Collabra: Psychology Now the Official Journal of SIPS

Collabra: Psychology is delighted to announce its new affiliation as the official journal of the Society for the Improvement of Psychological Science (SIPS). SIPS will oversee editorial responsibilities for the journal, while University of California Press remains its publisher. Dan Morgan, UC Press publisher of Collabra: Psychology, says of the new affiliation:

“With our shared focus on rigorous science and improving norms for publishing practices, and an increasing cross-over of people involved with both, it feels natural to formally affiliate Collabra: Psychology and SIPS. Both entities’ missions are amplified by this collaboration.”

Simine Vazire, UC Davis, and Chair, SIPS Executive Committee also says of the partnership:

“We are thrilled that Collabra: Psychology will be the official journal of the Society for the Improvement of Psychological Science. This joint project will be vital to helping us fulfill our mission. Collabra: Psychology provides an outlet for psychological research that exemplifies the values of SIPS, and presents an opportunity for SIPS to help change norms and incentives in the field of psychology .”

Collabra: Psychology and SIPS are excited to unite in a shared mission to improve psychological science, and scholarly communications broadly, through policies that support transparency, openness, diversity, and rigorous, ethical scientific research practices. To learn more about how Collabra: Psychology currently reinforces these values, check out our website at collabra.org.

See the press release from UC Press here.


AAUP Panel Reviews University Press Open Access Projects

 

The recent annual conference of the Association of American University Presses (AAUP) featured a panel on open access monograph publishing. UC Press Interim Director Erich van Rijn spoke about the Luminos program and reports on the session below.

 


Open access monograph publishing has become a topic of much discussion within the scholarly publishing community, so it should come as no surprise that it was one among many topics covered during concurrent sessions at the 2017 annual meeting of the Association of American University Presses in Austin, Texas. This year, my contribution to the meeting included participating in a panel discussion on open access monograph publishing entitled, “Four Case Studies, Four Ways: Highlights from AAUP’s Review of OA Projects.” The focus of my presentation was UC Press’s Luminos publishing program, and our moderator, Hope LeGro, the Assistant Director at Georgetown University Press had specifically, asked me to focus on the unique model that Luminos utilizes to publish OA monographs cost effectively.  

 

Luminos’s unique hybrid model which includes funding from an author’s institution, library membership funding, unit sales of print-on-demand editions of books, and a subsidy from UC Press was of much interest to attendees. In fact, my fellow panelists and I presented to a capacity crowd, which perhaps provides some indication of the level of interest in open access publishing in the university press community. Luminos’s funding model has been held up as a model of how open access can work, and we are very proud to have pioneered it. However, not unpredictably, larger questions emerged during a lively Q&A from the audience about the extensibility of the Luminos model to other publishers. After all, as an increasing number of publishers compete for scarce library funds to help offset the costs of publishing monographs, how will libraries be able to choose among the various programs? Can the Luminos model scale, and if so, how? As the number of presses offering open access as a publishing option grows, libraries will eventually need to make difficult decisions about which they can help support and which they can’t.   

 

These are important questions with which we at the press and in the wider scholarly communications community must grapple as Luminos and other initiatives aimed at open access monograph publishing continue to evolve. In the meantime, we are very pleased to continue to publish some excellent new books through the program, and we look forward partnering with increasing numbers of authors and libraries to grow the program and watch it flourish as Luminos takes a seat at the table amongst other important efforts to create a sustainable path for the open access monograph of the future.

 

Interested in your institution becoming a Luminos Member Library? See luminosoa.org for details, or email us at luminos@ucpress.edu.

 

 


This Year’s One City One Book Selection Is Black against Empire

UC Press is proud to announce that San Francisco’s 13th Annual One City One Book selection is Black against Empire: The History and Politics of the Black Panther Party by Joshua Bloom and Waldo E. Martin Jr.

Black against Empire is the first comprehensive overview and analysis of the history and politics of the Black Panther Party.

Bloom and Martin analyze key political questions, such as why so many young black people across the country risked their lives for the revolution, why the party grew most rapidly during the height of repression, and why allies abandoned the party at its peak of influence.

