Category: Events

UC Press Authors at the LA Times Book Festival

We’re excited to announce that three UC Press authors will be featured on panels at the Los Angeles Times Festival of Books this weekend.

Marcus Anthony Hunter, co-author of Chocolate Cities: The Black Map of American Life, will serve as moderator on the panel “History: The Problem of Slavery’s Intransigent Legacy.”

“History: The Problem of Slavery’s Intransigent Legacy” (Conversation 2011)
Sunday April 22, 2018
10:30am – 11:30am
Hancock Foundation, Signing Area 1
Politics & History

Marcus Anthony Hunter is Chair of the Department of African American Studies, Associate Professor of Sociology, and he holds the Scott Waugh Endowed Chair in the Division of the Social Sciences at the University of California, Los Angeles. He is the author of Black Citymakers: How the Philadelphia Negro Changed Urban America and the president of the Association of Black Sociologists.

Read more from Marcus and co-author Zandria Robinson on their thoughts on why Los Angeles is still part of The South and how Black lives are affected by current policies today.

Also on Sunday, “The Rise of Extremism“ will feature Khaled Beydoun (American Islamophobia: Understanding the Roots and Rise of Fear) and Michael Kimmel (Healing from Hate: How Young Men Get Into—and Out of—Violent Extremism) in a discussion on extremist ideology and what attracts individuals to being radicalized.

 

“The Rise of Extremism” (Conversation 2072)
Sunday April 22, 2018
12:30pm – 1:30pm
Ronald Tutor Campus Center, Signing Area 3

Three authors will discuss the attraction and impact of extremist ideologies on the panel “The Rise of Extremism” (Sun. Apr. 22, 12:30 p.m.), moderated by The Times’ Matt Pearce.

Professor Khaled A. Beydoun, author of “American Islamophobia: Understanding the Roots and Rise of Fear” will be joined by sociologist Michael Kimmel, whose new book “Healing from Hate” looks at what causes young men to join — and also leave — American neo-Nazi and white nationalist groups. The third author on their panel is Norwegian journalist Åsne Seierstad, among those traveling farthest to attend the festival, whose riveting new book examines how two generations flee from and return to extremism: “Two Sisters: A Father, His Daughters, and Their Journey into the Syrian Jihad.”

Khaled A. Beydoun is Associate Professor of Law at the University of Detroit Mercy School of Law and Senior Affiliated Faculty at the University of California–Berkeley Islamophobia Research and Documentation Project. A critical race theorist, he examines Islamophobia, the war on terror, and the salience of race and racism in American law. His scholarship has appeared in top law journals, including the California Law Review, Columbia Law Review, and Harvard Civil Rights–Civil Liberties Law Review. In addition, he is an active public intellectual and advocate whose commentary has been featured in the New York Times and Washington Post as well as on the BBC, Al Jazeera English, ESPN, and more. He is a native of Detroit and has been named the 2017 American-Arab Anti-Discrimination Committee Advocate of the Year and the Arab American Association of New York’s 2017 Community Champion of the Year.

Read more on Khaled’s thoughts on the deeply-ingrained history of Islamophobia in America on the UC Press Blog.

Michael Kimmel is one of the world’s leading experts on men and masculinities. He is the SUNY Distinguished Professor of Sociology and Gender Studies at Stony Brook University and the author of Manhood in America, Angry White Men, The Politics of Manhood, The Gendered Society, and Guyland. With funding from the MacArthur Foundation, he founded the Center for the Study of Men and Masculinities at Stony Brook in 2013.

Check out Michael’s #HealingFromHate series on the UC Press Blog.

 

Connecting with the Community: Attend Khaled Beydoun’s Upcoming Events on American Islamophobia

Khaled Beydoun, author of American Islamophobia: Understanding the Roots and Rise of Fear is committed to sharing his passion, dedication, and energy in supporting and enriching communities. He says:

I spent much of 2015, 2016, and early 2017 on the road, speaking to undergraduates and graduate students, faculties, and community members, educating them about the meaning, parameters, and  threat of Islamophobia, and in the process, hearing their personal stories, building friendships, and expanding my community during a time of national crisis and concern.

