UC Press Blog

As new film adaptations bring Mary Shelley and Emily Brontë back into the spotlight, explore scholarship that examines the unsettling power of these nineteenth-century novels.

By Laura Horak, author of Trans Cinema: Making Communities, Identities, and WorldsSince the rise of the concept of “transgender” in the 1990s, many activists, filmmakers and scholars have worked to make trans people more visible. Those efforts have made a real impact — increasing trans visibility ha...

Recent scholarship from UC Press journals shows why opera and ballet still matter.

With the release of Maggie Gyllenhaal's "The Bride!" in theaters, author Surekha Davies celebrates the "monstrous feminine."

Winner of two Golden Globes, "The Secret Agent" has been nominated for four Academy Awards. The film's critical success underscores the special moment Brazilian cinema is currently enjoying.

A Q&A with "Film Quarterly" contributor Anthony Michael D’Agostino

For me, Anderson is a filmmaker who read a book about state terror and counterfascist mobilization and metabolized Pynchon’s "Vineland" into the unlikeliest of things: a movie, a mass-cultural product that wants to think clearly and hard about the here-and-now-ness of an American fascism.

How author Aurore Spiers recovered women's hidden labor in the film history archives and their contributions to French cinema.

Both propaganda and entertainment, George Seaton’s film, "The Big Lift," released in 1950, starring Montgomery Clift, saw Hollywood dramatize the struggles of post-war Berlin and the Berlin Airlift.

Film Quarterly's editor considers the legacy of film critic Pauline Kael.