Banned Books Week 2017: What Feminism Means

As part of Banned Books Week, we share a list of recommended titles that promote the freedom to seek and express ideas. UC Press is proud to publish esteemed feminist scholars and activists who argue for inclusivity and social justice in all forms, who advocate for feminism and the movement towards an equal society for all people, without discrimination.

During Banned Books Week (ending September 30), get a 30% discount on these selected titles on Feminism.

Below, enjoy some highlights from our list:

How All Politics Became Reproductive Politics: From Welfare Reform to Foreclosure to Trump
by Laura Briggs

“This book is a tour de force that highlights the failures of neoliberalism for many American families. With intensity and verve, Laura Briggs reveals the crisscrossing binds that constrain women, particularly women of color, queer women, and poor women.”—Alexandra Minna Stern, author of Eugenic Nation and Telling Genes

“Move over Sheryl Sandberg and Anne-Marie Slaughter. Here comes Laura Briggs, who shows how questions of care stand at the center of all politics. Briggs unmasks the racialized, classed, and gendered politics of this neoliberal moment with verve, sophistication, and vision.”—Eileen Boris, coauthor, Caring for America: Home Health Workers in the Shadow of the Welfare State

 

The Big Push: Exposing and Challenging the Persistence of Patriarchy
by Cynthia Enloe

“With Cynthia’s accessible and engaging style, The Big Push shines an important new light on contemporary and historical events.”—Sandra Whitworth, author of Men, Militarism and UN Peacekeeping

“Women and men who care about democracy and social justice need to read this book. Cynthia Enloe’s astute and far-sighted interpretation of ‘sustainable patriarchy’ is just what we need for the feminist struggles unfolding in the twenty-first century.”—Kathryn Kish Sklar, author of Women’s Rights Emerges within the Anti-Slavery Movement, 1830-1870

 

 

Radical Eroticism: Women, Art, and Sex in the 1960s
by Rachel Middleman

“With detailed discussions of the bold ways that heterosexual women artists foregrounded their sexuality as confrontational, critical, and political, Radical Eroticism makes an important contribution to the literature on Sixties art and adds to the revisions of its history that locate sex and gender as defining characteristics of the decade.”—David J. Getsy, Goldabelle McComb Finn Distinguished Professor of Art History, School of the Art Institute of Chicago

“A crucial resource for future studies of contemporary women’s erotic art and the sexual politics of erotic representations.”—Susan Richmond, Associate Professor of Art History, Georgia State University

 

Provocations: A Transnational Reader in the History of Feminist Thought
by Susan Bordo

Provocations is an ambitious, pioneering, interdisciplinary anthology that promises to disrupt hegemonic narratives of the complex histories of feminisms that permeate women’s studies classrooms in the U.S. academy. From the ancient world to the recent Arab Spring, Provocations engages some of the most compelling and contentious debates in the centuries old ‘woman question.’”—Beverly Guy-Sheftall, Anna Julia Cooper Professor of Women’s Studies and Founding Director of the Women’s Research and Resource Center at Spelman College

 

 

Reproductive Justice: An Introduction
by Loretta Ross & Rickie Solinger

“Controlling reproduction and the bodies of women seems to be the first step in every hierarchy. That’s why reproductive justice—women having power over our own bodies—is the crucial first step toward any democracy, any human rights, and any justice.” —Gloria Steinem

“We need to know the history laid out in Reproductive Justice, because we need to not repeat the ugliness of the past. Our strategies need to be inclusive and intersectional.None of us are free until we’re all free.”—Cecile Richards, President, Planned Parenthood Federation of America

 

 

Ronnie Gilbert: A Radical Life in Song
by Ronnie Gilbert with a foreword by Holly Near 

“Activism is just one of the threads winding through this title, along with music, theater, performance, politics, and the challenges of building a life outside of the 20th-century mainstream. . . . Yet it’s the music that shines the brightest in this memoir; Gilbert’s time with the Weavers and her creative partnership with Holly Near bookend a life no less remarkable for being remarkably nonlinear.”—Library Journal

“Gilbert’s memoir brings to life the frightening political climate of the times. . . . We are fortunate that Gilbert took the time to document her singular experiences as a committed activist and singer whose soaring contralto and “dangerous songs” both accompanied and animated the progressive movements of her time.”—San Francisco Chronicle