I have interwoven several of these stories in American Islamophobia, which presented an opportunity to memorialize the rich tapestry of experiences, memories, and people with whom I crossed paths. But most importantly, this book presented a lasting opportunity to extend my mission to educate people about Islam, Muslim Americans, and the deeply rooted and rising system—Islamophobia—that distorts, demonizes, and drives state and private violence against the faith and its adherents.

Event Schedule

Meet Khaled and learn more about his work on law, racial justice, and Islamophobia. He’ll also share ways in which people can serve as activists and supporters within their community.

April

May 

  • May 2, 6:00pm, Seminary Co-op Bookstore, in Conversation with Ifrah Magan. Chicago, IL
  • May 9, 7:00pm, The Carter Center, Atlanta, GA
  • May 20, Brooklyn Museum, NY City Book Launch,  Brooklyn, NY
  • May 22, Arab American Association of New York, Brooklyn, NY
  • May 24, Islamic Center of NYU Annual Fundraiser, NYC, NY
  • May 25-26, Muslim Community Link, Worchester, MA

June

  • June 1, CAIR-AZ, Phoenix, AZ
  • June 2, Changing Hands Bookstore, Phoenix, AZ
  • June 4, The Summit, Seattle, WA
  • June 7, Busboys & Poets (14th and U), Washington, D.C.

Stay tuned for updates and additional dates. And read more about Khaled’s thought on rethinking Islamophobia, the FBI’s crackdown on “Black identity extremists“, and Islamophobia close to home.

Opportunities to Connect with Feminist Media Histories at #SCMS18

With the annual meeting of the Society of Cinema and Media Studies happening this week in Toronto, conference attendees are invited to connect with Feminist Media Histories at the following in-person events, and at @FemMediaHist and Facebook for free article downloads throughout the conference.

SCMS Women’s Caucus Graduate Student Writing Prize

Don’t miss the announcement of this year’s prize winner at the SCMS Women’s Caucus meeting on Thursday, March 15 at 4:00-5:45pm (Simcoe/Dufferin).

In recent years, Feminist Media Histories has been delighted to partner with the SCMS Women’s Caucus to co-sponsor the SCMS Women’s Caucus Graduate Student Writing Prize, an award that recognizes outstanding scholarship in feminist media history.

We’re celebrating the presentation of the award by offering free access to the winning article of the 2016 Writing Prize:

“Television’s ‘Mr. Moms’: Idealizing the New Man in 1980s Domestic Sitcoms”
Bridget Kies, University of Wisconsin, Milwaukee

 

Meet the Editor: Shelley Stamp (University of California, Santa Cruz)

Visit FMH Editor Shelley Stamp at the UC Press booth on Friday, March 16 from 10:00-11:00am to discuss publishing your work in the journal.

Whether or not you are attending #SCMS18, follow FMH on Twitter (FemMediaHist) and Facebook for news about ongoing free article downloads. In particular, FMH is celebrating Women’s History Month and #SCMS18 by freeing one FMH article for 48 hours every Tuesday and Thursday throughout the month of Month. Follow along to catch free downloads during #SCMS18 and beyond!

#UCP125 Staff Party

Tomorrow marks the 125th anniversary of UC Press. Last week staff celebrated our quasquicentennial (say that three times fast for a real tongue twister!) with food and drink, and song and verse. Scroll on for a sampling of the festivities.

EDP (Editing, Design & Production) showing their style
The Acquisitions Team in the House
Clearly they should have won the “Separated at Birth” prize…
Take our word on it, I.T. is fun
Editorial Assistants Unite!
Interdepartmental collaboration
Fun and games means prizes…including theme-appropriate miniature piñatas
That’s us, smart & sassy

Our Mad Libs-esque fill-in-the-blank game brought good laughs both during and after the party…

We leave you with an original UC Press composition, ‘Seasons of Books’. Go ahead, feel free to join in.

