UC Press Blog

Yussef Belal

Hart-SLSA Book Prize Shortlist 2026
Socio-Legal and History Prize Shortlist 2026
Socio-Legal Studies Association (UK)

Youssef Belal is an anthropologist and political theorist. He is also a UN diplomat and peace mediator who served as political director of UN missions in the Middle East, Central Asia, and the Horn of Africa. He has taught at Columbia University and the University of California, Berkeley, and was named a member of Princeton’s Institute for Advanced Study in 2016. He is author of Le cheikh et le calife: Sociologie religieuse de l’Islam politique au Maroc (The sheikh and the caliph: Religious sociology of political Islam in Morocco).

The Life of Shari'a
A Comparative Anthropology of Law

Is there a way to think about contemporary life with knowledge that is neither modern nor Western? Rather than confining Islam to a “religion” and shariʿa to its “law,” Youssef Belal provocatively argues that Islamic shariʿa is a mode of knowledge with its own concepts and scholarly categories through which the world and the self are grasped. The Life of Shariʿa considers two intertwined lineages: how Islamic scholars have formulated knowledge from the classical period to today and how Westerners have understood the law and its origins. By melding these two traditions, Belal puts the formation of modern law under a new light and offers, through a compelling conceptualization of shariʿa, a powerful argument for its continued relevance to the life of contemporary Muslims.

Christina Jessica Carney

ASALH Book Prize Finalist 2026
Association for the Study of African American Life and History

Christina Jessica Carney is Associate Professor of Women's and Gender Studies at the University of Missouri.

Disreputable Women
Black Sex Economies and the Making of San Diego

Disreputable Women is a deeply transdisciplinary study of how black women use sex work and place making to claim economic, bodily, and sexual autonomy in a militarized city that is intent on displacing and caging them. Christina Jessica Carney distills the production of these "disreputable women" during two major twentieth-century urban development processes in downtown San Diego, where municipal police, public health officials, and even activists designated street-involved sex workers and the places they congregated as blight.

Carney documents how some black women reconceptualized the public and private spheres by using residential hotels and multiuse commercial spaces for housing and work, controlling their erotic economies and their sexual-cultural lives. She marks how discrete and explicit intellectual, economic, and political practices by black women complicate a dominant understanding of red-light areas and black sex workers as undesirable contaminators to be "cleaned out." Instead, her intuitive framework of "disreputability" offers a more ethical and workable approach to imagining the built environment and its inhabitants—developing a rich and robust grammar for understanding black women's lives amid scenes of militarization and gendered anti-blackness.

E. Mara Green 

AAAL Book Award Finalist 2026
Association for Applied Linguistics

E. Mara Green is Assistant Professor of Anthropology at Barnard College, Columbia University.

Making Sense
Language, Ethics, and Understanding in Deaf Nepal

Making Sense explores the experiential, ethical, and intellectual stakes of living in, and thinking with, worlds wherein language cannot be taken for granted. In Nepal, many deaf signers use Nepali Sign Language (NSL), a young, conventional signed language. The majority of deaf Nepalis, however, use what NSL signers call natural sign. Natural sign involves conventional and improvisatory signs, many of which recruit semiotic relations immanent in the social and material world. These features make conversation in natural sign both possible and precarious. Sense-making in natural sign depends on signers' skillful use of resources and on addressees' willingness to engage. Natural sign reveals the labor of sense-making that in more conventional language is carried by shared grammar. Ultimately, this highly original book shows that emergent language is an ethical endeavor, challenging readers to consider what it means, and what it takes, to understand and to be understood. 

Gladys I. McCormick

Howard F. Cline Book Prize in Mexican History 2026
Latin American Studies Association

Gladys I. McCormick is Associate Professor of History and Jay and Debe Moskowitz Endowed Chair in Mexico-US Relations at the Maxwell School of Citizenship and Public Affairs at Syracuse University.

The Last Door
A History of Torture in Mexico's War against Subversives

As guerrilla groups sprouted up across Mexico in the early 1970s, the military and police routinely resorted to extreme acts of violence, including the systematic use of torture. In The Last Door, Gladys McCormick provides the most thorough account of how torture became a crucial and routine practice of the Mexican government’s war against subversives. Drawing from extensive oral history interviews and declassified government documents, McCormick describes experiences of arrest, torture, and detention in which forced disappearances became all too common and advocates for justice rallied around political prisoners. Torture was not always about extracting information; it was also about inflicting punishment on a faceless so-called enemy and instilling terror into advocates of social change. As McCormick argues, torture became a quotidian practice of state making in Mexico during the 1970s, leaving individuals and their families forever changed. The lack of repercussions for government officials notorious for employing torture, even in spite of a growing movement for truth and justice, has led to entrenched impunity that is endemic in Mexico as its contemporary security crisis continues.

Sean Nesselrode Moncada

On the Brinck Book Awards Shortlist 2025
UNM School of Architecture

Sean Nesselrode Moncada is Associate Professor of Theory and History of Art and Design at the Rhode Island School of Design.

