"Writing with the authority and perspicacity that marked his landmark The Genius of the System, Thomas Schatz has produced a book we didn't know we needed: an astute analysis of why the American movie industry between 1989 and 2004 should be considered a recent but already-lost golden age. At home in both the board room and the screening room, Schatz's smartly readable style, comprehensive research, and thorough understanding of the complexities of all aspects of the business remind us of what we have forgotten and reveal what we need to know."—Kenneth Turan, Los Angeles Times film critic for nearly thirty years and author of Louis B. Mayer and Irving Thalberg: The Whole Equation
"More than a worthy sequel to The Genius of the System, this is a razor-sharp analysis of movies in the era of conglomeration."—Peter Biskind, New York Times best-selling author of Pandora's Box: How Guts, Guile, and Greed Upended TV
"Schatz's wild narrative is an exciting, fact-packed chronicle of contemporary film history, full of fascinating and amusing details. It allows the reader an inside look at the melding of talents and finance that benefits the movie-going public so well. The book is exciting, like the movies it describes."—Bob Shaye, Founder, CEO, and Co-Chairman, New Line Cinema
"Of the many books detailing the recent histories of individual studios or the rise of the indies, this is the only one you really need. It lucidly covers the entire waterfront. By deftly interweaving the independent-film story with the evolution of corporate entertainment, Schatz vividly conveys the big picture but with incredible attention to all the telling details."—John Pierson, author of
Spike, Mike, Slackers and Dykes: A Guided Tour Across a Decade of American Independent Cinema and creator of
Split Screen "This long-awaited sequel to Schatz's definitive
The Genius of the System deftly unpacks the complex history behind 'Indiewood,' mining a wealth of evidence to detail the logic of film form within industry's political economy. The prize? A compelling history of how prestreaming Hollywood methodically mainstreamed an 'outsider' indie ethos into a highly profitable inside conglomerate strategy."—John Thornton Caldwell, author of
Specworld: Folds, Faults, and Fractures in Embedded Creator Industries