Banned Books Week 2017: What Feminism Means

As part of Banned Books Week, we share a list of recommended titles that promote the freedom to seek and express ideas. UC Press is proud to publish esteemed feminist scholars and activists who argue for inclusivity and social justice in all forms, who advocate for feminism and the movement towards an equal society for all people, without discrimination.

During Banned Books Week (ending September 30), get a 30% discount on these selected titles on Feminism.

Below, enjoy some highlights from our list:

How All Politics Became Reproductive Politics: From Welfare Reform to Foreclosure to Trump
by Laura Briggs

“This book is a tour de force that highlights the failures of neoliberalism for many American families. With intensity and verve, Laura Briggs reveals the crisscrossing binds that constrain women, particularly women of color, queer women, and poor women.”—Alexandra Minna Stern, author of Eugenic Nation and Telling Genes

“Move over Sheryl Sandberg and Anne-Marie Slaughter. Here comes Laura Briggs, who shows how questions of care stand at the center of all politics. Briggs unmasks the racialized, classed, and gendered politics of this neoliberal moment with verve, sophistication, and vision.”—Eileen Boris, coauthor, Caring for America: Home Health Workers in the Shadow of the Welfare State

 

The Big Push: Exposing and Challenging the Persistence of Patriarchy
by Cynthia Enloe

“With Cynthia’s accessible and engaging style, The Big Push shines an important new light on contemporary and historical events.”—Sandra Whitworth, author of Men, Militarism and UN Peacekeeping

“Women and men who care about democracy and social justice need to read this book. Cynthia Enloe’s astute and far-sighted interpretation of ‘sustainable patriarchy’ is just what we need for the feminist struggles unfolding in the twenty-first century.”—Kathryn Kish Sklar, author of Women’s Rights Emerges within the Anti-Slavery Movement, 1830-1870

 

 

Radical Eroticism: Women, Art, and Sex in the 1960s
by Rachel Middleman

“With detailed discussions of the bold ways that heterosexual women artists foregrounded their sexuality as confrontational, critical, and political, Radical Eroticism makes an important contribution to the literature on Sixties art and adds to the revisions of its history that locate sex and gender as defining characteristics of the decade.”—David J. Getsy, Goldabelle McComb Finn Distinguished Professor of Art History, School of the Art Institute of Chicago

“A crucial resource for future studies of contemporary women’s erotic art and the sexual politics of erotic representations.”—Susan Richmond, Associate Professor of Art History, Georgia State University

 

Provocations: A Transnational Reader in the History of Feminist Thought
by Susan Bordo

Provocations is an ambitious, pioneering, interdisciplinary anthology that promises to disrupt hegemonic narratives of the complex histories of feminisms that permeate women’s studies classrooms in the U.S. academy. From the ancient world to the recent Arab Spring, Provocations engages some of the most compelling and contentious debates in the centuries old ‘woman question.’”—Beverly Guy-Sheftall, Anna Julia Cooper Professor of Women’s Studies and Founding Director of the Women’s Research and Resource Center at Spelman College

 

 

Reproductive Justice: An Introduction
by Loretta Ross & Rickie Solinger

“Controlling reproduction and the bodies of women seems to be the first step in every hierarchy. That’s why reproductive justice—women having power over our own bodies—is the crucial first step toward any democracy, any human rights, and any justice.” —Gloria Steinem

“We need to know the history laid out in Reproductive Justice, because we need to not repeat the ugliness of the past. Our strategies need to be inclusive and intersectional.None of us are free until we’re all free.”—Cecile Richards, President, Planned Parenthood Federation of America

 

 

Ronnie Gilbert: A Radical Life in Song
by Ronnie Gilbert with a foreword by Holly Near 

“Activism is just one of the threads winding through this title, along with music, theater, performance, politics, and the challenges of building a life outside of the 20th-century mainstream. . . . Yet it’s the music that shines the brightest in this memoir; Gilbert’s time with the Weavers and her creative partnership with Holly Near bookend a life no less remarkable for being remarkably nonlinear.”—Library Journal

“Gilbert’s memoir brings to life the frightening political climate of the times. . . . We are fortunate that Gilbert took the time to document her singular experiences as a committed activist and singer whose soaring contralto and “dangerous songs” both accompanied and animated the progressive movements of her time.”—San Francisco Chronicle


Banned Books Week 2017: Promoting Progressive Change

As part of Banned Books Week, occurring September 24 – 30, we’ll be sharing recommended reading lists that promote the freedom to seek and express ideas. At UC Press, we believe that scholarship is a powerful tool for fostering a deeper understanding of our world and changing how people think, plan, and govern. Our mission is to drive progressive change by seeking out and cultivating the brightest minds and giving them voice, reach, and impact.

During #BannedBooksWeek, get a 30% discount on these selected titles that promote progressive change in feminism, politics, Islam, and free speech. #BannedBooks

What’s your favorite UC Press book that you think should have made the list for Banned Books Week? Let us know in the comment section below.


Islamophobia, Close to Home

By Khaled A. Beydoun, author of American Islamophobia: Understanding the Roots and Rise of Fear

Muslim Americans were intimately familiar with Islamophobia well before it became a cognizable term plastered on protest banners and echoed by media pundits. For Muslims, Islamophobia was central to their experience as American citizens or residents. It was manifested by the “random” checks at airports, the incessant stares while walking down the street, the presumption that they don’t speak English at the check out line, and the backlash that descended onto their communities after a terror attack. These experiences, and others, formed the core of the Muslim American experience after the 9/11 terror attacks and, most recently, the rise of Donald Trump, but also characterized the lives for numerous Muslim communities well before these transformative moments.

