For me, Anderson is a filmmaker who read a book about state terror and counterfascist mobilization and metabolized Pynchon’s "Vineland" into the unlikeliest of things: a movie, a mass-cultural product that wants to think clearly and hard about the here-and-now-ness of an American fascism.
Hattie Noel was a trailblazer of the stand-up comedy form. While the visual archive shows her constrained in the controlling images of Disney’s hippo and Hollywood’s maid, her comedy albums tell a different story of Black representation.
In celebration of Women's History Month, we've removed the paywall from the guest editors’ introductions from the past nine Spring issues of Feminist Media Histories (FMH). As we anticipate the journal's tenth anniversary issue (forthcoming in April 2024), we invite you to read this selection of con
With the recent loss of UC Press authors David Bordwell and Cari Beauchamp, our Film & Media Studies Editor Raina Polivka shares a reflection on their contributions and legacy in the film community.I am saddened to write that we've recently lost two major pillars of the film community: David
By Táhirih Motazedian, author of Key Constellations: Interpreting Tonality in FilmMy path to music theory and film music was a circuitous one: in college I originally started out as a music performance major, then (due to a hand injury) I entered the world of planetary science, and after several
University of California Press (UC Press) is seeking applications for the editorship of the journal Film Quarterly. The applicant appointed to this position will succeed Interim Editor Rebecca Prime when her term ends June, 30 2024.Film Quarterly (FQ) has been publishing peer-reviewed articles,