners" Wins the Oscar, Ryan Coogler’s Genre-Bending Film Signals a New Era for Original Cinema

Mar 06 2026
A Q&A with "Film Quarterly" contributor Anthony Michael D’Agostino
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"I hope 'One Battle After Another' wins a million awards": A Q&A with Peter Coviello

Feb 26 2026
For me, Anderson is a filmmaker who read a book about state terror and counterfascist mobilization and metabolized Pynchon’s "Vineland" into the unlikeliest of things: a movie, a mass-cultural product that wants to think clearly and hard about the here-and-now-ness of an American fascism.
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Webinar: Navigating Publishing and Academia as a FirstGen Scholar

Feb 19 2026
Hear career and publishing insights from FirstGen authors and UC Press staff at our upcoming FirstGen webinar!
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