On April 27, 1995, roughly one week after the domestic terror attack remembered as the “Oklahoma City Bombing” and years before the term “Islamophobia” existed, the phenomenon hit close to home. My family lived in Detroit, right outside the densely Arab and Muslim populated community in East Dearborn, widely regarded as the symbolic hub of Muslim America, and for hate mongers then and today, an easy target. One of my mother’s friends, Zeinab, a middle-aged Lebanese woman that wore the hijab (headscarf), was shopping at a grocery store on Dearborn’s (then predominantly white) west side. It was the evening, and as she was walking to her car in the dimly lit parking let, sensed footsteps tracking her own. As she stopped to unpack her cart and place her groceries in her car, two teens pounced on her.

“They weren’t trying to rob me, like I thought,” she recounted in Arabic, “but were trying to pull my headscarf off of my head, they didn’t try to take my purse.” The teens called her “stupid A-rab,” a racist slur for Arab, and told her “to get out of our country,” although her and her three children were citizens, and had made Michigan their home many years ago. Yet, their message was clear, and manifested a core baseline of the phenomenon we understand as Islamophobia today: that Islam was unassimilable with American values and identity, and Muslims were presumed to be foreign, subversive and terrorists. It did not matter that the culprit of the Oklahoma City Bombing was a white man, Timothy McVeigh, and that roughly 63% of mass shootings since 1982 were commit by white men. The terrorist stereotype eclipsed these statistics, and drove the violent backlash Zeinab endured in that grocery store parking lot and the frightening uptick in anti-Muslim bigotry unfolding in America today.

Source: Mother Jones’ Investigation: US Mass Shootings, 1982-2017 (6/14/2017)

And the law followed suit. The Anti-Terrorism and Effective Death Penalty Act (AEDPA) was enacted because of the Oklahoma City Bombing. But instead of grappling with the white separatist element that conspired to commit that horrific terror attack, it fixated on Islam. This, before 1995 and indeed well after it, is the very dynamic that not only embeds Islamophobia, but also advances it. Instead of dismantling or disavowing stereotypes about Islam or Muslims, the law, most potently through the War on Terror policy and strategy, endorses and advances it. Therefore, although Islamophobia is today a widely known term as a consequence of 9/11 and the Trump Era, it has long prevailed as a phenomenon and system deeply inscribed into the law. Muslims living in America know this quite well.


Khaled A. Beydoun is Associate Professor at University of Detroit Mercy School of Law. A critical race theorist and political commentator, his writing has been featured in top law journals, including the California Law Review, UCLA Law Review, and Harvard Civil Rights-Civil Liberties Law Review. He is also the 2017 winner of the American-Arab Anti-Discrimination (ADC) Advocate of the Year Award.


3 Books That Go Beyond Borders for Pacific Standard Time: LA/LA

Kicking off this month throughout Southern California, Pacific Standard Time: LA/LA is a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles. Led by the Getty, PST: LA/LA is a joint effort from more than 60 cultural institutions across the region, and UC Press is thrilled to be publishing three books in conjunction with this unprecedented collaboration. 

Learn more about each title and find out about related events below. #PSTLALA

The Tide Was Always High: The Music of Latin America in  Los Angeles 
Edited by Josh Kun

The Tide Was Always High gathers together essays, interviews, and analysis from leading academics, artists, journalists, and iconic Latin American musicians to explore the vibrant connections between Los Angeles and Latin America. From Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, and from Carmen Miranda to Pérez Prado and Juan García Esquivel, Latin American musicians and music have helped shape Los Angeles culture since the birth of the city.

Related events: Musical Interventions, a series of six live musical events presented by author Josh Kun at multiple PST: LA/LA institutions. Details and more at tidewasalwayshigh.com. September 23 – December 2, 2017

And tune in for monthly playlists curated by editor Josh Kun.

Ism, Ism, Ism / Ismo, Ismo, Ismo: Experimental Cinema in Latin America
Edited by Jesse Lerner & Luciano Piazza

Ism, Ism, Ism / Ismo, Ismo, Ismo is the first comprehensive, United States–based film program and catalogue to treat the full breadth of Latin America’s vibrant experimental film production. The fully bilingual catalogue features major scholars and artists working across nationalities, mediums, and time periods. Lerner and Piazza assemble a mix of original content authored by key curators, scholars, and archivists from Latin America: eighteen essays and articles translated for the first time pertaining to the history of Latin American experimental film, historical image-documents that are fundamental to the history of experimental film in Latin America, and program notes from the exhibition’s programs.

Related events: In partnership with the Los Angeles Filmforum, a series of screenings will take place between September 2017 and January 2018. The first weekend of screenings will take place September 22–24 at REDCAT. See a complete calendar of events at www.ismismism.org.