Refined Material
Petroculture and Modernity in Venezuela

Venezuela’s turbulent twentieth century saw boom and bust as the former Spanish colony transformed into a major postwar cultural player. In this sweeping study of visual and material production, Sean Nesselrode Moncada explores the integral relationship between the global oil industry and the celebrated rise of geometric abstraction, kinetic art, and modern architecture in midcentury Venezuela. Oil provided the crucible for national reinvention, ushering in a period of dizzying optimism and bitter disillusion as artists, architects, graphic designers, activists, and critics sought to define the terms of modernity. An innovative, transdisciplinary reevaluation of Venezuelan modernism, Refined Material reveals how the logic of refinement conditioned the terms of development and redefined our relationship to nature, matter, and one another. 

Margaret Elizabeth Peacock

Broadcast Education Association Book Award 2026
Broadcast Education Association

Margaret Peacock is Professor of History at the University of Alabama. She is author of Innocent Weapons: The Soviet and American Politics of Childhood in the Cold War and coauthor of A Deeper Sickness: Journal of America in the Pandemic Year.

Frequencies of Deceit
How Global Propaganda Wars Shaped the Middle East

On June 8, 1967, Egypt's most famous radio broadcaster, Ahmed Said, reported that Egyptian, Syrian, and Jordanian forces had defeated the Israeli army in the Sinai, had hobbled their British and US allies, and were liberating Palestine. It was a lie.

For the rest of his life, populations in the Middle East vilified Said for his duplicity. However, the truth was that, by 1967, all the world's major broadcasters to the Middle East were dissimulating on the air. For two decades, British, Soviet, American, and Egyptian radio voices created an audio world characterized by deceit and betrayal. In this important and timely book, Margaret Peacock traces the history of deception and propaganda in Middle Eastern international radio. Peacock makes the compelling argument that this betrayal contributed to the loss of faith in Western and secular state-led political solutions for many in the Arab world, laying the groundwork for the rise of political Islam.

Anita Say Chan 

PROSE Awards (Computer and Information Sciences Category Finalist) 2026
Association of University Presses (AUP)

Anita Say Chan is a feminist and decolonial scholar of Science and Technology Studies and Associate Professor of Information Sciences and Media Studies at the University of Illinois, Urbana-Champaign.

Predatory Data
Eugenics in Big Tech and Our Fight for an Independent Future

The first book to draw a direct line between the datafication and prediction techniques of past eugenicists and today's often violent and extractive "big data" regimes.

Predatory Data illuminates the throughline between the nineteenth century's anti-immigration and eugenics movements and our sprawling systems of techno-surveillance and algorithmic discrimination. With this book, Anita Say Chan offers a historical, globally multisited analysis of the relations of dispossession, misrecognition, and segregation expanded by dominant knowledge institutions in the Age of Big Data.

While technological advancement has a tendency to feel inevitable, it always has a history, including efforts to chart a path for alternative futures and the important parallel story of defiant refusal and liberatory activism. Chan explores how more than a century ago, feminist, immigrant, and other minoritized actors refused dominant institutional research norms and worked to develop alternative data practices whose methods and traditions continue to reverberate through global justice-based data initiatives today. Looking to the past to shape our future, this book charts a path for an alternative historical consciousness grounded in the pursuit of global justice.

Robert N. Spengler III 

PROSE Awards (Biological Anthropology, Archeology and Ancient History Category) 2026
Association of University Presses (AUP)

Robert N. Spengler III directs the Fruits of Eurasia: Domestication and Dispersal research project and leads the Domestication and Anthropogenic Evolution Research Group at the Max Planck Institute of Geoanthropology in Jena, Germany. He is author of the book Fruit from the Sands and has published dozens of scholarly articles while running research projects across Central Asia.

Nature's Greatest Success
How Plants Evolved to Exploit Humanity

The 15,000-year story of how grass seduced humanity into being its unwitting labor force—and the science behind it.

Domesticated crops were not human creations, and agriculture was not simply invented. As Robert N. Spengler shows, domestication was the result of an evolutionary process in which people played a role only unwittingly and as actors in a numberless cast that spanned the plant and animal kingdoms. Nature's Greatest Success is the first book to bring together recent scientific discoveries and fascinating ongoing research to provide a systematic account of not only how agriculture really developed but why.

Through fifteen chapters, this book dives deep into the complex processes that drove domestication and the various roles that plants and animals, including humans, played in bringing about those changes. At the intersection of popular history, archaeology, and evolutionary biology, Nature's Greatest Success offers a revolutionary account of humanity not at the apex of nature but deeply embedded in the natural world and the evolutionary processes that continue to guide it even today.

Yiman Wang

AAAS Book Award (Media, Performance, & Visual Studies) Honorable Mention 2026
Association for Asian American Studies

Yiman Wang is Professor of Film & Digital Media at the University of California, Santa Cruz, and author of Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong, and Hollywood.

To Be an Actress
Labor and Performance in Anna May Wong's Cross-Media World

Between 1919 and 1961, pioneering Chinese American actress Anna May Wong established an enduring legacy that encompassed cinema, theater, radio, and American television. Born in Los Angeles, yet with her US citizenship scrutinized due to the Chinese Exclusion Act, Wong—a defiant misfit—innovated nuanced performances to subvert the racism and sexism that beset her life and career. In this critical study of Wong's cross-media and transnational career, Yiman Wang marshals extraordinary archival research and a multifocal approach to illuminate a lifelong labor of performance. Viewing Wong as a performer and worker, not just a star, To Be an Actress adopts a feminist decolonial perspective to speculatively meet her as an interlocutor while inviting a reconsideration of racialized, gendered, and migratory labor as the bedrock of the entertainment industries.