The Tide Was Always High: Tune In to December’s Playlist

Within the history of Los Angeles, the Latin American cadence is hard to ignore: Among the city’s most consistent beats, its most influential set of rhythms and melodies, are those that have arrived after traveling through a century or two of cultural contact and musical creativity in the Americas and across the African Diaspora. . . . Latin American music in Los Angeles is past and future at once.—Josh Kun, in his introduction to The Tide Was Always High

Musical Interventions—the Pacific Standard Time: LA/LA concert series curated by Josh Kun—wraps up this weekend, but you can still get your fill of cha cha cha rhythms and mambo melodies with his latest playlist below. And the accompanying book The Tide Was Always High is available to deepen your knowledge of Latin music and its impact on Los Angeles and American culture.

From Hollywood film sets to recording studios, vaudeville theaters to Sunset Strip nightclubs, the book explores the deep connections between Los Angeles and Latin America. Take a peek inside at some of the lush vintage album covers and check out LA Weekly for an excerpt connecting the dots between Latin music, Blondie, Mission: Impossible, and the Million Dollar Theater.

Musical Interventions
Event details at tidewasalwayshigh.com

December 2, 2017: That Bad Donato: The L.A. Brazil Connection—at Royce Hall, UCLA

This special evening revisits the 1970 album by legendary Brazilian pianist, producer and arranger João Donato, A Bad Donato (recorded in L.A.), and other moments of “Brazil-in-L.A”. musical creativity. Inspired by the Fowler Museum at UCLA exhibition Axé Bahia: The Power of Art in an Afro-Brazilian Metropolis, the concert features performances by João Donato backed by Bixiga 70, and Bahia-raised Mateus Aleluia with L.A.-based Brazilian singer Thalma de Freitas. Produced in partnership with Center for the Art of Performance at UCLA.

UC Press is thrilled to publish three books in conjunction with PST: LA/LA. Learn more here.

 


Tune in: New Playlist for The Tide Was Always High and Peeks Inside the Book

Music and musicians from Latin America are inextricable from the development of Los Angeles as a modern musical city. This volume listens for the musical urbanism of Los Angeles through the ear of Latin America. It makes the argument that the musical life of this dispersed and dynamic metropolis is shaped by immigrant musicians and migrating, cross-border musical cultures that not only have determined LA’s “harmonies of scenery,” but have been active participants in the making of the city’s modern aesthetics and modern industries.—Josh Kun, in his introduction to The Tide Was Always High

Pacific Standard Time: LA/LA continues throughout Los Angeles, and for the unprecedented Getty-led collaboration, MacArthur Fellow and cultural historian Josh Kun curated a multi-part “musical exhibition” that explore the musical networks between Los Angeles and various Latin American communities and cultures. Tune in to his latest Musical Intervention (details at the bottom of the page), plus a new curated playlist.

To deepen the experience of these events, The Tide Was Always High: The Music of Latin America in Los Angeles accompanies the series with essays, interviews, and analysis from leading academics, artists, journalists on the iconic Latin American musicians who shaped Los Angeles—and America: Carmen Miranda, Esquivel, Yma Sumac, Agustín Lara, Pérez Prado, Cannonball Adderley, Eva Quintanar, Paulinho da Costa, Lalo Schifrin, Earth, Wind & Fire, Antonio Carlos Jobim, Ninón Sevilla, João Donato, Eddie Cano, Abraham Laboriel Sr, Elisabeth Waldo, David Axelrod, María Conesa, Arsenio Rodríguez, Justo Almario, Tito Rodríguez, Flora Purim, Banda Nueva Dinastía de Zoochila, Roy Ayers, Alex Acuña, Airto Moreira, Sergio Mendes, Luis Conte.

From Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, the book explores the deep connections between Los Angeles and Latin America, complete with lush imagery and historical photos. Take a peek inside at some of the vibrant vintage album covers:

From the emergence of Afro-Cuban jazz to the influence of Brazilian samba and bossa nova…
… to the cha cha cha rhythms of Cuban cha cha cha, Hollywood cha cha cha, rock and roll cha cha cha, and R&B cha cha cha…
…to the Hollywood scores arranged by the most influential, post-war, Latin American composer to the King of the Mambo…
… and the King of Space Age Pop…
…to ethnomusicology and everyone and sound in between, “The Tide Was Always High” shows how the music of Latin America has impacted Los Angeles and American culture for decades.

Musical Interventions
All events listed at tidewasalwayshigh.com

November 4, 2017: Guillermo Galindo’s Human Nature: Sonic Botany—The Huntington, Rose Hills Garden Court

Experimental composer, sonic architect, and performance artist Guillermo Galindo presents a work inspired by “Visual Voyages.”  Free; no reservations required.