California Mexicana
Missions to Murals, 1820–1930
Edited by Katherine Manthorne

California Mexicana focuses for the first time on the range and vitality of artistic traditions growing out of the unique amalgam of Mexican and American culture that evolved in Southern California from 1820 through 1930. A study of these early regional manifestations provides the essential matrix out of which emerge later art and cultural issues. Featuring painters, printmakers, photographers, and mapmakers from both sides of the border, this collection demonstrates how they made the Mexican presence visible in their art. This beautifully illustrated catalogue addresses two key areas of inquiry: how Mexico became California, and how the visual arts reflected the shifting identity that grew out of that transformation.

Related exhibition: California Mexicana: Missions to Murals, 1820–1930 October 15, 2017 – January 14, 2018 at the Laguna Art Museum

 


Most Immigrants Are Women: Does the Trump Administration Want to Deport Them, or Just Keep Them Working for Low Wages?

By Laura Briggs, author of How All Politics Became Reproductive Politics: From Welfare Reform to Foreclosure to Trump

It’s always been unclear whether the goal of the Trump White House was to limit the number of undocumented immigrants in this country, or just to terrorize them and keep them as vulnerable, underpaid workforce, and the recent debate about DACA underscores that fact.

Our economy relies on immigrant labor, and needs it to be cheap—and not just for the reasons most people think. The majority of immigrants to the United States, and nearly half the undocumented population are women, and many of them are doing household labor—cleaning, caring for children, elders, and others who cannot care for themselves. They’re not doing it so the rest of us can have more down time—far from it. On average, everybody is working more. As real wages have declined, the middle class has hung on by throwing more adults into the labor force, mostly women. In 1960, 20 percent of mothers worked. Today, 70 percent of U.S. children live in households where all the adults are employed. So who’s doing the household work? Business certainly has not picked up the tab; workers in the U.S. aren’t even guaranteed sick days, never mind childcare. We haven’t raised taxes for government to pay for it, either. Indeed, the most revealing moments in the debate over the Affordable Care Act repeal were when Republicans admitted that to get Medicaid costs down, sick elders needed to get out of nursing homes and go back to living with their families (read: daughters—Paul Ryan sure wasn’t planning to go part-time to care for his mother.)

So for the whole economic calculus to work—in which women must work, but get paid less than men (to the benefit of their employers), and we don’t raise taxes to pay for government programs, something had to give. This was the brilliance of the 1990s crackdown on undocumented immigrants: it ensured that there a class of women who could be paid even less than women who were citizens, at exactly the moment when the economy most needed them. During the Clinton administration, three key things happened. Walmart became the largest single employer in the country, owing much of their “efficiency” to women’s low wages. The controversy over Zöe Baird’s nomination as attorney general—“Nannygate”—launched a nationwide enforcement crackdown on immigrants without papers, beginning with the couple that Baird was sponsoring for green cards, Lillian and Victor Cordero. And the number of middle class households hiring nannies and housekeepers began to grow exponentially.

Immigration enforcement of the sort the U.S. has been doing since then doesn’t necessarily mean all undocumented immigrants get deported. It may just make them vulnerable, trapping people in exploitative jobs. One mother of triplets told the New York Times why she wanted to hire someone who was undocumented: “I want someone who cannot leave the country… who doesn’t know anyone in New York, who basically does not have a life. I want someone who is completely dependent on me.” While some households just wanted to employ someone who was reliable and “affordable,” others were abusive and even violent. A 2012 study of household workers in fourteen cities found abysmal working conditions, with many reporting sexual harassment, abuse, and assault. Among live-in nannies, many did not even have their own bed; they were expected to sleep with the children in their care. There was also widespread wage theft, with 67% earning less than minimum wage. While race was also a factor, the single best predictor of how much people got paid was immigration status, with undocumented workers earning the least.

There’s a surprisingly clear case to be made that the Trump administration, for all its sound and fury, is not terribly interested in deporting large numbers of people. It’s not only Donald Trump’s personal history of hiring undocumented workers—the fact that Trump Tower was built by people without papers and that his modeling agency relied on them—it’s also what’s happened since he took office. For one thing, when his transition team discovered that his pick for Commerce Secretary, Wilbur Ross, had hired an undocumented household worker—the exact thing Zöe Baird went down for—they didn’t see it as disqualifying. Rather, they had Ross withhold the information until the last minute, in his tightly controlled confirmation hearing. Apparently, the administration was fine with having key positions held by people who were in favor of illegal immigration—at Commerce, at Labor (if they hadn’t been bested by Andrew Pudzer’s critics), and in the Oval Office itself.

Most significantly, the number of deportations under Trump has actually declined, and is on track to be lower than during any year of Obama’s presidency. Arrests and detentions have increased, to be sure. While Obama, the careful lawyer, restricted the actions of ICE to arrest and detain those most likely to be deported, the Trump administration has encouraged aggressive policing, creating terror, and a huge backlog of cases awaiting a hearing in immigration court. “When you go out and you arrest a whole bunch of people willy-nilly [an immigration judge] has got to fill his docket time hearing those arguments,” John Sandweg, acting director of ICE in 2013-14, told Politico. While it’s possible that more judges would mean more deportations, many of the people picked up are later released. In other words, it’s not yet clear whether this is a campaign to make immigrants afraid, or deport them.

This raises a question about all the back and forth about DACA: is the goal really to deport young people, or is it just to raise the flag that the administration is ambivalent about immigrants getting an education and a work permit, instead of remaining part of a permanent underclass of low-paid, illegal workers. One thing is clear: U.S. immigration policy has produced the largest exploitable, deterritorialized labor force since slavery times. Many of them are women, doing “women’s work.” Any effort at immigration reform—whether for the 1 million Dreamers or the estimated 10 million other undocumented immigrants—will have to take account of household and care work. Someone still has to watch the kids.


