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University of California Press

About the Book

This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language.

About the Author

George T. Wright is Regents' Professor of English at the University of Minnesota and author of The Poet in the Poem and W. H. Auden.

Table of Contents

Preface

1 The Iambic Pentameter Line
2 Chaucer and Wyatt: Early Expressive Pentameters
3 The Sixteenth-Century Line: Pattern and Variation
4 Flexibility and Ease in Four Older Poets
5 An Art of Small Differences: Shakespeare's Sonnets
6 The Verse of Shakespeare's Theater
7 Prose and Other Diversions
8 Short and Shared Lines
9 Long Lines
1O Shakespeare's Syllabic Ambiguity: More Than Meets the Ear
II Lines with Extra Syllables
12 Lines with Omitted Syllables
13 Trochees
14 The Play of Phrase and Line
15 Shakespeare's Metrical Technique in Dramatic Passages
I6 What Else Shakespeare's Meter Reveals
I7 Some Metrically Expressive Features in Donne and Milton
I8 Conclusion: Verse as Speech, Theater, Text, Tradition, Illusion

Appendix A: Percentage Distribution of Prose
in Shakespeare's Plays
Appendix B: Main Types of Deviant Lines
in Shakespeare's Plays
Appendix C: Short and Shared Lines

Notes
Main Works Cited or Consulted
Index