For me, Anderson is a filmmaker who read a book about state terror and counterfascist mobilization and metabolized Pynchon’s "Vineland" into the unlikeliest of things: a movie, a mass-cultural product that wants to think clearly and hard about the here-and-now-ness of an American fascism.
"Journal of the American Musicological Society" editor Jake Johnson conducts video interviews with the contributors to the journal's Summer 2025 issue.
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