Laura Briggs is chair and professor of Women, Gender, Sexuality Studies at the University of Massachusetts Amherst and the author of How All Politics Became Reproductive Politics: From Welfare Reform to Foreclosure to TrumphereRead the first chapter .

Watch Laura discuss her book’s thesis, economics, race, and family on last Sunday’s episode of The Open Mind on PBS.

 


Discussing Race and Ethnicity in America

This post is part of our blog series Integrate Current Events Into Your Courses, which aims to provide lecture topics and corresponding course books that will help your students think critically about today’s conversations on social inequality. Today, we discuss race, ethnicity, and class in America. 

Week by week, students see news headlines swing back and forth, from health care to immigration, from women’s rights to poverty, to much more. Their understanding of, and their personal feelings toward, these various issues can invoke strong responses as they have these conversations in class or on the quad. This is, in part, because their lens on the issues are influenced by race and ethnicity. How then do faculty guide students to have fruitful conversations on the issues that impact our lives today?

In Race and Ethnicity in America, sociologist and demographer John Iceland writes about where to start the conversation when guiding students to discuss race and ethnicity:

Discussing racial issues can be difficult. It is often more challenging than talking about many other sociological topics—such as changes in the occupational distribution of American workers or regional migration patterns—because race can be very personal. For many Americans, race is an important part of their identity. It affects how they view themselves, their aspirations, and their communities. …

These conversations about race are typically not that productive, as people are not really listening to one another. Their arguments, more generally speaking, also are often not based on empirical evidence and instead rely on anecdotes.

The goal of this book is to address this issue by providing such an empirical overview of patterns and trends in racial and ethnic inequality, as well as their causes and consequences. In doing so, I offer a social scientific basis for much-needed conversations about race. Having this kind of basic information is critical to reduce the extent to which people talk past one another with their own alleged facts accompanying their own opinions. Then people can be honest about their interests and values and recognize that these also play a key role in informing their policy preferences. In short, we need to cut through the clutter of empirical falsehoods to have real substantive discussions about racial inequality in the United States and what to do about it.

Read a sample chapter of Race and Ethnicity in America. And use these instructor resources to help prepare for your course. Feel free to see our other titles on race and class as well as other titles in the Sociology in the 21st Century Series.

How do you begin your discussions about race and ethnicity in your classes?


¡Celebra!: A National Hispanic Heritage Month Reading List

Happy National Hispanic Heritage Month! Each year from September 15 to October 15, we recognize and celebrate the heritage, the culture, and the contributions of Americans whose ancestors came from Spain, Mexico, the Caribbean and Central and South America.

To showcase the unique history and experiences of Hispanic and Latino Americans and to recognize their vital place in our country’s culture, we have curated the following list of recommended titles. Be sure to check out last year’s reading list for more. Happy #HispanicHeritage Month, and happy reading!


La Nueva California: Latinos from Pioneers to Post-Millennials
David Hayes-Bautista

Since late 2001 more than fifty percent of the babies born in California have been Latino. When these babies reach adulthood, they will, by sheer force of numbers, influence the course of the Golden State. This essential study, based on decades of data, paints a vivid and energetic portrait of Latino society in California by providing a wealth of details about work ethic, family strengths, business establishments, and the surprisingly robust health profile that yields an average life expectancy for Latinos five years longer than that of the general population. Spanning one hundred years, this complex, fascinating analysis suggests that the future of Latinos in California will be neither complete assimilation nor unyielding separatism. Instead, the development of a distinctive regional identity will be based on Latino definitions of what it means to be American.

This updated edition now provides trend lines through the 2010 Census as well as information on the 1849 California Constitutional Convention and the ethnogenesis of how Latinos created the society of “Latinos de Estados Unidos” (Latinos in the US). In addition, two new chapters focus on Latino Post-Millennials—the first focusing on what it’s like to grow up in a digital world; and the second describing the contestation of Latinos at a national level and the dynamics that transnational relationships have on Latino Post-Millennials in Mexico and Central America.

 

The Other Side of Assimilation: How Immigrants Are Changing American Life
Tomas Jimenez (Author)

The immigration patterns of the last three decades have profoundly changed nearly every aspect of life in the United States. What do those changes mean for the most established Americans—those whose families have been in the country for multiple generations?

The Other Side of Assimilation shows that assimilation is not a one-way street. Jiménez explains how established Americans undergo their own assimilation in response to profound immigration-driven ethnic, racial, political, economic, and cultural shifts. Drawing on interviews with a race and class spectrum of established Americans in three different Silicon Valley cities, The Other Side of Assimilation illuminates how established Americans make sense of their experiences in immigrant-rich environments, in work, school, public interactions, romantic life, and leisure activities. With lucid prose, Jiménez reveals how immigration not only changes the American cityscape but also reshapes the United States by altering the outlooks and identities of its most established citizens.

