Passionate, witty, and brilliant, Opera as Drama has been lauded as one of the most controversial, thought-provoking, and entertaining works of operatic criticism ever written. First published in 1956 and revised in 1988, Opera as Drama continues to be indispensable reading for all students and lovers of opera.
Opera as Drama Fiftieth Anniversary Edition
About the Book
Reviews
PRAISE FOR THE PREVIOUS EDITIONS:“If you are for opera, this book is for you.”—New York Times Book Review
“The most influential recent book on opera criticism…in the English-speaking world”—New Grove Dictionary of Opera
“Affords the serious reader and listener an absorbing encounter with a sensitive and superbly trained intelligence in the act of thinking about music and music criticism…. We come away remembering the sound of Kerman’s prose voice, mellifluous, elegant, eminently civilized, beneath its cool control a ground bass of urgent feeling.”—San Francisco Chronicle Book Review
"The author's clarity and pungency...make for enjoyable, challenging reading. It is a collection that can tease the person who is primarily interested in opera into wanting to explore the song literature of the English Renaissance or to listen more knowledgeably to Mozart's piano concertos and Beethoven's symphonies."—William Ashbrook, Opera Quarterly
"Kerman's musicological activity is technical without neglecting the importance of text, cultural context, meaning, expression, and value, and is likely to appeal to educated lay people.... Kerman's scholarship is careful and sensitive, and often subtle and witty. Yet this subtle scholarship has evoked strong and widespread reaction and provided significant leadership within musicology and beyond."—Renée Cox Lorraine, Notes
"Lucid, lively.... Many aspects of his work can provide inspiration."—Oliver Neighbour, Music and Letters
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Table of Contents
Preface to the New Edition
Preface to the First Edition
1. Prologue: Opera as Drama
2. Orpheus: The Neoclassic Vision
3· The Dark Ages
4· Action and the Musical Continuity
5· Mozart
6. Verdi's Otello: Traditional Opera and the Image of Shakespeare
7· Opera as Sung Play
8. Opera as Symphonic Poem
9· Retrenchment: Wozzeck and The Rake's Progress
10. Drama and the Alternative
11. Epilogue: On Operatic Criticism
Index