3 Books That Go Beyond Borders for Pacific Standard Time: LA/LA

Kicking off this month throughout Southern California, Pacific Standard Time: LA/LA is a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles. Led by the Getty, PST: LA/LA is a joint effort from more than 60 cultural institutions across the region, and UC Press is thrilled to be publishing three books in conjunction with this unprecedented collaboration. 

Learn more about each title and find out about related events below. #PSTLALA

The Tide Was Always High: The Music of Latin America in  Los Angeles 
Edited by Josh Kun

The Tide Was Always High gathers together essays, interviews, and analysis from leading academics, artists, journalists, and iconic Latin American musicians to explore the vibrant connections between Los Angeles and Latin America. From Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, and from Carmen Miranda to Pérez Prado and Juan García Esquivel, Latin American musicians and music have helped shape Los Angeles culture since the birth of the city.

Related events: Musical Interventions, a series of six live musical events presented by Josh Kun at multiple PST: LA/LA institutions. Details and more at tidewasalwayshigh.com. September 23 – December 2, 2017

And tune in for monthly playlists curated by editor Josh Kun.

Ism, Ism, Ism / Ismo, Ismo, Ismo: Experimental Cinema in Latin America
Edited by Jesse Lerner & Luciano Piazza

Ism, Ism, Ism / Ismo, Ismo, Ismo is the first comprehensive, United States–based film program and catalogue to treat the full breadth of Latin America’s vibrant experimental film production. The fully bilingual catalogue features major scholars and artists working across nationalities, mediums, and time periods. Lerner and Piazza assemble a mix of original content authored by key curators, scholars, and archivists from Latin America: eighteen essays and articles translated for the first time pertaining to the history of Latin American experimental film, historical image-documents that are fundamental to the history of experimental film in Latin America, and program notes from the exhibition’s programs.

Related events: In partnership with the Los Angeles Filmforum, a series of screenings will take place between September 2017 and January 2018. The first weekend of screenings will take place September 22–24 at REDCAT. See a complete calendar of events at www.ismismism.org.

California Mexicana
Missions to Murals, 1820–1930
Edited by Katherine Manthorne

California Mexicana focuses for the first time on the range and vitality of artistic traditions growing out of the unique amalgam of Mexican and American culture that evolved in Southern California from 1820 through 1930. A study of these early regional manifestations provides the essential matrix out of which emerge later art and cultural issues. Featuring painters, printmakers, photographers, and mapmakers from both sides of the border, this collection demonstrates how they made the Mexican presence visible in their art. This beautifully illustrated catalogue addresses two key areas of inquiry: how Mexico became California, and how the visual arts reflected the shifting identity that grew out of that transformation.

Related exhibition: California Mexicana: Missions to Murals, 1820–1930 October 15, 2017 – January 14, 2018 at the Laguna Art Museum


#NonstopMetropolis launches at the Queens Museum + Upcoming Events

This week we’re celebrating the launch of Rebecca Solnit and Joshua Jelly-Schapiro’s Nonstop Metropolis: A New York City Atlas at the Queens Museum.

For previous posts in this series, see our Nonstop Metropolis archive.

While the Nonstop Metropolis: The Remix exhibition—a multi-faceted project in collaboration with renowned writer, historian, and activist, Rebecca Solnit—has been up at the Queens Museum since Spring 2016, it continues to evolve. This past weekend was the launch event for Nonstop Metropolis: A New York City Atlas, the culminating volume in a trilogy of atlases. As described by The Village Voice, “…here is Nonstop Metropolis: A New York City Atlas to make these streets magic again. Rebecca Solnit and Joshua Jelly-Schapiro’s collection achieves the trifold purpose that all good cartography does — it’s beautiful, it inspires real thought about civic planning, and, most of all, it’s functional.”

The public event included a hands-on map-making workshop facilitated by Queens Museum educators; “Songs of the City,” a unique mix of songs and music referenced in the book; and drop-in readings of essay excerpts and signings by Rebecca Solnit, Joshua Jelly-Schapiro, Garnette Cadogan, Jonathan Tarleton, and some of the many contributors* in attendance.