 

Ism, Ism, Ism / Ismo, Ismo, Ismo: Experimental Cinema in Latin America
Jesse Lerner (Editor), Luciano Piazza (Editor)

Ism, Ism, Ism / Ismo, Ismo, Ismo is the first comprehensive, United States–based film program and catalogue to treat the full breadth of Latin America’s vibrant experimental film production. The exhibition features key historical and contemporary films from Argentina, Brazil, Bolivia, Chile, Colombia, Cuba, Ecuador, Mexico, Paraguay, Peru, Uruguay, Venezuela, Puerto Rico and the United States. From innovative works by Brazilian artist Hélio Oiticica and Mexican photographer Manuel Álvarez Bravo to the breathtaking yet practically unknown ouevre of queer Ecuadorian filmmaker Eduardo Solá Franco, the exhibition takes both the aficionado and the open-minded viewer on a journey into a wealth of materials culled from the forgotten corners of Latin American film archives. Equally unprecedented in its approach and scope, the accompanying fully bilingual catalogue features major scholars and artists working across nationalities, mediums, and time periods.

Published in association with the Los Angeles Filmforum, and as part of the Getty’s Pacific Standard Time: LA/LA.

 

A New History of Modern Latin America
Lawrence A. Clayton (Author), Michael L. Conniff (Author), Susan M. Gauss (Author)

A New History of Modern Latin America provides an engaging and readable narrative history of the nations of Latin America from the Wars of Independence in the nineteenth century to the democratic turn in the twenty-first. This new edition of a well-known text has been revised and updated to include the most recent interpretations of major themes in the economic, social, and cultural history of the region to show the unity of the Latin America experience while exploring the diversity of the region’s geography, peoples, and cultures. It also presents substantial new material on women, gender, and race in the region. Each chapter begins with primary documents, offering glimpses into moments in history and setting the scene for the chapter, and concludes with timelines and key words to reinforce content. Discussion questions are included to help students with research assignments and papers.

Both professors and students will find its narrative, chronological approach a useful guide to the history of this important area of the world.

 

Assassination of a Saint: The Plot to Murder Óscar Romero and the Quest to Bring His Killers to Justice
Matt Eisenbrandt (Author)

On March 24, 1980, the assassination of El Salvador’s Archbishop Óscar Romero rocked that nation and the world. Despite the efforts of many in El Salvador and beyond, those responsible for Romero’s murder remained unpunished for their heinous crime. Assassination of a Saint is the thrilling story of an international team of lawyers, private investigators, and human-rights experts that fought to bring justice for the slain hero. Matt Eisenbrandt, a lawyer who was part of the investigative team, recounts in this gripping narrative how he and his colleagues interviewed eyewitnesses and former members of death squads while searching for evidence on those who financed them. As investigators worked toward the only court verdict ever reached for the murder of the martyred archbishop, they uncovered information with profound implications for El Salvador and the United States.

 

The Tide Was Always High: The Music of Latin America in Los Angeles
Josh Kun (Editor)

In 1980, the celebrated new wave band Blondie headed to Los Angeles to record a new album and along with it, the cover song “The Tide Is High,” originally written by Jamaican legend John Holt. Featuring percussion by Peruvian drummer and veteran LA session musician “Alex” Acuña, and with horns and violins that were pure LA mariachi by way of Mexico, “The Tide Is High” demonstrates just one of the ways in which Los Angeles and the music of Latin America have been intertwined since the birth of the city in the eighteenth century.

The Tide Was Always High gathers together essays, interviews, and analysis from leading academics, artists, journalists, and iconic Latin American musicians to explore the vibrant connections between Los Angeles and Latin America. Published in conjunction with the Getty’s Pacific Standard Time: LA/LA, the book shows how Latin American musicians and music have helped shape the city’s culture—from Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, and from Carmen Miranda to Pérez Prado and Juan García Esquivel.

 

California Mexicana: Missions to Murals, 1820–1930
Katherine Manthorne (Editor)

Following the U.S.-Mexican War (1846–1848), lands that had for centuries belonged to New Spain, and later to Mexico, were transformed into the thirty-first state in the United States. This process was facilitated by visual artists, who forged distinct pictorial motifs and symbols to establish the state’s new identity. This collective cultural inheritance of the Spanish and Mexican periods forms a central current of California history but has been only sparingly studied by cultural and art historians. California Mexicana focuses for the first time on the range and vitality of artistic traditions growing out of the unique amalgam of Mexican and American culture that evolved in Southern California from 1820 through 1930. A study of these early regional manifestations provides the essential matrix out of which emerge later art and cultural issues. Featuring painters, printmakers, photographers, and mapmakers from both sides of the border, this collection demonstrates how they made the Mexican presence visible in their art. This beautifully illustrated catalogue addresses two key areas of inquiry: how Mexico became California, and how the visual arts reflected the shifting identity that grew out of that transformation.

Published in association with the Laguna Art Museum, and as part of the Getty’s Pacific Standard Time: LA/LA.

Exhibition dates:
Laguna Art Museum: October 15, 2017–January 14, 2018

 

In the Fields of the North / En los campos del norte
David Bacon (Author)

In this landmark work of photo-journalism, activist and photographer David Bacon documents the experiences of some of the hardest-working and most disenfranchised laborers in the country: the farmworkers who are responsible for making California “America’s breadbasket.” Combining haunting photographs with the voices of migrant farmworkers, Bacon offers three-dimensional portraits of laborers living under tarps, in trailer camps, and between countries, following jobs that last only for the harvesting season. He uncovers the inherent abuse in the labor contractor work system, and drives home the almost feudal nature of laboring in America’s fields.

