Ernst van de Wetering
Rembrandt
The Painter at Work
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978-0-520-22668-5
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355 pages, 9-1/2 x 10-3/4 inches, 201 color illustrations, 134 b/w illustrations, 5 tables, and 2 line drawings
September 2000, Only available in Only available in the United States, Canada, Philippines
Categories: Art; European History
September 2000, Only available in Only available in the United States, Canada, Philippines
Categories: Art; European History
"This is a very rich book, a deeply felt analysis of an artist whom the author knows better than almost any other living scholar."—Christopher Brown, Times Literary Supplement
"This book is--if one may be allowed to say such a thing about a serious scholarly work--a gripping good read."—Christopher White, Burlington Magazine
"This book is--if one may be allowed to say such a thing about a serious scholarly work--a gripping good read."—Christopher White, Burlington Magazine
"Ernst van de Wetering's wonderful book has taken us further than almost any study over the past twenty years, towards an understanding of the machinery of Rembrandt's genius. . . . No one attempting to write about Rembrandt in the future will be able to do so without taking this fine work into account. It is a really stunning achievement and will change the whole course of Rembrandt studies for many generations."—Simon Schama
"Who would not have wanted to look over Rembrandt's shoulder while he painted? Among the countless books on Rembrandt, that by Ernst van de Weterring comes closest to conveying something of this experience because the author combines the qualifications of a trained connoisseur and of a practising painter."—Ernst Gombrich
"Who would not have wanted to look over Rembrandt's shoulder while he painted? Among the countless books on Rembrandt, that by Ernst van de Weterring comes closest to conveying something of this experience because the author combines the qualifications of a trained connoisseur and of a practising painter."—Ernst Gombrich
Rembrandt's intriguing painting technique has stirred the imagination of art lovers during his lifetime and ever since. In this book, Rembrandt's pictorial intentions and the variety of materials and techniques he applied to create his fascinating effects are unraveled in depth. At the same time, this "archaeology"of Rembrandt's paintings yields information on many other levels.
In art-historical research, the work of art as a material object is used increasingly as an important source of information about the painting itself, as well as about historic studio practice in general. The range from practical workshop devices to aesthetic and art-theoretical matters combined in this book offers a view of Rembrandt's daily practice and artistic considerations, while simultaneously providing a more three-dimensional image of the historical artist.
In art-historical research, the work of art as a material object is used increasingly as an important source of information about the painting itself, as well as about historic studio practice in general. The range from practical workshop devices to aesthetic and art-theoretical matters combined in this book offers a view of Rembrandt's daily practice and artistic considerations, while simultaneously providing a more three-dimensional image of the historical artist.
College Art Association/Heritage Preservation Award for Distinction in Scholarship and Conservation, College Art Association
Reframing Rembrandt, by Michael Zell