Bold, engrossing, and richly detailed, the book cuts through the mythology and obfuscation, revealing the political dynamics that drove the explosive growth of this revolutionary movement and its disastrous unraveling.” — One City One Book Selection Committee

Black against Empire will be featured in all San Francisco libraries and at bookstores around the city — pick up your copy for some summer reading and get ready for the One City One Book program extravaganza this fall! Join book discussions, view themed exhibits, attend author talks and participate in many other citywide events in September and October. Head to the San Francisco Public Library‘s site for more details, and stay tuned for the One City One Book Exhibits and Events Guide.


Final Day: UC Press Online Sale – Take 40% Off

Sunday May 21st is your final day to save 40% off all titles on www.ucpress.edu. (Sale excludes e-books and journals, and some restrictions apply; please see specifics outlined below).

Stock up for your summer reading needs and take 40% off all titles on ucpress.edu from May 15th-May 21st. This discount offer includes upcoming Fall ’17 new release pre-orders.

Use discount code 17W3169 at checkout and save 40% off.

Note: Discount cannot be applied to e-books, journals, and Sam Francis: Catalog Raisonneé of Canvas and Panel Paintings, 1946-1994. Discount is taken from original list price. Standard shipping rates apply. This offer is not applicable to previous orders, nor can it be combined with any other promotional offers. Online ordering is currently available in the U.S. and Canada only. For customers in the UK and Europe, call John Wiley & Sons +44 (0) 1243 843291. For all other territories, visit:http://www.ucpress.edu/go/ordering.


UC Press Website Sale: 40% Off All Titles 5/15/17-5/21/17

Stock up for your summer reading needs and take 40% off all titles on ucpress.edu from May 15th-May 21st. This discount offer includes upcoming Fall ’17 new release pre-orders. (Sale excludes e-books and journals, and some restrictions apply; please see specifics outlined below). 

Use discount code 17W3169 at checkout.

Some notable recent releases and bestsellers for your consideration:

Note: Discount cannot be applied to e-books, journals, and Sam Francis: Catalog Raisonneé of Canvas and Panel Paintings, 1946-1994. Discount is taken from original list price. Standard shipping rates apply. This offer is not applicable to previous orders, nor can it be combined with any other promotional offers. Online ordering is currently available in the U.S. and Canada only. For customers in the UK and Europe, call John Wiley & Sons +44 (0) 1243 843291. For all other territories, visit:http://www.ucpress.edu/go/ordering.

 


Studies in Late Antiquity Launches First Issue

University of California Press is excited to announce that the first issue of Studies in Late Antiquity (SLA) is now available at sla.ucpress.edu. To celebrate the journal launch, SLA 1.1 will be freely accessible online for the rest of 2017. To access future issues, become an individual subscriber or ask your institution’s library to subscribe on your behalf.

Edited by Elizabeth DePalma Digeser (UC Santa Barbara), SLA will publish original scholarship, book reviews, and exhibit reviews on a wide range of topics pertaining to the world of Late Antiquity (150 – 750 CE). A defining focus of the journal is fostering multi- and interdisciplinary research that emphasizes the interconnectedness of the Mediterranean with other parts of the late ancient world.

Scholars interested in submitting to the journal can learn more about SLA‘s Call for Papers and Author Guidelines here.

 

“We enjoy the methodological diversity of our field, which has long embraced scholars from Archaeology, History, Classics, Philosophy, Religious Studies, and Art History. But because of that very diversity we never find ourselves all assembled in one place. Studies in Late Antiquity is a unique effort to put in conversation scholarship engaged with global late antiquity.”

—Elizabeth DePalma Digeser, Editor, UC Santa Barbara

Table of Contents

Why Does the World Need a New Journal on Late Antiquity?
The Editor and Associate Editors

Community Matters
Elizabeth DePalma Digeser

Late Antiquity and World History: Challenging Conventional Narratives and Analyses
Mark Humphries

How Perilous was it to Write Political History in Late Antiquity?
Anthony Kaldellis

From a Classical to a Christian City: Civic Evergetism and Charity in Fifth Century Rome
Michele Salzman

Book Reviews

Review: Digital_Humanities, by Anne Burdick, Johanna Drucker, Peter Lunenfeld, Todd Presner, and Jeffrey Schnapp
Sarah E. Bond, Tom Keegan

