As new film adaptations bring Mary Shelley and Emily Brontë back into the spotlight, explore scholarship that examines the unsettling power of these nineteenth-century novels.
For me, Anderson is a filmmaker who read a book about state terror and counterfascist mobilization and metabolized Pynchon’s "Vineland" into the unlikeliest of things: a movie, a mass-cultural product that wants to think clearly and hard about the here-and-now-ness of an American fascism.