 

On the occasion of our 125th anniversary, we reflect not only on the Press’s milestones and illustrious publishing history but also look ahead to see the work to be done, true to our mission. Throughout the year, join us in celebrating this landmark occasion—one that bolsters our commitment to driving progressive change by seeking out and cultivating the brightest minds. Follow along on social media: #UCP125

The Tide Was Always High: Tune In to December’s Playlist

Within the history of Los Angeles, the Latin American cadence is hard to ignore: Among the city’s most consistent beats, its most influential set of rhythms and melodies, are those that have arrived after traveling through a century or two of cultural contact and musical creativity in the Americas and across the African Diaspora. . . . Latin American music in Los Angeles is past and future at once.—Josh Kun, in his introduction to The Tide Was Always High

Musical Interventions—the Pacific Standard Time: LA/LA concert series curated by Josh Kun—wraps up this weekend, but you can still get your fill of cha cha cha rhythms and mambo melodies with his latest playlist below. And the accompanying book The Tide Was Always High is available to deepen your knowledge of Latin music and its impact on Los Angeles and American culture.

From Hollywood film sets to recording studios, vaudeville theaters to Sunset Strip nightclubs, the book explores the deep connections between Los Angeles and Latin America. Take a peek inside at some of the lush vintage album covers and check out LA Weekly for an excerpt connecting the dots between Latin music, Blondie, Mission: Impossible, and the Million Dollar Theater.

Musical Interventions
Event details at tidewasalwayshigh.com

December 2, 2017: That Bad Donato: The L.A. Brazil Connection—at Royce Hall, UCLA

This special evening revisits the 1970 album by legendary Brazilian pianist, producer and arranger João Donato, A Bad Donato (recorded in L.A.), and other moments of “Brazil-in-L.A”. musical creativity. Inspired by the Fowler Museum at UCLA exhibition Axé Bahia: The Power of Art in an Afro-Brazilian Metropolis, the concert features performances by João Donato backed by Bixiga 70, and Bahia-raised Mateus Aleluia with L.A.-based Brazilian singer Thalma de Freitas. Produced in partnership with Center for the Art of Performance at UCLA.

UC Press is thrilled to publish three books in conjunction with PST: LA/LA. Learn more here.

 

Heading to ASA? Save 40% on These American Studies Titles

From searing critiques of power and wealth, to in-depth investigations of race, gender, and class to cultural histories of activism and social justice, these new releases will inspire the way you think about America today. Visit UC Press at the American Studies Association conference (booth 405) to save 40% on these titles and more. To take early advantage of our conference discount—and see just a sample of what will be on view—visit our ASA landing page.

We’re especially excited to debut the new series American Studies Now: Critical Histories of the Present, edited by past presidents of the ASA Lisa Duggan and Curtis Marez. Offering broad context provided by deeply knowledgeable American Studies scholars and activists, these short, timely books address the political and cultural issues that matter now. Learn more about American Studies Now from the series editors. 

Take Note of These ASA Sessions:

  • American Studies Now: Critical Histories of the Present
    With UC Press Executive Editor Niels Hooper, series editors Lisa Duggan and Curtis Marez, and series authors Scott Kurashige, Sunaina Maira, Barbara Ransby, Shelley Streeby, and Macarena Gomez-Barris
    View session here
  • Rethinking History and Methods in the American Studies Classroom 
    Join Philip Deloria and Alexander Olson, authors of of American Studies: A User’s Guide, as they discuss how renewed attention to method might change the way American Studies is taught in the classroom and beyond
    View session here
  • Roderick Ferguson, author of We Demand: The University and Student Protests
    View all sessions here
  • Jack Halberstam, author of Trans*: A Quick and Quirky Account of Gender Variability 
    View all sessions here
  • Barbara Ransby, author of the forthcoming Making All Black Lives Matter: Reimagining Freedom in the Twenty-First Century
    View all sessions here
  • Josh Kun, editor of The Tide Was Always High: The Music of Latin America in Los Angeles
    View session here
  • Sharon Luk, author of The Life of Paper: Letters and a Poetics of Living Beyond Captivity
    View session here
  • Simeon Man, author of the forthcoming Soldiering through Empire: Race and the Making of the Decolonizing Pacific
    View session here

Browse more new & notable American Studies Titles.

How Race and Neoliberalization Shaped Chicago Politics

Chicago has attracted the gaze of journalists, novelists, essayists, and scholars as much as any city in the nation. And, yet, few historians have attempted big-picture narratives of the city’s transformation over the twentieth century.