Review: Décadence: “Decline and Fall” or “Other Antiquity”?, edited by Marco Formisano, Therese Fuhrer, and Anna-Lena Stock
Lorenzo DiTommaso

Review: A State of Mixture. Christians, Zoroastrians, and Iranian Political Culture in Late Antiquity, by Richard E. Payne
Greg Fisher

Review: From Shame to Sin: The Christian Transformation of Sexual Morality in Late Antiquity, by Kyle Harper
Wendy Mayer

Review: The Arid Lands. History, Power, Knowledge, by Diana K. Davis
Steven E. Sidebotham


UC Press Wins AAP PROSE Awards + Design Recognition from the AAUP

UC Press is proud to announce and congratulate recipients of this week’s Association of American Publishers‘ 2017 PROSE Awards, as well as the honorees of the Association of American University Press‘ 2017 Book, Jacket, and Journal Show.

About the PROSE Awards:

“The PROSE Awards annually recognize the very best in professional and scholarly publishing by bringing attention to distinguished books, journals, and electronic content in 53 categories.

Judged by peer publishers, librarians, and medical professionals since 1976, the PROSE Awards are extraordinary for their breadth and depth.”

ecosystems-of-california

2017 PROSE AWARD FOR EXCELLENCE IN PHYSICAL SCIENCES & MATHEMATICS

Ecosystems of California

Edited by Harold Mooney and Erika Zaveleta

 

 

 

 

mf6t14uh2017 PROSE AWARD JOURNAL/AWARD FOR INNOVATION – HONORABLE MENTION

Collabra: Psychology

Editors Simine Vazire, Rolf Zwaan and Don Moore

 

 

About the AAUP 2017 Book, Jacket, & Journal Show:

“Judging for the 2017 Book, Jacket, and Journal Show took place January 26-27 at the AAUP Central Office in New York City.  This year, 241 books, 2 Journals and 320 jacket and cover designs were submitted for a total of 563 entries.  The jurors carefully selected 50 books and 50 jackets and covers as the very best examples from this pool of excellent design.

The 2017 Book, Jacket, and Journal Show will premiere at the AAUP Annual Meeting in Austin, June 11-13, 2017. Afterward, the show will be exhibited at member presses around the country from September 2017 through May 2018. Forms to request the show for exhibit at your campus or institution will be available in the summer.”

9780520285958TRADE ILLUSTRATED

Nonstop Metropolis: A New York City Atlas by Rebecca Solnit and Joshua Jelly-Schapiro

Designer: Lia Tjandra

Production Coordinator: Angela Chen

Acquiring Editor: Niels Hooper

Project Editor: Dore Brown

 

principiaJACKETS/COVERS

The Principia by Isaac Newton, translated by Bernard Cohen and Anne Whitman

Designer: Lia Tjandra

Production Coordinator: Angela Chen

Art Director: Lia Tjandra

 

 


University of California Press launches Open Access journals program and seeks journal partners

open_access_logoUniversity of California Press’ Open Access journals program—a.k.a. “Collabra”—is reaching out to you, the academic community, with a “call for journals.”

  • Are you a scholarly society, or other community or collective, with an OA journal idea that you would like to develop with UC Press?
  • Are you involved with an OA journal that you are in a position to consider publishing with UC Press?
  • Are you an editor, or on an editorial board, considering starting a new OA journal?

Then please consider reaching out to us. Our aim is to facilitate, and not control, and we acknowledge the primary importance of the scholarly community in the value of a journal. Contact: Dan Morgan, Publisher, UC Press, at dmorgan@ucpress.edu.

Background to the program

As of January 2017, University of California Press is the publisher of two Open Access journals—Collabra: Psychology (which we launched) and Elementa: Science of the Anthropocene (which transferred to us from BioOne).

The origin of Collabra: Psychology was a megajournal called Collabra, which was intended to cover multiple disciplines. It created a new, fair, efficient business model that allows editors and reviewers to have a say in how the value created by a journal is shared. Elementa now adopts this business model too.

Collabra’s transition to Collabra: Psychology, a journal devoted to psychology, was not an exit from other fields but a focus on a specific community in which it gained great traction. When the opportunity to publish Elementa: Science of the Anthropocene came along, we realized the best way forward for our OA efforts would be to work with specific communities on specific journals.

