Blackface, White Noise
Jewish Immigrants in the Hollywood Melting Pot
336 pages,
June 1996, Available worldwide
Categories: American Studies; Film; United States History; Jewish Studies; Popular Culture
June 1996, Available worldwide
Categories: American Studies; Film; United States History; Jewish Studies; Popular Culture
"[A] fascinating thicket of cultural ironies and paradoxes relating to the phenomenon of blackface in American life. . . . Stunning analysis."—Patricia Holt, San Francisco Chronicle
"Energetic, even revelatory. . . . [Rogin has] a robust appetite for cultural connections."—Gene Seymour, The Nation
"The intellectual daring . . . makes Rogin's book, as Umberto Eco says, 'the occasion for the reader's imagination to begin.'"—Thomas Cripps, Journal of American History
"Energetic, even revelatory. . . . [Rogin has] a robust appetite for cultural connections."—Gene Seymour, The Nation
"The intellectual daring . . . makes Rogin's book, as Umberto Eco says, 'the occasion for the reader's imagination to begin.'"—Thomas Cripps, Journal of American History
The tangled connections that have bound Jews to African Americans in popular culture and liberal politics are at the heart of Michael Rogin's arresting and unnerving book. Looking at films from Birth of a Nation to Forrest Gump, Rogin explores blackface in Hollywood films as an aperture to broader issues: the nature of "white" identity in America, the role of race in transforming immigrants into "Americans," the common experiences of Jews and African Americans that made Jews key supporters in the fight for racial equality, and the social importance of popular culture. Rogin's forcefully argued study challenges us to confront the harsh truths behind the popularity of racial masquerade.
Ronald Reagan The Movie, by Michael Rogin