Chicago on the Make: Power and Inequality in a Modern City traces the evolution of the city’s politics, culture, and economy as it grew from an unruly tangle of rail yards, slaughterhouses, factories, tenement houses, and fiercely defended ethnic neighborhoods into a truly global urban center.

Reinterpreting the familiar narrative that Chicago’s autocratic machine politics shaped its institutions and public life, acclaimed historian Andrew J. Diamond demonstrates how the grassroots politics of race crippled progressive forces and enabled an alliance of downtown business interests to promote a neoliberal agenda that created the stark inequalities that ravage the city today.

From his introduction, Diamond describes the idea of Chicago vs. its reality:

Chicago has evoked so much that is patently American, and it continues to do so today even after President Trump attempted to make it into an aberration by evoking the “carnage” on its streets. First and foremost, with its 2.7 million residents (nearly 10 million in the entire metropolitan area), it is the clear-cut capital of the Midwest and thus of the fabled American “heartland”—a nebulous place that politicians of every stripe appeal to in order to convince voters that they represent the “real” people. And Chicago strikes this populist chord in ways that other “great” American cities do not. In contrast with the dominant image of the good people residing in the older, educated cities of the eastern seaboard, for example, the stereotypical Chicagoan speaks in a thick accent, pronouncing words like the and these as “da” and “dese.” While notions of class justice (and injustice) now struggle for legitimacy within the realm of mainstream political discourse in the United States, American patriotism nonetheless remains infused with celebrations of average working men and women—which keeps Chicago a working-class town in the American imagination, even if it now ranks among the most economically powerful global cities in the world.

A people’s history, Chicago on the Make sheds new light on how the interplay of race and neoliberalization shaped Chicago’s political culture.

Join Andrew J. Diamond at one of his Chicago speaking engagements:

Tuesday, November 7
6-7pm
Chicago Public Library: Harold Washington Library Center
Free and open to the public
Check the event page for more details

Wednesday, November 8
6-7:30pm
Newberry Research Library
Free and open to the public
Check the event page for more details

Thursday, November 9
5:45-8pm
Chicago History Museum
$25, price includes dinner and parking
Check the event page for more details

The Fifth Element: A Two-Day Global Symposium and Think Tank

by Casey Philip Wong, in collaboration with H. Samy Alim and Jeff Chang

On November 8th and 9th, Stanford University’s Institute for Diversity in the Arts (IDA) will host an international community of scholars, artists, and educators for a ground-breaking symposium, “The 5th Element: The Future and Promise of Hip Hop Pedagogy.” The free and public two-day global symposium and think tank takes place at the Graduate School of Business Common. Attendees will collectively engage in intellectual inquiry to discuss the future and promise of Hip Hop pedagogy as a growing academic field, and as a social justice-based, global educational movement.

Flier for The Fifth Element Hip Hop Pedagogy Symposium and Think Tank

The symposium begins with UCLA Professor H. Samy Alim and IDA Executive Director Jeff Chang, who will frame the breadth and importance of Hip Hop pedagogy in this current political and educational moment. Dr. Alim will theorize Hip Hop in relation to Culturally Sustaining Pedagogy and host a screening and dialogue of the critically-acclaimed, South African Hip Hop documentary Afrikaaps, along with a featured performer in the film, the legendary Hip Hop artist and educator, Emile YX? of Black Noise and Heal the Hood in Cape Town, South Africa.

The Keynote Panel will offer a discussion with world-renowned Hip Hop feminists: Joan Morgan, Brittney Cooper, Treva Lindsey and Kaila Story. They will discuss how Hip Hop feminism is rigorously pushing Hip Hop toward liberation—pedagogically, epistemologically, and ethically—in ways that offer implications for how we teach young women and girls, specifically, and future directions for Hip Hop educators and scholars, more generally.