Complicity

This guest post is published as part of a series related to the American Sociological Association conference, which occurred from August 12 – 15 in Montreal, Quebec. #ASA17

By Cynthia Enloe, author of The Big Push: Exposing and Challenging the Persistence of Patriarchy

I grew up a Yankees fan. My mother, who couldn’t tell a home run from a quarterback sneak, gamely took 10 year old me and my pals to Yankee Stadium. Now I’m a Red Sox fan. I still love major league baseball. Today, though, I’m far more conscious of the insinuation of militarized patriotism into the game, and, more discomforting, the likelihood that as a fan, I am complicit in that risky process.

Last week I was among the 36,000 fans soaking up Fenway Park’s special beauty on a glorious July afternoon. The stands were full, the grass green, and the bases white. Red Sox fans are a boisterously friendly lot, so I felt I had to stand up with everyone else when a teenage girl sang the national anthem. I cringed when a mammoth stars and stripes was unfurled in the outfield down the beloved Green Monster wall. I kept my cringes to myself.

Around the 6th inning, during a lull in the action, the Fenway announcer drew our attention to the Jumbotron, where we saw a giant version of a middle-aged white man who, in human proportions, was with us in the stands. He was identified as a veteran of recent U.S. wars. Invited to give him a hero’s welcome, a wave of grateful applause erupted. I sat stingily on my hands, still saying nothing.

I love singing at Fenway. Joining thousands of other fans in “Take Me out to the Ball Game” and Boston’s own “Sweet Caroline” is to experience sheer joy. But when at the bottom of the 8th came “America the Beautiful” and everyone around me stood, I sat quietly. My friends smiled down at me sympathetically.

Patriotism, especially militarized, masculinity-heroicizing patriotism, is escalating at American sporting events. It may be most prominent at NFL games and NASCAR races, but it is in full bloom at most major league baseball games—not just the national anthem, but also the ubiquitous lauding of military personnel, and additional patriotic songs in the middle of the game.

Complicity. I have become more interested in complicity, and aware of its subtleties, but I’m not sure how to research it. Feminists in other countries might be our tutors. Japanese feminists today track the singing of their nation’s anthem and displays of the national flag. Bosnian feminists chart ethnicized patriotic symbols as they dominate masculinized soccer games in all parts of the now-rival states of the former Yugoslavia.

I think we need to explore how exactly ordinary women and men—and girls and boys—get personally drawn into militarized masculinized patriotism. To do that, we need to investigate the gendered responses of individuals to both pressures and the allures. I suspect that complicity in militarized masculinized patriotism is camouflaged as mere entertainment or sentimentalism, as well as collective appreciation and gratitude. Gratitude is so often feminized. It becomes an extension of dependency. Women, therefore, are popularly expected to be grateful to men and to the masculinized state for offering them militarized protection. In a militarized society, a woman who refuses to express that gratitude (staying seated when the male veteran is being cheered) risks being deemed unfeminine.

Appreciation can be either masculinized or feminized. In its militarized masculinized form, appreciation is imagined by many men to be an expression of their own special understanding of what it takes to be a manly soldier. By contrast, when feminized, that militarized appreciation is an expression of recognizing that an ordinary woman would be unable to perform these soldiering feats.

Sentimentality, entertainment, appreciation and gratitude—each are routinely gendered. To the extent that all four can be mobilized to serve masculinized militarized patriotism, patriarchy will be perpetuated. It will take researchers and analysts with patience, imagination, stamina and feminist curiosity to understand the myriad deep social processes being entrenched today at a baseball game on a sunny summertime afternoon.

Why did I sit during “God Bless America,” but say nothing?

Other titles from Cynthia Enloe:


Cynthia Enloe

Cynthia Enloe is Research Professor at Clark University specializing in critical studies of militarism and transnational feminism. She has appeared on the BBC, Al Jazeera, and NPR and has written for Ms. and the Village Voice. She is the author of more than fifteen books and was awarded the Howard Zinn Lifetime Achievement in Peace Studies Award from the Peace and Justice Studies Association (PJSA).