3 Books That Go Beyond Borders for Pacific Standard Time: LA/LA

Kicking off this month throughout Southern California, Pacific Standard Time: LA/LA is a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles. Led by the Getty, PST: LA/LA is a joint effort from more than 60 cultural institutions across the region, and UC Press is thrilled to be publishing three books in conjunction with this unprecedented collaboration. 

Learn more about each title and find out about related events below. #PSTLALA

The Tide Was Always High: The Music of Latin America in  Los Angeles 
Edited by Josh Kun

The Tide Was Always High gathers together essays, interviews, and analysis from leading academics, artists, journalists, and iconic Latin American musicians to explore the vibrant connections between Los Angeles and Latin America. From Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, and from Carmen Miranda to Pérez Prado and Juan García Esquivel, Latin American musicians and music have helped shape Los Angeles culture since the birth of the city.

Related events: Musical Interventions, a series of six live musical events presented by author Josh Kun at multiple PST: LA/LA institutions. Details and more at tidewasalwayshigh.com. September 23 – December 2, 2017

And tune in for monthly playlists curated by editor Josh Kun.

Ism, Ism, Ism / Ismo, Ismo, Ismo: Experimental Cinema in Latin America
Edited by Jesse Lerner & Luciano Piazza

Ism, Ism, Ism / Ismo, Ismo, Ismo is the first comprehensive, United States–based film program and catalogue to treat the full breadth of Latin America’s vibrant experimental film production. The fully bilingual catalogue features major scholars and artists working across nationalities, mediums, and time periods. Lerner and Piazza assemble a mix of original content authored by key curators, scholars, and archivists from Latin America: eighteen essays and articles translated for the first time pertaining to the history of Latin American experimental film, historical image-documents that are fundamental to the history of experimental film in Latin America, and program notes from the exhibition’s programs.

Related events: In partnership with the Los Angeles Filmforum, a series of screenings will take place between September 2017 and January 2018. The first weekend of screenings will take place September 22–24 at REDCAT. See a complete calendar of events at www.ismismism.org.

California Mexicana
Missions to Murals, 1820–1930
Edited by Katherine Manthorne

California Mexicana focuses for the first time on the range and vitality of artistic traditions growing out of the unique amalgam of Mexican and American culture that evolved in Southern California from 1820 through 1930. A study of these early regional manifestations provides the essential matrix out of which emerge later art and cultural issues. Featuring painters, printmakers, photographers, and mapmakers from both sides of the border, this collection demonstrates how they made the Mexican presence visible in their art. This beautifully illustrated catalogue addresses two key areas of inquiry: how Mexico became California, and how the visual arts reflected the shifting identity that grew out of that transformation.

Related exhibition: California Mexicana: Missions to Murals, 1820–1930 October 15, 2017 – January 14, 2018 at the Laguna Art Museum

 


A Look at California Mexicana—An Upcoming Exhibition & Catalogue

Part of the Getty Foundation’s Pacific Standard Time: LA/LA initiative, the California Mexicana: Missions to Murals, 1820–1930 exhibition opens on October 15th at the Laguna Art Museum.

Artistic and cultural exchange between California and Mexico has flourished since the time when California was part of the United States of Mexico. The exhibition highlights this vital aspect of the state’s history through a panorama of works by artists on both sides of the border, from scenes of mission and rancho life through images of romantic Old California, to the emergence of a cross-border modern art scene.

Cover image is a detail of La Plaza de Toros: Sunday Morning in Monterey, 1874, by Charles Christian Nahl.

Edited by curator Katherine Manthore, the beautifully illustrated catalogue addresses two key areas of inquiry: how Mexico became California, and how the visual arts reflected the shifting identity that grew out of that transformation.

Grizzly Bear of California, c. 1854, Charles Christian Nahl, Watercolor over graphite sketch, 7 ½ x 11 inches, City of Monterey Art Collection, gift from Mrs. Augusta Nahl Allen
Translation from the Maya, 1940, Dorr Bothwell, Oil on Celotex, 23 x 19 inches, Laguna Art Museum Collection Museum purchase with funds provided through prior gift of Lois Outerbridge
Fruit of the Vine, 1926, Norman Rockwell, Oil on canvas, 31 x 27 inches, Collection of the Sun-Maid Growers of California; on long-term loan to Norman Rockwell Museum, Stockbridge, Massachusetts
San Gabriel Mission, Ferdinand Deppe, Oil on canvas, c. 1832, 27 x 37 inches, Laguna Art Museum Collection, Gift of Nancy Dustin Wall Moure

As evidenced by the selected images above, the catalogue includes diverse works by a wide array of artists including Frida Kahlo, Juan Correa, David Alfaro Siqueiros, José María Velasco, Tina Modotti, Edward Weston, Maxine Albro, Thomas Moran, unknown artists, and many others, making it both a pleasure and an adventure to read.


Celebrate #WorldCameraDay: Enter FlakPhoto’s The Polaroid Project Giveaway

Today is National Camera Day. To celebrate, we’ve teamed up with the amazing FlakPhoto to give away five copies of The Polaroid Project: At the Intersection of Art and Technology.

Photo by Andy Adams, FlakPhoto

Submission is FREE and you have three chances to win. FlakPhoto will draw 5 random winners from the comments, retweets and shares on Sunday, July 2.