Student participants at hip hop pedagogy symposium

The first day will also feature four simultaneous workshops with leading Hip Hop artists, educators and scholars to share their scholarship and dynamic teaching practices with youth. A featured panel, “Exploring the Past, Present and Future of Indigenous Hip Hop Pedagogy,” facilitated by Tim San Pedro, will highlight the groundbreaking indigenous educators and artists of the Dream Warriors (Tanaya Winder, Tall Paul, Frank Waln and Mic Jordan) whose work bears testament to how Hip Hop pedagogy is transforming the lives of indigenous youth. Other featured workshops will be offered by the co-founders of the award-winning Hip Hop organization operating out of Chicago, Kuumba Lynx; Bay Area teaching artist Itoco Garcia-Davenport and elementary school principal Elliot Gann; and Keith Cross, a freestyle lyricist, scholar and teaching artist, who will feature an innovative, interactive presentation of expert freestyle lyricists’ neurological processing of rhyme.

Classroom image of hip hop pedagogy symposium

While thinking globally, the symposium will also highlight how scholars and organizers are acting locally. The IDA Arts and Education Project, presented by Casey Philip Wong, Measha Ferguson Smith, Adorie Howard and Reagan Ross, will share their research findings on the Hip Hop arts ecosystem in East Palo Alto, California and offer a new frame for understanding the impact of Hip Hop pedagogy by exploring the work of an exemplary community-based Hip Hop organization led by Executive Director Tefferi Mogus Brook, the Music Mural and Arts Project (MMAP), and a performing arts program within a public charter high school, East Palo Alto Academy (EPAA), led by teacher Andy Robinson. The presentation will feature performances, scholarly debate, and open dialogue with audience members.

Day two offers a rare opportunity for debate and discussion among educators, artists and scholars making use of Hip Hop pedagogy to teach youth. The gathering will center practitioners and praxis. Co-presented with the Hip Hop Education Center, the “Think Tank IV: It’s Yours! Sustaining and Reimagining Our Movement” will open with networking and youth performances before launching into two hours of facilitated conversations led by Youth Speaks’ Michelle Lee. Gabriel “Asheru” Benn, Adia Winfrey, Martha Diaz, Melina Jones, Allegra Gilfenbaum, Rahman Jamaal and Sam Seidel will engage in critical exchanges around the best practices and needs of teaching artists. The conversation will present the Hip Hop Education Center Platform, a digital interface developed to support and sustain the collaboration of Hip Hop teaching artists from around the world.

To register: diversityarts.stanford.edu/5ESymposium

*IDA would like to acknowledge the Surdna Foundation, whose generous support has allowed us to explore Hip Hop pedagogies over the last four years and to host this convening.

Casey Philip Wong is a PhD Candidate in the Race, Inequality, and Language in Education Program at Stanford University and Assistant Investigator for the IDA Arts and Education Project. He is also Founding Director of the TRIUMPH After-School Program, which utilizes critical feminisms, hip-hop and martial arts to mentor, inspire and empower youth.

H. Samy Alim is the David O. Sears Presidential Endowed Chair in the Social Sciences at UCLA and Jeff Chang is Executive Director of IDA at Stanford University. They are the series editors for UC Press’ new Hip Hop Studies Series.

Tune in: New Playlist for The Tide Was Always High and Peeks Inside the Book

Music and musicians from Latin America are inextricable from the development of Los Angeles as a modern musical city. This volume listens for the musical urbanism of Los Angeles through the ear of Latin America. It makes the argument that the musical life of this dispersed and dynamic metropolis is shaped by immigrant musicians and migrating, cross-border musical cultures that not only have determined LA’s “harmonies of scenery,” but have been active participants in the making of the city’s modern aesthetics and modern industries.—Josh Kun, in his introduction to The Tide Was Always High

Pacific Standard Time: LA/LA continues throughout Los Angeles, and for the unprecedented Getty-led collaboration, MacArthur Fellow and cultural historian Josh Kun curated a multi-part “musical exhibition” that explore the musical networks between Los Angeles and various Latin American communities and cultures. Tune in to his latest Musical Intervention (details at the bottom of the page), plus a new curated playlist.

