Capturing Sound
How Technology Has Changed Music
A Roth Family Foundation Music in America Book
276 pages, 6 x 9 inches, 2 b/w photographs, 1 line illustration, 1 table, 1 music example. Includes a 13-track CD
November 2004, Available worldwide
Categories: Music; American Music; Popular Music; Classical Music; American Studies
November 2004, Available worldwide
Categories: Music; American Music; Popular Music; Classical Music; American Studies
Downloadable eBook version available:
Adobe E-Reader at ebooks.com, $15.95
Adobe E-Reader at ebooks.com, $15.95
"Of a number of recent books on the history of recording. . . .Katz's book is the most approachable. . . . In lucid, evenhanded prose, it ranges all over the map, from classical to hip-hop."—Alex Ross, New Yorker
"A creative and highly original examination of the countless ways in which recordings . . . have transformed our understanding of what we listen to and for. Katz is at home in every musical genre."—Tim Page, Washington Post Book World
"Mark Katz's Capturing Sound is a unique, fascinating, and quirky look at the catalyzing effect recording technology and culture has had upon music and music making. This is an important book [and] a good read."—Philip Carli, ARSC Journal
"Capturing Sound is an interesting, insightful, and informative journey into the origins of recording technology."—Marian S. Schultz, Music Educators Journal
"Mark Katz's Capturing Sound: How Technology has Changed Music is a timely read. As the Supreme Court tackles issues relating to downloading music and file-sharing, Katz . . . examines how recording technology has influenced the ways we make and listen to music. Katz's discussion of the topic is far-ranging and illuminating. . . . As Katz progresses from the development of the phonograph to turntablism and digital sampling, giving examples along the way, attentive readers will likely want to hear some of the pieces cited. Well, there's no need to visit iTunes because the book comes with a CD of recordings. The disc makes Capturing Sound a good read and a good listen."—John Lewis, Baltimore Magazine
"Katz's Capturing Sound represents an emerging musicology that is equally at home with the popular and the classical. . . . The book concisely covers an astonishing range of topics linked to the rise of recording technology over the last century. . . . Katz's approach is primarily historical, drawing on an impressive array of documentation from recording archives, advertising, and literary sources."—Joseph Auner, Institute For Studies In American Music
"A creative and highly original examination of the countless ways in which recordings . . . have transformed our understanding of what we listen to and for. Katz is at home in every musical genre."—Tim Page, Washington Post Book World
"Mark Katz's Capturing Sound is a unique, fascinating, and quirky look at the catalyzing effect recording technology and culture has had upon music and music making. This is an important book [and] a good read."—Philip Carli, ARSC Journal
"Capturing Sound is an interesting, insightful, and informative journey into the origins of recording technology."—Marian S. Schultz, Music Educators Journal
"Mark Katz's Capturing Sound: How Technology has Changed Music is a timely read. As the Supreme Court tackles issues relating to downloading music and file-sharing, Katz . . . examines how recording technology has influenced the ways we make and listen to music. Katz's discussion of the topic is far-ranging and illuminating. . . . As Katz progresses from the development of the phonograph to turntablism and digital sampling, giving examples along the way, attentive readers will likely want to hear some of the pieces cited. Well, there's no need to visit iTunes because the book comes with a CD of recordings. The disc makes Capturing Sound a good read and a good listen."—John Lewis, Baltimore Magazine
"Katz's Capturing Sound represents an emerging musicology that is equally at home with the popular and the classical. . . . The book concisely covers an astonishing range of topics linked to the rise of recording technology over the last century. . . . Katz's approach is primarily historical, drawing on an impressive array of documentation from recording archives, advertising, and literary sources."—Joseph Auner, Institute For Studies In American Music
"This thoughtful and well-written book goes to the front rank of publications on the phonograph and other sound reproduction technologies. Employing a wide variety of methodologies and sources and covering a broad range of music and practices, Katz provides a model of how studies of music and technology should be done."—Tim Taylor, author of Global Pop: World Music, World Markets and Strange Sounds: Music, Technology and Culture
"I only wish I had put as much thought into making records as Mark Katz does in appreciating and analyzing them. I've always said that what I do is not rocket science but critiques like this make it sound like it has a place in modern culture."—Norman Cook, aka Fatboy Slim, composer, producer, DJ
"I only wish I had put as much thought into making records as Mark Katz does in appreciating and analyzing them. I've always said that what I do is not rocket science but critiques like this make it sound like it has a place in modern culture."—Norman Cook, aka Fatboy Slim, composer, producer, DJ
There is more to sound recording than just recording sound. Far from being simply a tool for the preservation of music, the technology is a catalyst. This is the clear message of Capturing Sound, a wide-ranging, deeply informative, consistently entertaining history of recording's profound impact on the musical life of the past century, from Edison to the Internet.
In a series of case studies, Mark Katz explores how recording technology has encouraged new ways of listening to music, led performers to change their practices, and allowed entirely new musical genres to come into existence. An accompanying CD, featuring thirteen tracks from Chopin to Public Enemy, allows readers to hear what Katz means when he discusses music as varied as King Oliver's "Dippermouth Blues," a Jascha Heifetz recording of a Brahms Hungarian Dance, and Fatboy Slim's "Praise You."
In a series of case studies, Mark Katz explores how recording technology has encouraged new ways of listening to music, led performers to change their practices, and allowed entirely new musical genres to come into existence. An accompanying CD, featuring thirteen tracks from Chopin to Public Enemy, allows readers to hear what Katz means when he discusses music as varied as King Oliver's "Dippermouth Blues," a Jascha Heifetz recording of a Brahms Hungarian Dance, and Fatboy Slim's "Praise You."
Acknowledgments
Introduction
1. Causes
2. Making America More Musical: The Phonograph and "Good Music"
3. Capturing Jazz
4. Aesthetics out of Exigency: Violin Vibrato and the Phonograph
5. The Rise and Fall of Grammophonmusik
6. The Turntable as Weapon: Understanding the DJ Battle
7. Music in 1s and 0s: The Art and Politics of Digital Sampling
8. Listening in Cyberspace
Conclusion
Notes
References
CD Tracks
Index
Introduction
1. Causes
2. Making America More Musical: The Phonograph and "Good Music"
3. Capturing Jazz
4. Aesthetics out of Exigency: Violin Vibrato and the Phonograph
5. The Rise and Fall of Grammophonmusik
6. The Turntable as Weapon: Understanding the DJ Battle
7. Music in 1s and 0s: The Art and Politics of Digital Sampling
8. Listening in Cyberspace
Conclusion
Notes
References
CD Tracks
Index
Sally Hacker Prize, Society for the History of Technology
Choice's Outstanding Academic Titles, Emery-Pratt
Certificate of Merit for the Best Research in General History of Recorded Sound, ARSC Awards for Excellence, Association for Recorded Sound Collections
Choice's Outstanding Academic Titles, Emery-Pratt
Certificate of Merit for the Best Research in General History of Recorded Sound, ARSC Awards for Excellence, Association for Recorded Sound Collections