And now our intention is to have “Collabra” be an overarching brand for more Open Access journals—which will all feature the core values of:

  • Fairness in pricing and business practice, with revenue sharing models if appropriate
  • Scientific and scholarly rigor
  • Transparency and openness, in data, methods, interests—defined by each community
  • Putting the academic community first—which community primarily creates and maintains a journal’s profile and identify

We look forward to working with you! Please reach out to Dan Morgan, Publisher, UC Press, at dmorgan@ucpress.edu.


UC Press’s Open Access Luminos Monographs Now Discoverable on Books at JSTOR

In October, JSTOR announced the inclusion of sixty-three open access monographs, including those from UC Press’s OA program Luminos, on their aggregated content platform, Books at JSTOR. In the following Q&A, Books at JSTOR Director Frank Smith talks about why this is an important development for disseminating the long-form research of faculty in the humanities and social sciences.

Sandy Brian Hager’s Public Debt, Inequality, and Power is now available for free download at Books at JSTOR

What is the role of JSTOR in the discovery process for students and researchers?

JSTOR is one of the most heavily used online resources at universities and colleges. Students and researchers know—or at least we think they know—that the journals and books presented on JSTOR have been carefully chosen by JSTOR staff for their high academic quality. A very high percentage of the searches for content on JSTOR are from students, faculty, and other researchers who actually start on JSTOR, as opposed to coming in from the library catalog or Google.

Further, librarians have told us that they’re unlikely to catalog OA books because they’re worried about the quality of some OA titles “in the wild,” and it is too much work for them to “opt-in” even OA books from respected publishers if they are not able to do so at scale. Books at JSTOR seems to be one good solution to those problems: JSTOR is a trusted source for content, and having OA titles delivered at greater scale gives librarians incentive to opt-in to cataloging those titles via MARC records and their web-scale discovery partners, so that OA book metadata is available to their patrons not just via search, but also through libraries’ own discovery systems.

Why did you decide to host open access books on JSTOR?

The open access books we are hosting come from publishers who we know employ high standards, including peer review, in their publishing decisions. So in one sense the open access books we are hosting are the same as books for which we sell licenses, which is to say we think they will be valuable for anyone doing academic research. A second reason to host open access books is to try to make JSTOR a more valuable resource for researchers who may not have university affiliations or may be in developing countries. (Through the generosity of many publishers, we also offer “read only” access to many journals for researchers without affiliations.) Third, OA books increase the amount of high quality content on JSTOR and we think thereby will make it a more valuable research platform.

What do you hope the future will hold for open access books on Books at JSTOR?

We hope of course that the books will be valuable to researchers. We also hope that by collecting data on the use of the books we can contribute in a meaningful way to discussions about the growth of open access publishing.

Also, the systems for books that are sold—publishing systems, library cataloging systems, and discovery systems—are ill suited to maximize the distribution of OA content. We’re facing a new version of trying to fit the square peg into the round hole. Books at JSTOR plays an important role then in being one of the first for-purchase content aggregators to incorporate OA books into our workflows and collections, which will ultimately help OA book publishing and readership as a whole.

 


Editor’s Spotlight: An interview with Luminos Executive Editor Reed Malcolm

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Luminos Executive Editor Reed Malcolm

In this Q&A with Luminos Executive Editor Reed Malcolm, we learn about author receptiveness to OA monograph publishing, where authors find publication subsidies, and what barriers to OA publishing Reed has encountered. We also take a glimpse into what the future holds for Luminos, UC Press’s open access publishing program.

How did you first get involved in Luminos?

I’ve been an acquisitions editor for over 20 years now. In that time, I’ve seen it become more and more difficult for university presses to publish specialized works of scholarship. This is due to a variety of reasons: diminishing library budgets, the advent of the course reader, the disappearance of brick-and-mortar bookstores, and not least of all the rise of Amazon and the internet. Consequently, sales potential has become a more critical component in the decision-making process for university presses. No longer is a book’s intellectual impact or its quality the sole criteria. And that’s a shame, since I don’t think any of us got into academic publishing for the money.

Luminos had been operating for about a year before I got involved.  As an editor, what primarily attracted me was the fact that I could return to publishing good books without being hamstrung by financial concerns.