Told in both English and Spanish, these are the stories of farmworkers exposed to extreme weather and pesticides, injured from years of working bent over for hours at a time, and treated as cheap labor. The stories in this book remind us that the food that appears on our dinner tables is the result of back-breaking labor, rampant exploitation, and powerful resilience.

 


The Other California: Land, Identity, and Politics on the Mexican Borderlands
Verónica Castillo-Muñoz (Author)

The Other California is the story of working-class communities and how they constituted the racially and ethnically diverse landscape of Baja California. Packed with new and transformative stories, the book examines the interplay of land reform and migratory labor on the peninsula from 1850 to 1954, as governments, foreign investors, and local communities shaped a vibrant and dynamic borderland alongside the booming cities of Tijuana, Mexicali, and Santa Rosalia. Migration and intermarriage between Mexican women and men from Asia, Europe, and the United States transformed Baja California into a multicultural society. Mixed-race families extended across national borders, forging new local communities, labor relations, and border politics.

 

Teotihuacan: City of Water, City of Fire
Matthew Robb (Editor)

Teotihuacan: City of Water, City of Fire examines new discoveries from the three main pyramids at the site—the Sun Pyramid, the Moon Pyramid, and, at the center of the Ciudadela complex, the Feathered Serpent Pyramid—which have fundamentally changed our understanding of the city’s history. With illustrations of the major objects from Mexico City’s Museo Nacional de Antropología and from the museums and storage facilities of the Zona de Monumentos Arqueológicos de Teotihuacan, along with selected works from US and European collections, the catalogue examines these cultural artifacts to understand the roles that offerings of objects and programs of monumental sculpture and murals throughout the city played in the lives of Teotihuacan’s citizens.

Published in association with the Fine Arts Museums of San Francisco.

Exhibition dates:
de Young, San Francisco, September 30, 2017–February 11, 2018
Los Angeles County Museum of Art (LACMA), March–June 2018

 

Borderwall as Architecture: A Manifesto for the U.S.-Mexico Boundary
Ronald Rael

Borderwall as Architecture is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven hundred miles of wall is an opportunity for economic and social development along the border that encourages its conceptual and physical dismantling, the book takes readers on a journey along a wall that cuts through a “third nation”—the Divided States of America. Rael proposes that despite the intended use of the wall, which is to keep people out and away, the wall is instead an attractor, engaging both sides in a common dialogue. Included is a collection of reflections on the wall and its consequences by leading experts Michael Dear, Norma Iglesias-Prieto, Marcello Di Cintio, and Teddy Cruz.

 

The Land of Open Graves: Living and Dying on the Migrant Trail
Jason De Leon (Author), Michael Wells (Photographer)

In his gripping and provocative debut, anthropologist Jason De León sheds light on one of the most pressing political issues of our time—the human consequences of US immigration policy. The Land of Open Graves reveals the suffering and deaths that occur daily in the Sonoran Desert of Arizona as thousands of undocumented migrants attempt to cross the border from Mexico into the United States.

Drawing on the four major fields of anthropology, De León uses an innovative combination of ethnography, archaeology, linguistics, and forensic science to produce a scathing critique of “Prevention through Deterrence,” the federal border enforcement policy that encourages migrants to cross in areas characterized by extreme environmental conditions and high risk of death. For two decades, this policy has failed to deter border crossers while successfully turning the rugged terrain of southern Arizona into a killing field.

In harrowing detail, De León chronicles the journeys of people who have made dozens of attempts to cross the border and uncovers the stories of the objects and bodies left behind in the desert.

The Land of Open Graves will spark debate and controversy.

 

In Search of Soul: Hip-Hop, Literature, and Religion
Alejandro Nava (Author) 

In Search of Soul explores the meaning of “soul” in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the “soul” revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.


Tune in: The Tide Was Always High Concert Series from September 23–December 2

“What does the relationship between Los Angeles and Latin America sound like?”

2016 MacArthur Fellow Josh Kun’s latest collection The Tide Was Always High gathers together essays, interviews, and analysis on the iconic Latin American musicians who helped shape L.A. culture—from Hollywood film sets to recording studios, vaudeville theaters to the Sunset Strip, and Carmen Miranda to Juan García Esquivel.

To celebrate these vibrant connections, Kun will debut “Musical Interventions,” a multi-part concert series at venues throughout L.A. in conjunction with Pacific Standard Time: LA/LA—the Getty’s effort to unite arts institutions across Southern California. To accompany the book and series, Kun has curated a monthly playlist of tunes related to his research, so listen up and read along with The Tide Was Always High. Order your copy now and save 30% with code 17M6662.

Musical Interventions 

Event details at tidewasalwayshigh.com


September 23, 2017: SONORAMA! Latin America in Hollywood—at The Getty Center

This outdoor dance concert will feature an electronic big band led by Mexico City’s Mexican Institute of Sound, with Sergio Mendoza (Orkestra Mendoza) and a crew of top local musicians helmed by percussionist Alberto López. They will interpret music written in, and for, Hollywood by the likes of Juan García Esquivel, Lalo Schifrin, Johnny Richards, Ary Barroso, and Maria Grever. Produced in partnership with the Getty.

