Kicking off this month throughout Southern California, Pacific Standard Time: LA/LA is a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles. Led by the Getty, PST: LA/LA is a joint effort from more than 60 cultural institutions across the region, and UC Press is thrilled to be publishing three books in conjunction with this unprecedented collaboration.
Learn more about each title and find out about related events below. #PSTLALA
The Tide Was Always High: The Music of Latin America in Los Angeles
Edited by Josh Kun
The Tide Was Always High gathers together essays, interviews, and analysis from leading academics, artists, journalists, and iconic Latin American musicians to explore the vibrant connections between Los Angeles and Latin America. From Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, and from Carmen Miranda to Pérez Prado and Juan García Esquivel, Latin American musicians and music have helped shape Los Angeles culture since the birth of the city.
Related events: Musical Interventions, a series of six live musical events presented by Josh Kun at multiple PST: LA/LA institutions. Details and more at tidewasalwayshigh.com. September 23 – December 2, 2017
And tune in for monthly playlists curated by editor Josh Kun.
Ism, Ism, Ism / Ismo, Ismo, Ismo: Experimental Cinema in Latin America
Edited by Jesse Lerner & Luciano Piazza
Ism, Ism, Ism / Ismo, Ismo, Ismo is the first comprehensive, United States–based film program and catalogue to treat the full breadth of Latin America’s vibrant experimental film production. The fully bilingual catalogue features major scholars and artists working across nationalities, mediums, and time periods. Lerner and Piazza assemble a mix of original content authored by key curators, scholars, and archivists from Latin America: eighteen essays and articles translated for the first time pertaining to the history of Latin American experimental film, historical image-documents that are fundamental to the history of experimental film in Latin America, and program notes from the exhibition’s programs.
Related events: In partnership with the Los Angeles Filmforum, a series of screenings will take place between September 2017 and January 2018. The first weekend of screenings will take place September 22–24 at REDCAT. See a complete calendar of events at www.ismismism.org.
Missions to Murals, 1820–1930
Edited by Katherine Manthorne
California Mexicana focuses for the first time on the range and vitality of artistic traditions growing out of the unique amalgam of Mexican and American culture that evolved in Southern California from 1820 through 1930. A study of these early regional manifestations provides the essential matrix out of which emerge later art and cultural issues. Featuring painters, printmakers, photographers, and mapmakers from both sides of the border, this collection demonstrates how they made the Mexican presence visible in their art. This beautifully illustrated catalogue addresses two key areas of inquiry: how Mexico became California, and how the visual arts reflected the shifting identity that grew out of that transformation.
Related exhibition: California Mexicana: Missions to Murals, 1820–1930 October 15, 2017 – January 14, 2018 at the Laguna Art Museum