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Gabriella Oldham
First Cut
Conversations with Film Editors
$25.95, £14.95 paperback
978-0-520-07588-7
Available Now
417 pages,
August 1992, Available worldwide
Categories: Cinema & Performance Arts; Film; Media Studies
August 1992, Available worldwide
Categories: Cinema & Performance Arts; Film; Media Studies
Free online edition (eScholarship)--available only to University of California faculty, staff, and students (List of public titles)
"Fascinating reading."—Randolph Man, THE Magazine
"This superb collection of interviews illuminates the art of film editing with a level of detail and insight that few previous books have possessed. . . . Through descriptions of the cutting of key sequences in films directed by Coppola, De Palma, Forman, Pollack, Lumet, and others, Oldham's interviewees reveal not just the mechanics of cutting shots together but also how an editor is guided intuitively by the 'inner rhythm' of a sequence. . . . This book is indispensable for all those who wish to deepen their understanding of the editor's contribution to film structure."—Stephen Prince, Film Quarterly
"This superb collection of interviews illuminates the art of film editing with a level of detail and insight that few previous books have possessed. . . . Through descriptions of the cutting of key sequences in films directed by Coppola, De Palma, Forman, Pollack, Lumet, and others, Oldham's interviewees reveal not just the mechanics of cutting shots together but also how an editor is guided intuitively by the 'inner rhythm' of a sequence. . . . This book is indispensable for all those who wish to deepen their understanding of the editor's contribution to film structure."—Stephen Prince, Film Quarterly
First Cut offers an opportunity to learn what film editing really is, and to learn from the source. Gabriella Oldham's interviews with twenty-three award-winning film editors give a full picture of the complex art and craft of editing a film. Filled with animated anecdotes and detailed examples, this is the first book to provide a comprehensive treatment of both documentary and feature film editing.
British Film Editors: The Heart of the Movie, by Roy Perkins and Martin Stollery