Made in California
Art, Image, and Identity, 1900-2000
351 pages, 9-1/2 x 12 inches, 365 color images, 177 b/w images
November 2000, Available worldwide
Categories: Art; Art History; Photography; Film
November 2000, Available worldwide
Categories: Art; Art History; Photography; Film
"The two books that accompany the exhibition stand out as especially edifying adornments to the marquee."—Library Journal
"A gorgeous, expansive volume. Featuring more than 400 beautifully reproduced works and many provocative essays, this is a riveting look at California's social history."—San Jose Mercury News
"This handsome—and hefty—exhibition catalog about California culture provides from one to three photographs on virtually every page. By perusing it, one can almost experience the visual event."—Choice
"A gorgeous, expansive volume. Featuring more than 400 beautifully reproduced works and many provocative essays, this is a riveting look at California's social history."—San Jose Mercury News
"This handsome—and hefty—exhibition catalog about California culture provides from one to three photographs on virtually every page. By perusing it, one can almost experience the visual event."—Choice
This opulent and expansive volume, published in conjunction with the Los Angeles County Museum of Art's monumental exhibition Made in California: Art, Image, and Identity,1900-2000, charts the dynamic relationship between the arts and popular conceptions of California. Displaying a dazzling array of fine art and material culture, Made in California challenges us to reexamine the ways in which the state has been portrayed and imagined. Unusually inclusive, visually intriguing, and beautifully produced, this volume is a delight throughout—both in image and in text—and will appeal to anyone who has lived in, visited, or imagined California.
Drawn from the exhibition, which gathers more than 1,200 artworks and pieces of ephemera from many public and private collections, Made in California is an image-driven look at the past century, featuring more than 400 works in a range of media, from painting, sculpture, prints, drawings, and photographs to furniture, fashion, and film. The book also includes more than 150 cultural artifacts such as tourist brochures, posters, labor union tracts, personal letters, and government reports that convey the richness and complexity of twentieth-century California. Arranged provocatively by theme, these objects take us on a visual tour of a state that was promoted as a bountiful paradise early in the century; as a glamour capital by Hollywood in the 1920s and 1930s; as a suburban utopia in the late '40s and '50s; as a haven for counterculture in the '60s and '70s, and as a multicultural frontier in the '80s and '90s. The book's exploration of how these themes were reflected and contested in California's visual culture deepens our understanding of the state's artistic traditions as well as its fascinating history.
The volume is divided into five twenty-year sections, each including a narrative essay discussing the history of that era and highlighting topics particularly relevant to its visual culture. Two overarching themes emerge that have been crucial for how we imagine and understand California: first, the landscape, including both the natural and built environment, and second, the multifaceted relationships California has had with Latin America and Asia.
Geographer Michael Dear has contributed a sweeping overview of the social history of California that examines the vibrant and sometimes turbulent conditions out of which the culture emerged. Essayist Richard Rodriguez closes the volume with a uniquely personal meditation on the Golden State.
Drawn from the exhibition, which gathers more than 1,200 artworks and pieces of ephemera from many public and private collections, Made in California is an image-driven look at the past century, featuring more than 400 works in a range of media, from painting, sculpture, prints, drawings, and photographs to furniture, fashion, and film. The book also includes more than 150 cultural artifacts such as tourist brochures, posters, labor union tracts, personal letters, and government reports that convey the richness and complexity of twentieth-century California. Arranged provocatively by theme, these objects take us on a visual tour of a state that was promoted as a bountiful paradise early in the century; as a glamour capital by Hollywood in the 1920s and 1930s; as a suburban utopia in the late '40s and '50s; as a haven for counterculture in the '60s and '70s, and as a multicultural frontier in the '80s and '90s. The book's exploration of how these themes were reflected and contested in California's visual culture deepens our understanding of the state's artistic traditions as well as its fascinating history.
The volume is divided into five twenty-year sections, each including a narrative essay discussing the history of that era and highlighting topics particularly relevant to its visual culture. Two overarching themes emerge that have been crucial for how we imagine and understand California: first, the landscape, including both the natural and built environment, and second, the multifaceted relationships California has had with Latin America and Asia.
Geographer Michael Dear has contributed a sweeping overview of the social history of California that examines the vibrant and sometimes turbulent conditions out of which the culture emerged. Essayist Richard Rodriguez closes the volume with a uniquely personal meditation on the Golden State.
Contributors:
Blake Allmendinger
John P. Bowles
Margaret Crawford
Ilene Susan Fort
Howard N. Fox
Karin Higa
Paul J. Karlstrom
Norman M. Klein
Anthony W. Lee
George Lipsitz
Chon A. Noriega
John Ott
Carolyn Peter
Dana Polan
Sarah Schrank
Peter Selz
Kevin Starr
Sally Stein
Tim B. Wride
Lynn Zelevansky
Blake Allmendinger
John P. Bowles
Margaret Crawford
Ilene Susan Fort
Howard N. Fox
Karin Higa
Paul J. Karlstrom
Norman M. Klein
Anthony W. Lee
George Lipsitz
Chon A. Noriega
John Ott
Carolyn Peter
Dana Polan
Sarah Schrank
Peter Selz
Kevin Starr
Sally Stein
Tim B. Wride
Lynn Zelevansky
Reading California, by Stephanie Barron, Sheri Bernstein, and Ilene Susan Fort
Paintings of California, by Arnold Skolnick, editor
The Most Typical Avant-Garde : History and Geography of Minor Cinemas in Los Angeles, by David E. James
A Critical Cinema 4: Interviews with Independent Filmmakers, by Scott MacDonald
The Garden in the Machine: A Field Guide to Independent Films about Place, by Scott MacDonald
Paintings of California, by Arnold Skolnick, editor
The Most Typical Avant-Garde : History and Geography of Minor Cinemas in Los Angeles, by David E. James
A Critical Cinema 4: Interviews with Independent Filmmakers, by Scott MacDonald
The Garden in the Machine: A Field Guide to Independent Films about Place, by Scott MacDonald