Laura Raicovich, President and Executive Director of the Queens Museums, introduces Nonstop Metropolis authors and contributors. (Photo by Pema Domingo-Barker)
Garnette Cadogan, Nonstop Metropolis Editor-at-Large and author of the “Law of Love, Peace and Libertie” essay, appropriately, about Flushing, Queens. (Photo by Mirissa Neff, mirissaneff.com)
Joshua Jelly-Schapiro, Garnette Cadogan, and Rebecca Solnit in the Panorama of the City of New York, on long-term view at the Queens Museum. (Photo by Mirissa Neff, mirissaneff.com)
Sheerly Avni, author of the ‘My Yiddishe Papa’ essay in Nonstop Metropolis, addresses the crowd. (Photo by Mirissa Neff, mirissaneff.com)

For a live perspective on the event, check out the Queens Museum’s Twitter feed, and artist Peach Tao’s Tumblr telling. (Stay tuned to this space for details on her fab Shaolin creations).


To get a copy of Nonstop Metropolis, visit your local bookstore, or purchase online at IndieBoundAmazonBarnes & Noble, or UC Press (to save 30% on ucpress.edu, enter discount code16M4197 at checkout).

To get it signed by the the authors, upcoming Nonstop Metropolis events include:

Dance RecitalJJ SchapiroNonstop Metropolis: A New York City Atlas is the final volume in our trilogy of atlases by Rebecca Solnit, Joshua Jelly-Schapiro, Rebecca Snedeker, and a host of notable contributors. Following the publication of the critically lauded Infinite City (San Francisco) and Unfathomable City (New Orleans), we bring you this homage—and challenge—to the way we know New York City, an exquisitely designed and gorgeously illustrated atlas that excavates the many buried layers of all five boroughs of New York City and parts of New Jersey.

* The full list of contributors to Nonstop Metropolis: Sheerly Avni, Gaiutra Bahadur, Marshall Berman, Joe Boyd, Will Butler, Garnette Cadogan, Thomas J. Campanella, Daniel Aldana Cohen, Teju Cole, Joel Dinerstein, Paul La Farge, Francisco Goldman, Margo Jefferson, Lucy R. Lippard, Barry Lopez, Valeria Luiselli, Suketu Mehta, Emily Raboteau, Molly Roy, Sharifa Rhodes-Pitts, Luc Sante, Heather Smith, Jonathan Tarleton, Astra Taylor, Alexandra T. Vazquez, Christina Zanfagna, plus interviews with Valerie Capers, Peter Coyote, Grandmaster Caz, Grand Wizzard Theodore, Melle Mel, and RZA.

Richard O. Moore at Lunch Poems, December 3

imgPoet and UC Press author Richard O. Moore will read from his forthcoming collection, Writing the Silences, at noon this Thursday, December 3, as part of the Lunch Poems Noontime Poetry Reading Series at UC Berkeley’s Morrison Library.

Richard Moore belonged to the San Francisco Renaissance literary circle of Kenneth Rexroth in the 1940s and 1950s, which was a precursor to the Beat poetry movement. In 1949 he was one of the founders of KPFA, the first listener-supported public radio station in the United States, and he has made many documentary films that have showed on public television and elsewhere. Brenda Hillman, poet and co-editor of Writing the Silences and of the New California Poetry series, will introduce Moore’s reading.

When and where:

Thursday, December 3, 2009
12:10 – 12:50 pm
Morrison Library (101 Doe Library)
UC Berkeley Campus (Campus map)
Admission is free and open to the public


Harryette Mullen, Amiri Baraka, and Lyn Hejinian are among the other UC Press poets who have read their work at Lunch Poems. Watch their readings at UCTV.

Lunch Poems is directed by Robert Hass, co-editor of the UC Press New California Poetry Series. In this UCTV video, Hass introduces a Lunch Poems reading by Robin Blaser, author of The Holy Forest and The Fire.