UC Press Blog

A fresh reexamination of Wayne Thiebaud as a self-described “art thief."

The editors of the "Journal of the Society of Architectural Historians" invite you to read a virtual issue on the architectural history of Atlanta and the southern US, which has been published in conjunction with #SAH2025 in Atlanta.

Body Language: The Queer Staged Photographs of George Platt Lynes and PaJaMa is the first in-depth study of the extraordinary interplay between George Platt Lynes and PaJaMa (Paul Cadmus, Jared French, and Margaret Hoening French). Nick Mauss and Angela Miller offer timely readings of how their prac

Three Centuries of American Art in 1938 was the Museum of Modern Art’s first international exhibition. With over 750 artworks on view in Paris ranging from seventeenth-century colonial portraits to Mickey Mouse and spanning architecture, film, folk art, painting, prints, and sculpture, it was the mo

Out today, Light on Fire: The Art and Life of Sam Francis is the first in-depth biography of Sam Francis, the legendary American abstract painter who broke all the rules in his personal and artistic life. The following passage is an excerpt from Chapter 4 of Light on Fire: The Art and Life of Sa

A look into the work and career of artist Lorraine O'Grady is also a chronicle of the art world's exclusionary politics. As Cassidy George writes in an article for Vogue: "O’Grady—both then and now—saw the city’s art scene for what it was: an elitist world defined by hierarchies of race, gender, and

By Shana Klein, author of The Fruits of Empire: Art, Food, and the Politics of Race in the Age of American ExpansionStill-life paintings of food look innocent at first sight. Pictures of bowls bulging with oranges and grapes were fashionable in nineteenth-century American dining rooms, prompting