October 7, 2017: Voice of the Xtabay: A Tribute to Yma Sumac—at Hammer Museum

A genre-bending roster of Los Angeles Latinx vocalists and musicians reimagine the songs of multi-octave Peruvian singer and Capitol Records recording star Yma Sumac. Inspired by the Hammer exhibition Radical Women: Latin American Art 1960-1985, the evening features Empress Of, Nite Jewel, Maria Elena Altany, Ceci Bastida, Dorian Wood, Carmina Escobar, and Francisca Valenzuela. Produced in partnership with the Hammer Museum.

October 18, 2017: Playing With Fires: Chicano Batman Plays Carlos Almaraz—at LACMA

Celebrated Los Angeles band Chicano Batman will perform new music inspired by LACMA’s exhibition Playing with Fire: Paintings by Carlos Almaraz. Performance will take place in the exhibition gallery. Produced in partnership with LACMA.

October 26, 2017: Tonight at the Palace!: A Variedades Tribute—at The Downtown Palace Theatre

Inspired by classic Spanish-language variety shows held at downtown movie palaces such as the Million Dollar and the Palace, this imaginative evening features live music, dance, comedy and a screening of restored Spanish language Laurel and Hardy films. Hosted by Mexico City performer and writer Amandititita, the evening includes the Versa-Style Dance Company and music from La Familia Gonzalez de Los Angeles, and an all-star jam session with Abraham Laboriel, Paulinho Da Costa, Alex Acuña, and Justo Almario. Produced in partnership with USC’s Visions & Voices.

November 4, 2017: Guillermo Galindo’s Human Nature: A Cyber-Totemic Sonic Codex—at The Huntington 

The Huntington’s exhibition “Visual Voyages” will be complemented by an experimental sound installation and a one night only live performance, both by composer, musician, and artist Guillermo Galindo. Produced in partnership with The Huntington.

December 2, 2017: That Bad Donato: The L.A. Brazil Connection—at Royce Hall, UCLA

This special evening revisits the 1970 album by legendary Brazilian pianist, producer and arranger João Donato, A Bad Donato (recorded in L.A.), and other moments of “Brazil-in-L.A”. musical creativity. Inspired by the Fowler Museum at UCLA exhibition Axé Bahia: The Power of Art in an Afro-Brazilian Metropolis, the concert features performances by João Donato backed by Bixiga 70, and Bahia-raised Mateus Aleluia with L.A.-based Brazilian singer Thalma de Freitas. Produced in partnership with Center for the Art of Performance at UCLA.

Kicking off this month throughout Southern California and running through January 2018 is Pacific Standard Time: LA/LA, an ambitious exploration of Latin American and Latino art in Los Angeles. Led by the Getty, PST: LA/LA is a joint effort of more than 70 cultural institutions, and UC Press is thrilled to be publishing three books in conjunction with this unprecedented collaboration. Learn more.

#PSTLALA // #TheTideWasAlwaysHigh


From Tupac to Lorca: Finding the “Soul” in Hip-Hop and Literature

By Alejandro Nava, author of In Search of Soul: Hip-Hop, Literature, and Religion

Taking its name from a song by Bobby Byrd and James Brown, Eric B. and Rakim released a single in 1987, “I Know You Got Soul,” from their album Paid in Full. By sampling the funky rhythms and throbbing drums of James Brown’s signature sound, the rap looks backward to soul music while at the same time looking forward to a new age that will put on wax many of the hip-hop generation’s distinct idioms, brags, syntaxes, and struggles. The song epitomizes the fresh new prosody and poetics of the hip-hop generation, a generation that will use ghetto tongues to name and scrutinize American possibilities and shortcomings, American opportunities and grave injustices. As time goes on, other rap artists will jump aboard the soul train and pilfer its propulsive beats and energies, but they will also increasingly bring with them the weights and burdens of black lives in the twentieth century. As the title of their tenth album suggests—How You Sell Soul to a Soulless People Who Sold Their Soul—Public Enemy, for example, drags these issues to the forefront. Typical to their prophetically charged vision, the album philosophizes and raps with a hammer, warning its listeners to the commercial and cultural forces in American life that seek to steal and cheapen the soul. In our own day and age—the age of Trump—Kendrick Lamar has burst on the stage of hip hop with some of the same anxieties and judgments. In song after song—“For Sale,” “How Much a Dollar Cost?” and “Mortal Man,” to name a few—he describes and dramatizes a soul in anguish, fighting and grinding for survival in a culture of consumption and callousness, doing what it can to resist the temptations of “Lucy” (his epithet for meretricious charms of Lucifer).

Though my book, In Search of Soul: Hip-Hop, Literature and Religion, is broader in scope than the soundscapes of rap, I see it as sharing the same airwaves and preoccupations as hip-hop artists in the mold of Lauryn Hill, Tupac, Kendrick Lamar, J Cole, Immortal Technique, Chance the Rapper and others. Simply put, the book is a response to the crisis of the soul in our age, and it considers the pressures by way of money, power and greed that can tarnish the highest ideals and values of the soul. More specifically, though, it explores the different nuances in the meaning of soul, from religious interpretations to profane and musical accounts. Part I of the book defends the basic values associated with the soul in the Jewish and Christian traditions: contemplation, compassion, spiritual depth, and fundamental human rights. I follow the lead of Lauryn Hill when she remarks that we need to “change the focus from the richest to the brokest,” as well as the famous adage of Jesus, “What does it profit a man if he gains the whole world and loses his soul?” Part II, then, moves to a cultural, artistic, and musical exploration of “soul” in African American and Hispanic traditions. In this second inflection, “soul” is a metaphor of artistic excellence and cultural/musical creativity. By examining the transformation in the grammar of “soul” from W.E.B. Du Bois and Ralph Ellison to Federico García Lorca and hip-hop, I consider how this concept became a counter-cultural trope and a weapon of protest against oppressive forces in American life. In the hands of these artists, it became synonymous with a spiritual force that could repel and overcome powerful tides of injustice.

