Toffoli discusses the images & technologies that helped construct the Border Patrol's public image, the historical roots of today's surveillance culture along the U.S.–Mexico border, & why visual history remains essential for understanding contemporary debates over immigration & state power.
For me, Anderson is a filmmaker who read a book about state terror and counterfascist mobilization and metabolized Pynchon’s "Vineland" into the unlikeliest of things: a movie, a mass-cultural product that wants to think clearly and hard about the here-and-now-ness of an American fascism.