UC Press is thrilled to publish three books in conjunction with PST: LA/LA. Learn more here.


Tune in: The Tide Was Always High Concert Series

Pacific Standard Time: LA/LA is in full swing in Los Angeles, and for the unprecedented program, editor Josh Kun has turned a year of academic research into a phenomenal lineup of concerts and the book The Tide Was Always High: The Music of Latin America in Los Angeles.

Led by the Getty, PST: LA/LA is an ambitious exploration of Latin American and Latino art in Los Angeles and a joint effort of more than 70 cultural institutions across Southern California. Each month, Kun curates a monthly playlist related to his research, so tune in below and read along with The Tide Was Always High. Save 30% today with code 17M6662.

Here’s what’s happening this month:

Musical Interventions 

Event details at tidewasalwayshigh.com

October 7, 2017: Voice of the Xtabay: A Tribute to Yma Sumac—at Hammer Museum

A genre-bending roster of Los Angeles Latinx vocalists and musicians reimagine the songs of multi-octave Peruvian singer and Capitol Records recording star Yma Sumac. Inspired by the Hammer exhibition Radical Women: Latin American Art 1960-1985, the evening features Empress Of, Nite Jewel, Maria Elena Altany, Ceci Bastida, Dorian Wood, Carmina Escobar, and Francisca Valenzuela. Produced in partnership with the Hammer Museum.

October 18, 2017: Playing With Fires: Chicano Batman Plays Carlos Almaraz—at LACMA

Celebrated Los Angeles band Chicano Batman will perform new music inspired by LACMA’s exhibition Playing with Fire: Paintings by Carlos Almaraz. Performance will take place in the exhibition gallery. Produced in partnership with LACMA.

October 26, 2017: Tonight at the Palace!: A Variedades Tribute—at The Downtown Palace Theatre

Inspired by classic Spanish-language variety shows held at downtown movie palaces such as the Million Dollar and the Palace, this imaginative evening features live music, dance, comedy and a screening of restored Spanish language Laurel and Hardy films. Hosted by Mexico City performer and writer Amandititita, the evening includes the Versa-Style Dance Company and music from La Familia Gonzalez de Los Angeles, and an all-star jam session with Abraham Laboriel, Paulinho Da Costa, Alex Acuña, and Justo Almario. Produced in partnership with USC’s Visions & Voices.

UC Press is thrilled to be publishing three books in conjunction with PST: LA/LA. Learn more here.

#PSTLALA // #TheTideWasAlwaysHigh


The Mark Twain Event to End All Mark Twain Events

Mark Twain at the Hammer MuseumAttention Southern California: Make sure you get to the Hammer Museum on Tuesday, February 8 at 7:00 p.m. for a one-of-a-kind celebration of the Autobiography of Mark Twain. Scholar and editor of the Mark Twain Project Robert Hirst will discuss Twain’s life and work, followed by a panel discussion with legendary performer Hal Holbrook, moderated by David Kipen. The free event is co-presented with UC Press and PEN Center USA. It’s almost enough to make us wish we lived in L.A.! (Just kidding, people.)


Radical Light Coming to a Theater Near You

Radical Light cover imageYou don’t have to live in Northern California to experience Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945–2000 on the big screen. The Radical Light Book, Film, and Video Tour will be hitting Los Angeles next week, and traveling throughout the United States in 2011–2012. Details for the L.A. screenings are below. For more information, read the Los Angeles Times review, and check back at Radical Light’s website for updates as the tour evolves.

Friday, January 14, 7:30 p.m.
UCLA Film and Television Archives
Billy Wilder Theater at the Hammer Museum
10899 Wilshire Boulevard
Westwood Village
Program: “Landscape As Expression”

Sunday, January 16, 7:30 p.m.
L.A. Filmforum at the Egyptian Theater
6712 Hollywood Boulevard
Hollywood
Program: “The 1980s and 1990s”

Monday, January 17, 8:30 p.m.
REDCAT at the Disney Concert Hall
631 West Second Street
Downtown Los Angeles
Program: “Beat Era San Francisco”

Thursday, January 20, 7:30 p.m.
Los Angeles Contemporary Exhibitions (LACE)
6522 Hollywood Boulevard
Hollywood
Program: “Post-Performance Video”

Friday, January 21, 7:30 p.m.
UCLA Film and Television Archives
Billy Wilder Theater at the Hammer Museum
10899 Wilshire Boulevard
Westwood Village
Program: “1961-1971”

Sunday, January 23, 7:30 p.m.
L.A. Filmforum at the Echo Park Film Center
1200 North Alvarado Street (@ Sunset Blvd.)
Downtown
Program: “Small Gauge”