By weaving together these different strands of “soul,” the book draws not only from my experiences in the classroom at the University of Chicago (where I studied religion), or at University of Arizona (where I’ve been teaching courses on religion and hip-hop); it is also a product of my schooling outside the walls of the university. For whatever else is true about the question of the soul, it is certainly the case that there is something fundamentally inscrutable and uncanny about the concept, something that requires an existential commitment to untangle its labyrinthine mysteries. In my own life (as in the religious, literary and hip-hop artists that I consider in this book), the pursuit of soul has taken me down surprising and uncharted roads, beyond the restricting borders of academic codes and norms, beyond the divisions of the sacred and profane. In learning from the street scribes of hip-hop, I have come to realize that whaling can be one’s Harvard and Yale (Melville), that the slums and tenements of New York can be the finest tutors (Stephen Crane), and that “beyond the walls of intelligence, life is found” (Nas).

Playlist on “Soul”

Literary Samples

Federico Garcia Lorca, In Search of Duende

W.E.B Du Bois, The Souls of Black Folk

Ralph Ellison, The Collected Essays of Ralph Ellison

Virginia Woolf, “The Russian Point of View,” in The Common Reader

Michael Eric Dyson, Holler if You Hear Me: Searching for Tupac Shakur


Alejandro Nava is Professor of Religious Studies at the University of Arizona and author of Wonder and Exile in the New World and The Mystical and Prophetic Thought of Simone Weil and Gustavo Gutierrez.


Discussing Terrorism, After 9/11

It has been sixteen years since the Twin Towers collapsed, forever changing the physical and emotional landscape of those who call the United States their home, and those worldwide who stand in solidarity. Today, we remember those we’ve lost. But we also consider the changes that 9/11 has brought, such as it’s impact on democracy, and how we can remind future generations of students and people about what this day means.

Since 9/11, how have our discussions about terrorism, whether it be by individuals or groups, changed? And how do we view other people worldwide in light of what has happened since that day?

Below, we’ve included some recommended reading to help share the continuing conversation on terrorism and its impact on our global society. #neverforget #Sept11th #Remember911

The FBI and Religion: Faith and National Security before and after 9/11 edited by Sylvester A. Johnson and Steven Weitzman

“Over its 109 years of existence, these historians [of this edited volume] and their colleagues argue, the Bureau has shaped American religious history through targeted investigations and religiously tinged rhetoric about national security.”—The Atlantic

Hear more about timely lessons for the FBI in the age of Trump. And read a sample chapter from the book.

Terror in the Mind of God, Fourth Edition: The Global Rise of Religious Violence by Mark Juergensmeyer. 

“Juergensmeyer’s work is a sensitive, comparative study of terrorist movements and the religious beliefs that motivate them.”—Washington Post

Read an excerpt regarding Burmese Buddhists and the persecution of Rohingya Muslims. And read a sample chapter from the book.

 

Constructions of Terrorism: An Interdisciplinary Approach to Research and Policy edited by Michael Stohl, Richard Burchill, and Scott Howard Englund

“Counter-terrorism would be less counterproductive if policymakers would take heed of their advice.” —Alex P. Schmid, Research Fellow and Director of the Terrorism Research Initiative at the International Centre for Counter-Terrorism, The Hague

And read the introduction from the book.

 

The History of Terrorism: From Antiquity to ISIS, Updated Edition with a New Preface and Final Chapter edited by Gérard Chaliand and Arnaud Blin

“Provides a useful and levelheaded survey of a subject that is regularly misunderstood and often manipulated.”—San Francisco Chronicle

“A recommendable book for sociologists, anthropologists and social scientists who are interested by these types of hot topics.”—International Journal of Human Rights and Constitutional Studies

Read a sample chapter from the book.

Caravan of Martyrs: Sacrifice and Suicide Bombing in Afghanistan by David B. Edwards 

“Such a beautifully written and imaginative work comes along rarely—at once a deeply felt personal memoir about the author’s anthropological encounters with Afghanistan and a highly original theory about suicide bombing as sacrifice.”—Steven C. Caton, Khalid Bin Abdullah Bin Abdulrahman Al Saud Professor of Contemporary Arab Studies, Harvard University

Read a sample chapter from the book.

A Culture of Conspiracy, 2nd Edition: Apocalyptic Visions in Contemporary America by Michael Barkun

“Ideas, even bizarre and marginalized ideas, do have consequences, and we ignore them at our peril. Barkun’s explorations, like the canary in the coal mine, warn us of what may lie ahead.”—Paul Boyer Christian Century

Read an interview with the author. And read an excerpt from the book.

 

The Danger of Music and Other Anti-Utopian Essays by Richard Taruskin

“This is one of the most important books about music you’ll read this year. . . . No one has bridged the gap between music scholarship and mainstream media as virtuosically as Taruskin.”—Tom Service The Guardian

Read a sample chapter from the book.