Published to accompany a major traveling exhibition, The Polaroid Project is a creative exploration of the relationship between Polaroid’s many technological innovations and the art that was created with their help. Richly designed with over 300 illustrations, this impressive volume showcases not only the myriad and often idiosyncratic approaches taken by such photographers as Ansel Adams, Robert Mapplethorpe, Ellen Carey, and Chuck Close, but also a fascinating selection of the technical objects and artifacts that speak to the sheer ingenuity that lay behind the art. With essays by the exhibition’s curators and leading photographic writers and historians, The Polaroid Project provides a unique perspective on the Polaroid phenomenon — a technology, an art form, a convergence of both — and its enduring cultural legacy.

Barbara Crane, Private Views, 1981.
Dennis Hopper, Los Angeles, Back Alley, 1987.
André Kertész, August 13, 1979, 1979.
Mark Klett, Contemplating the view at Muley Point, Utah 1994, 1994.

Head over to FlakPhoto for all the giveaway details and how-to. (Psst. You can also get the scoop on a special discount to save 40% on The Polaroid Project.)

Be sure to tell your photography friends about the giveaway, and good luck!

Watch a wonderful Polaroid video and learn more about the exhibition currently on view at the Amon Carter Museum of American Art.


BRUCE CONNER wins the 2017 Dedalus Foundation Exhibition Catalogue Award

The Dedalus Foundation Exhibition Catalogue Award is awarded annually to the author or authors of an outstanding exhibition catalogue published in a given calendar year that makes a significant contribution to the scholarship of modern art or modernism. This award is given in addition to, and as the complement of, the prestigious Robert Motherwell Book Award.

We are proud to announce the 2017 award went to BRUCE CONNER: IT’S ALL TRUE by Rudolph Frieling and Gary Garrels, published in association with the San Francisco Museum of Modern Art.

“The historic exhibition catalogue BRUCE CONNER: IT’S ALL TRUE offers a rigorous accounting and analysis of a pivotal American artist whose pioneering work in various media, including film and video, works on paper, assemblages, photographs and photograms, performance, and more, continues to exert tremendous influence on artists working today.

The catalogue offers a highly anticipated contemporary perspective on Conner, providing a definitive examination of his output and place in postwar art. It features a wide range of artworks and ephemeral materials never before published.”

To learn more about the exhibition, listen to the Modern Art Notes podcast interview with curator Gary Garrels.

Save 30% on the catalogue with online purchase—enter discount code 16W6596 at checkout.


The Uses of Photography exhibition opens this weekend at the Museum of Contemporary Art San Diego

 

Dawsey cover
The Uses of Photography: Art, Politics, and the Reinvention of a Medium (September 2016)

we had this dream     of truth     the truth of things

maybe in a photograph.

—David Antin

Published in conjunction with an exhibition opening this evening at the Museum of Contemporary Art San Diego, The Uses of Photography examines a network of artists whose experiments with photography during the turbulent, transitional period between the late 1960s and early 1980s opened the medium to a profusion of new strategies and subjects. Working within the framework of Conceptual art, artists such as Eleanor Antin, Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems introduced urgent social issues and themes of everyday life into the seemingly neutral territory of photography, producing works that took on hybrid forms, from books and postcards to video and text-and-image installations.

And, courtesy of our partners at MCASD here’s a behind-the-scenes view of preparators, Nick and Jeremy, installing Fred Lonidier’s GAF Snapshirts.

Exhibition install
Installation of Fred Lonidier (1976), Courtesy of the artist; Michael Benevento, Los Angeles; Essex Street, New York; and Silberkuppe, Berlin.

The exhibition runs through January 2nd, and event programming includes film screenings, panel discussions with the artists, curator talks and more.

To get your own copy of the catalogue, visit the museum, or purchase online at IndieBoundAmazonBarnes & Noble, or UC Press (to save 30% on ucpress.edu, enter discount code16M4197 at checkout).


Covered in Time and History: The Films of Ana Mendieta Wins First Prize in AAM’s Museum Publications Design Competition

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Published in association with the Katherine E. Nash Gallery, University of Minnesota, UC Press is proud to announce that Covered in Time and History: The Films of Ana Mendieta was recently awarded First Prize in the 2016 Museum Publications Design Competition from the American Alliance of Museums.

We are especially gratified to be recognized amid such excellent company, and congratulate all of the museums with publications the competition, including Second Prize winners The Jewish Museum, NY, and the Museum of Fine Arts, Boston, and Honorable Mentions for The Freer|Sackler, The Smithsonian’s Museums of Asian Art, the National Gallery of Art, and many others.

As the only national juried competition of its kind, the competition recognizes superior execution and ingenuity in the graphic design of museum publications. Winners are chosen for their overall design excellence, creativity and ability to express an institution’s personality, mission, or special features.

The first book-length treatment of Mendieta’s moving-image practice, this richly illustrated catalogue presents a series of sequential color stills from each of twenty-one original Super 8 films that have been newly preserved and digitized in high definition for the exhibition, combined with related photographs, and reference still images from all of the artist’s 104 filmworks; together these illustrations sample the full range of the artist’s film practice from 1971 to 1981. The book includes Mendieta’s first published comprehensive filmography resulting from three years of collaborative research conducted by the Estate of Ana Mendieta Collection and the University of Minnesota as well as original essays by John Perreault, Michael Rush, Rachel Weiss, Lynn Lukkas, Raquel Cecilia Mendieta, and Laura Wertheim Joseph.

To learn more about Ana Mendieta’s film work, watch a video interview with the artist’s niece, Raquel Cecilia Mendieta, who also contributed an essay for the catalogue.

First prize winners in the competition will be featured in a special section of the November/December issue of Museum.

This exceptional catalogue was also selected for The Kraszna-Krausz Foundation’s long list for the Best Moving Image Book Award from the British Journal of Photography.