Horace Silver is one of the last giants remaining from the incredible flowering and creative extension of bebop music that became known as "hard bop" in the 1950s. This freewheeling autobiography of the great composer pianist and bandleader takes us from his childhood in Norwalk Connecticut through his rise to fame as a musician in New York to his comfortable life “after the road” in California. During that time Silver composed an impressive repertoire of tunes that have become standards and recorded a number of classic albums. Well-seasoned with anecdotes about the music the musicians and the milieu in which he worked and prospered Silver’s narrative—like his music—is earthy vernacular and intimate. His stories resonate with lessons learned from hearing and playing alongside such legends as Art Blakey Charlie Parker and Lester Young. His irrepressible sense of humor combined with his distinctive spirituality make his account both entertaining and inspiring. Most importantly Silver’s unique take on the music and the people who play it opens a window onto the creative process of jazz and the social and cultural worlds in which it flourishes.
Let’s Get to the Nitty Gritty also describes Silver’s spiritual awakening in the late 1970s. This transformation found its expression in the electronic and vocal music of the three-part work called The United States of Mind and eventually led the musician to start his own record label Silveto. Silver details the economic forces that eventually persuaded him to put Silveto to rest and to return to the studios of major jazz recording labels like Columbia Impulse and Verve where he continued expanding his catalogue of new compositions and recordings that are at least as impressive as his earlier work.
Horace Silver was born in Norwalk, Connecticut in 1928. He now lives in Malibu, California. Phil Pastras is Assistant Professor of English at Pasadena City College and author of Dead Man Blues: Jelly Roll Morton Way Out West (California, 2002).
"As one of the major figures in the history of jazz Horace Silver's reminiscences are priceless. Simply put the man is a national treasure. Horace's sensitivity passions and creative sources emerge in this engaging book a tribute to his determination and to Phil Pastras' skill and sensitivity as an editor. It will be celebrated by jazz scholars and fans everywhere."—Steven Isoardi author of The Dark Tree and Central Avenue Sounds
"Horace Silver stands as one of the last 'jazz giants' remaining from the incredible efflorescence of bebop-based music in the 1950s. For that reason alone his book would be an important contribution. But this is more than a mere memoir of a golden age long past. Silver's prose style is much like his musical style: earthy vernacular populist. His unique take on the music and the people who play it provides valuable insights into the creative processes of jazz and the social and cultural worlds in which jazz musicians live and work. His recounts of the lessons learned from listening to and playing alongside Art Blakey Charlie Parker Jimmie Lunceford and Lester Young as well as many lesser-known figures are particularly revealing."—David Ake author of Jazz Cultures
282 pp.6 x 9Illus: 17 b/w photographs
9780520253926$34.95|£30.00Paper
Aug 2007