Rosa Linda Fregoso
meXicana Encounters
The Making of Social Identities on the Borderlands
238 pages, 6 x 9 inches, 11 b/w photographs
December 2003, Available worldwide
Categories: Sociology; Chicano Studies; California & the West; Film; Women's Studies; Literary Theory & Criticism; Latin American Studies; American Studies
December 2003, Available worldwide
Categories: Sociology; Chicano Studies; California & the West; Film; Women's Studies; Literary Theory & Criticism; Latin American Studies; American Studies
Downloadable eBook version available:
Adobe E-Reader at ebooks.com, $15.95
Adobe E-Reader at ebooks.com, $15.95
"Fregoso invents a new genre: reflexive, situated cultural critique. meXicana Encounters is a profound event in interdisciplinary American cultural studies."—Lisa Lowe, author of Immigrant Acts
meXicana Encounters charts the dynamic and contradictory representation of Mexicanas and Chicanas in culture. Rosa Linda Fregoso's deft analysis of the cultural practices and symbolic forms that shape social identities takes her across a wide and varied terrain. Among the subjects she considers are the recent murders and disappearances of women in Ciudad Juárez; transborder feminist texts that deal with private, domestic forms of violence; how films like John Sayles's Lone Star re-center white masculinity; and the significance of la familia to the identity of Chicanas/os and how it can subordinate gender and sexuality to masculinity and heterosexual roles. Fregoso's self-reflexive approach to cultural politics embraces the movement for social justice and offers new insights into the ways that racial and gender differences are inscribed in cultural practices.
List of Illustrations
Preface
Acknowledgments
1. Toward a Planetary Civil Society
2. Cross-Border Feminist Solidarities
3. Gender, Multiculturalism, and the Missionary Position on the Borderlands
4. The Chicano Familia Romance
5. Familia Matters
6. "Fantasy Heritage": Tracking Latina Bloodlines
7. Haunted by Miscegenation
8. Ghosts of a Mexican Past
Epilogue
Notes
Bibliography
Index
Preface
Acknowledgments
1. Toward a Planetary Civil Society
2. Cross-Border Feminist Solidarities
3. Gender, Multiculturalism, and the Missionary Position on the Borderlands
4. The Chicano Familia Romance
5. Familia Matters
6. "Fantasy Heritage": Tracking Latina Bloodlines
7. Haunted by Miscegenation
8. Ghosts of a Mexican Past
Epilogue
Notes
Bibliography
Index
US Latina/o & Chicana/o Literary and Cultural Studies Prize, Modern Language Association of America
Feminism on the Border: Chicana Gender Politics and Literature, by Sonia Saldívar-Hull
Aztlán and Viet Nam: Chicano and Chicana Experiences of the War, by George Mariscal, editor
Building with Our Hands: New Directions in Chicana Studies, by Adela De La Torre and Beatriz M. Pesquera, editors
Contemporary Chicana Poetry: A Critical Approach to an Emerging Literature, by Marta E. Sanchez
Audiotopia: Music, Race, and America, by Josh Kun
Cultural Moves: African Americans and the Politics of Representation, by Herman S. Gray
The Children of NAFTA: Labor Wars on the U.S./Mexico Border, by David Bacon
Race Music: Black Cultures from Bebop to Hip-Hop, by Guthrie P. Ramsey, Jr.
American Klezmer: Its Roots and Offshoots, by Mark Slobin, editor
What Is This Thing Called Jazz? African American Musicians as Artists, Critics, and Activists, by Eric Porter
Aztlán and Viet Nam: Chicano and Chicana Experiences of the War, by George Mariscal, editor
Building with Our Hands: New Directions in Chicana Studies, by Adela De La Torre and Beatriz M. Pesquera, editors
Contemporary Chicana Poetry: A Critical Approach to an Emerging Literature, by Marta E. Sanchez
Audiotopia: Music, Race, and America, by Josh Kun
Cultural Moves: African Americans and the Politics of Representation, by Herman S. Gray
The Children of NAFTA: Labor Wars on the U.S./Mexico Border, by David Bacon
Race Music: Black Cultures from Bebop to Hip-Hop, by Guthrie P. Ramsey, Jr.
American Klezmer: Its Roots and Offshoots, by Mark Slobin, editor
What Is This Thing Called Jazz? African American Musicians as Artists, Critics, and Activists, by Eric Porter