To deepen the experience of these events, The Tide Was Always High: The Music of Latin America in Los Angeles accompanies the series with essays, interviews, and analysis from leading academics, artists, journalists on the iconic Latin American musicians who shaped Los Angeles—and America: Carmen Miranda, Esquivel, Yma Sumac, Agustín Lara, Pérez Prado, Cannonball Adderley, Eva Quintanar, Paulinho da Costa, Lalo Schifrin, Earth, Wind & Fire, Antonio Carlos Jobim, Ninón Sevilla, João Donato, Eddie Cano, Abraham Laboriel Sr, Elisabeth Waldo, David Axelrod, María Conesa, Arsenio Rodríguez, Justo Almario, Tito Rodríguez, Flora Purim, Banda Nueva Dinastía de Zoochila, Roy Ayers, Alex Acuña, Airto Moreira, Sergio Mendes, Luis Conte.

From Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, the book explores the deep connections between Los Angeles and Latin America, complete with lush imagery and historical photos. Take a peek inside at some of the vibrant vintage album covers:

From the emergence of Afro-Cuban jazz to the influence of Brazilian samba and bossa nova…
… to the cha cha cha rhythms of Cuban cha cha cha, Hollywood cha cha cha, rock and roll cha cha cha, and R&B cha cha cha…
…to the Hollywood scores arranged by the most influential, post-war, Latin American composer to the King of the Mambo…
… and the King of Space Age Pop…
…to ethnomusicology and everyone and sound in between, “The Tide Was Always High” shows how the music of Latin America has impacted Los Angeles and American culture for decades.

Musical Interventions
All events listed at tidewasalwayshigh.com

November 4, 2017: Guillermo Galindo’s Human Nature: Sonic Botany—The Huntington, Rose Hills Garden Court

Experimental composer, sonic architect, and performance artist Guillermo Galindo presents a work inspired by “Visual Voyages.”  Free; no reservations required.

UC Press is thrilled to publish three books in conjunction with PST: LA/LA. Learn more here.

Tune in: The Tide Was Always High Concert Series

Pacific Standard Time: LA/LA is in full swing in Los Angeles, and for the unprecedented program, editor Josh Kun has turned a year of academic research into a phenomenal lineup of concerts and the book The Tide Was Always High: The Music of Latin America in Los Angeles.

Led by the Getty, PST: LA/LA is an ambitious exploration of Latin American and Latino art in Los Angeles and a joint effort of more than 70 cultural institutions across Southern California. Each month, Kun curates a monthly playlist related to his research, so tune in below and read along with The Tide Was Always High. Save 30% today with code 17M6662.

Here’s what’s happening this month:

Musical Interventions 

Event details at tidewasalwayshigh.com

October 7, 2017: Voice of the Xtabay: A Tribute to Yma Sumac—at Hammer Museum

A genre-bending roster of Los Angeles Latinx vocalists and musicians reimagine the songs of multi-octave Peruvian singer and Capitol Records recording star Yma Sumac. Inspired by the Hammer exhibition Radical Women: Latin American Art 1960-1985, the evening features Empress Of, Nite Jewel, Maria Elena Altany, Ceci Bastida, Dorian Wood, Carmina Escobar, and Francisca Valenzuela. Produced in partnership with the Hammer Museum.

October 18, 2017: Playing With Fires: Chicano Batman Plays Carlos Almaraz—at LACMA

Celebrated Los Angeles band Chicano Batman will perform new music inspired by LACMA’s exhibition Playing with Fire: Paintings by Carlos Almaraz. Performance will take place in the exhibition gallery. Produced in partnership with LACMA.

October 26, 2017: Tonight at the Palace!: A Variedades Tribute—at The Downtown Palace Theatre

Inspired by classic Spanish-language variety shows held at downtown movie palaces such as the Million Dollar and the Palace, this imaginative evening features live music, dance, comedy and a screening of restored Spanish language Laurel and Hardy films. Hosted by Mexico City performer and writer Amandititita, the evening includes the Versa-Style Dance Company and music from La Familia Gonzalez de Los Angeles, and an all-star jam session with Abraham Laboriel, Paulinho Da Costa, Alex Acuña, and Justo Almario. Produced in partnership with USC’s Visions & Voices.

UC Press is thrilled to be publishing three books in conjunction with PST: LA/LA. Learn more here.

#PSTLALA // #TheTideWasAlwaysHigh