The past year was marked by upheaval and activism. And it was marked by sound. From our collectively heightened awareness of birdsong to chants calling for abolition, 2020 was a year defined …
Read More >We’re proud to announce that Brian Jacobson, editor of In the Studio: Visual Creation and Its Material Environments has won the 2021 Society for Cinema and Media Studies Best Edited Collection Award! …
Read More >By Caetlin Benson-Allott, author of The Stuff of Spectatorship: Material Cultures of Film and Television This guest post is part of our #SCMS2021 conference series. Visit our virtual exhibit to learn more. In January …
Read More >By Haidee Wasson, author of Everyday Movies: Portable Film Projectors and the Transformation of American Culture This guest post is part of our #SCMS2021 conference series. Visit our virtual exhibit to learn more. Have …
Read More >We are pleased to offer a selection of our journals content for free online in conjunction with the virtual conference of the College Art Association (CAA). Explore the current issue of Latin …
Read More >We’re extending our free content offers for #MLA2021 through the end of January. Click on the journal covers below for limited-time, free content and be sure to explore any earlier MLA2021 posts …
Read More >This interview was originally published in Film Quarterly. Sam Sheppard is the author of Sporting Blackness: Race, Embodiment, and Critical Muscle Memory on Screen. Sheppard is the Mary Armstrong Meduski ’80 Assistant …
Read More >In this “collective essay,” Laura U. Marks, Joseph Clark, Jason Livingston, Denise Oleksijczuk and Lucas Hilderbrand discuss the adverse environmental effects of streaming media.
Read More >by Howard Suber, author of Creativity and Copyright: Legal Essentials for Screenwriters and Creative Artists In more than 50 years of teaching aspiring filmmakers in UCLA’s Department of Film, Television and New …
Read More >by John Geiger, author of Creativity and Copyright: Legal Essentials for Screenwriters and Creative Artists This is a true story. Last week I received a call from a screenwriter who had just …
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