The open access model is much more equitable in terms of the financing for a book’s publication. Instead of the publisher investing the entire cost, then losing that investment on four out of five titles, the Luminos model works on the idea that everyone who has a stake in a book’s publication contributes in some way to the cost of publication —the publisher, the author, the author’s institution, libraries, and readers. Like crowd-sourcing.

What’s also wonderful about open access books is that anyone who has internet access anywhere around the world can download a book for free. No longer is pricing a barrier to readership. Luminos books are made available simultaneously as e-books (for free) and paperbacks (for sale, for those who still prefer print on paper), so it really is the best of all worlds.

What has been the response to the program thus far? Any surprises?

I’ve been pleasantly surprised with the level of enthusiasm for the program. While other publishers have been dabbling with the concept of open access book publishing, UC Press has been one of the first to come out with guns blazing. In my conversations with department chairs and university deans, I’m often pleasantly surprised to learn how many have heard of Luminos, and I have similarly been pleased by how many senior scholars have requested to publish their books in the program.

If you had asked me two years ago what I thought would be the biggest hurdle in creating an open access publishing program, I would have said the subvention requirement (i.e. that authors need to contribute funding—a title publication fee—in order to publish in the Luminos program). But now that the program is sufficiently underway, I can say it’s proving much less of a deterrent than I would’ve expected. True, not everyone teaches at a well-endowed university with easy access to publication funds, but I’m finding that many authors are having an easier time securing funding than I would have thought. Many more deans and chairs are aware of the current publishing crisis today than was the case five years ago, and so are by and large receptive to supporting faculty with their open access books. At the University of California, for example, financing has been made available at both the campus and system-wide level for authors who wish to publish their books as open access titles. In addition, a benefit of Luminos’s financial model is its waiver fund, which allows authors from under-funded institutions or disciplines to apply for fee waivers in order to support publication of their research.

We’ve also been pleased by the initial response from libraries to our membership program. The Luminos model is predicated on costs being shared among all who benefit from a monograph’s publication—author/institution, publisher, and academic libraries. We’re now entering the second year of our library membership program and trust that current library members, who are already seeing the benefit to their institutions’ authors, will be eager to renew and that new libraries will want to come on board as members, allowing their institutions’ authors to benefit from the funds the library contributes to the Luminos program via reduced publication fees available to faculty at library member institutions.

Have you run into any obstacles?

While the reception to OA has been for the most part quite positive, there are still some who have a problem with the new model. Like Winnicott’s “transitional object,” books are often intimately bound to a scholar’s sense of professional identity. They are like sacred totems, instilled with power, purpose and meaning. Their spines face out from our bookshelves like hunting trophies.

But it’s important that we ask ourselves what we mean when we refer to “the book”? Is it just paper, ink, glue, and cardboard? Or is it a vehicle for sharing thoughts and ideas?  The problem is that too many people fail to draw any distinction. In their minds, message and messenger are one and the same.

And so in this context, I find there are some who still mistakenly see open access publishing as a battle between traditional print (the past) vs. digital (the future). But that dichotomy is misguided. The reality is that books in the Luminos program are made available in both digital and print formats. Digital editions are available for free download and print editions are available from UC Press and other book retailers for a low cost for those who prefer a print edition.

I like to explain to people that open access is not a different way of publishing so much as it is a different way of financing.

What does the future hold?

We have been signing approximately 20 titles a year within the Luminos program. Starting next year we hope to increase that number to 50. In addition to having our editors sign more open access titles, we’ve embarked on some very exciting publishing partnerships with institutes and centers whose work aligns with our core publishing strengths.

We also hope to take advantage of the digital capabilities of e-books by publishing more works that incorporate multimedia components, such as audio, video, and interactive maps. In this regard, we’ve had some productive discussions with digital humanities centers across the country, and I am looking forward to rolling out some exciting new book series in the near future.

What I have loved most about working on the Luminos program is that, for what seems like the first time in my publishing career, everyone is happy: authors, because their books aren’t facing pricing or distribution barriers; students, because they can obtain books for free; traditional book-lovers, who still are able to get print editions; librarians, since they no longer need to forgo acquiring faculty research due to budget constraints; and publishers, because they can go back to their core mission, which is to publish high quality research.