“Why Do People March on Washington?” A History of Democracy in Action

Marching on Washington has returned to the center stage of national politics. This weekend, The Women’s March on Washington will take place in protest of the inauguration of Donald Trump. In their official policy platform, the organizers invoke Martin Luther King Jr, quoting: “We cannot walk alone. And as we walk, we must make the pledge that we shall always march ahead. We cannot turn back.”

In the spirit of the upcoming march and Dr. King’s birthday, we look back at the history of marching on the capital with Lucy G. Barber’s Marching on Washington: The Forging of an American Political Tradition.

In her preface, Barber writes:

Why do people march on W2604050ashington? At times, as when this question was asked with sneering sincerity, I was tempted to respond that people gather because it is their right, which is too simple an answer for a question at the heart of this book. As you will learn while reading, people have not always had the right to march on Washington. It was won for us through the efforts of others. At some level the answer to this question is the same today as it was in 1894, when the first group marched on Washington. People who march on Washington believe that their opinion belongs in their capital, and they want to present it there themselves. They want to be with other people who share their opinion so that they can see each other and so that the rest of us can see them united. That they do so and can do so is something that I hope you will learn to value as an essential part of democracy.

Throughout Marching on Washington, Barber shows just how this tactic achieved its transformation from unacceptable to legitimate, beginning as early as 1894 when Jacob Coxey’s army marched into Washington, D.C., in the first concerted effort by citizens to use the capital for national public protest. Barber demonstrates how such highly visible events—including the women’s suffrage procession in 1913, the veterans’ bonus march in 1932, and the march on Washington for jobs and freedom in 1963, among others—contributed to the development of a broader and more inclusive view of citizenship and transformed the capital from the exclusive domain of politicians and officials into a national stage for Americans to participate directly in national politics.

Since 1894, millions of people have marched on Washington. When I began exploring the history of marches on Washington, I thought that the story would be relatively easy to tell. By exploring how ambitious, skillful, and daring organizers challenged the government for the right to protest in Washington during the twentieth century, I would counter prevailing assumptions at the end of the twentieth century that ordinary people no longer influence national politics. The story turned out to be more complex but also more interesting. Two intertwined and interrelated themes became the focus of my narrative: the changing spatial politics of the capital and the strategic uses of American citizenship. With these lenses, the history of marching on Washington is a story of spaces lost and spaces won. It is a story about the power of American citizens but also about the shifting terrain of citizenship. It is a story about the possibilities and the limits of the tradition of marching on Washington for changing national politics.

Mapping the Metropolis: Riot!

As we make our way through Nonstop Metropolis: A New York City Atlas by Rebecca Solnit and Joshua Jelly-Schapiro, we’re dipping into some of the maps and essays featured within the atlas—each offering a vividly imagined version of New York that reveals a richly layered, social history. For more peeks inside, head here.

Detail from the map “Riot! Periodic Eruptions in Volcanic New York,” featured in the book “Nonstop Metropolis: A New York City Atlas”

This week, we take a look at New York City’s history of resistance. “However you classify riots,” write the book’s editors, “New York City has been good at them, or at least good at having them. . . . Riots happen when those in charge can contain that energy no more—or fail to give it proper release.”

Walking through New York means passing through sites of popular uprisings and violent clashes, where people took to the streets to protest and make their strife known. In his essay, “The Violence of Inequality,” contributor Luc Sante writes that nearly half of New York’s riots have been about race, beginning as early as 1712.

The Negro Riot of 1712 was New York’s very first social upheaval. Its facts are scant—between twenty and seventy African slaves allegedly set fire to a building on Maiden Lane, then the city’s northern boundary, and attacked whites attempting to douse the flames, killing nine. Of the forty-three slaves arraigned, eighteen were acquitted, twenty hanged, and three burned at the stake. In 1741 the facts are even murkier—a ship was seized, possibly for piracy, and its African crew were sold as slaves, but they managed to break free and burn down a number of houses, including the governor’s mansion. The Doctors Riot of 1788 was sparked by medical students digging up cadavers for dissection from the Negroes Burial Ground. A petition from African American citizens was ignored by the authorities, but when a newspaper article alleged that the body of a white woman had been dug up, citizens attacked the hospital and the violence resulted in some twenty deaths.

In the 19th century, these riots were sometimes sparked by opponents of slavery—the Eagle Street Riot of 1801 began with an attempt to free slaves—and sometimes by supporters, as when anti-abolitionists ransacked the home of an abolitionist and attacked the abolitionist-owned Bowery Theater in 1834.

The white abolitionists of the period tended to be well-educated members of the upper classes; their activities were resented by many in the white working class—mostly Irish Catholic immigrants—who saw free blacks as competing for their jobs and accepting lower wages. Tempers rose to the point of violence in the Anti- Abolitionist Riots of 1834, when a mob ransacked the Rose Street home of the abolitionist Lewis Tappan and attacked the Bowery eater, whose stage manager was a British-born abolitionist—he appeased them by sending out an actor in blackface to sing “Zip Coon.” The Brooklyn Cigar Factory Riot of 1862 was the work of local Irish and German unskilled laborers who resented the fact that African Americans, who commuted from other parts of the city, were employed as skilled cigar rollers and made more money.

The map and Sante’s essay focus on mass eruptions sparked by race as well as those rooted in wealth and class—inequality being a chief theme among these uprisings. 2011’s Occupy Wall Street makes its mark on the map as does the deadliest riot in American history, The Draft Riots of 1863 where thousands of pro-South and pro-slavery New Yorkers lashed out in a deadly mix of racial hatred, economic insecurity, and class warfare as they rampaged through Manhattan, beating and murdering black men, soldiers, and police. But the map also contains some of the weirder and more inexplicable riots in the city, such as the fashion faux-pas that launched a citywide crime spree: The Straw Hat Riot of 1922. 

Take a peek at a few highlights and plots on the map below:

Nonstop Metropolis is available in paperback and hardcover.

Dance RecitalJJ SchapiroNonstop Metropolis: A New York City Atlas is the final volume in our trilogy of atlases by Rebecca Solnit, Joshua Jelly-Schapiro, Rebecca Snedeker, and a host of notable contributors. Following the publication of the critically lauded Infinite City (San Francisco) and Unfathomable City (New Orleans), we bring you this homage—and challenge—to the way we know and see New York City, in an exquisitely designed and gorgeously illustrated atlas that excavates the many buried layers of all five boroughs of New York City and parts of New Jersey.

Chasing Che and the New Global Latin America

This post is published in conjunction with the American Historical Association conference in Denver, taking place January 5-8.When sharing this post on social media, please be sure to use the hashtag #AHA17!

The opening of diplomatic relations between Cuba and the United States and continued changes to current Cuban sanctions is just an example of how Latin American countries can impact our global culture, economy, and politics. Yet the impact is usually not so apparent.

Matthew C. Guttmann and Jeffrey Lesser–editors of Global Latin America, part of the new Global Square Series–introduce how Latin American countries have, for quite some time, been global players.

The puzzle that inspired Global Latin America was, Why did we find Che Guevara’s image everywhere we went in the world? Why was a Latin American revolutionary of the 1950s and 1960s so popular among so many people around the globe in 2016? Why was Che easily the most famous Latin American outside the region? Sure, images of the bearded face and beret were often devoid of deep meaning, but there was his image, and we wanted to make sense of it. Trying to understand global Che led us to the larger meanings of global Latin America. …

Che Guevara image on man's cap, Shanghai, 2013. Photo: Matthew Gutmann.
Che Guevara image on man’s cap, Shanghai, 2013. Photo: Matthew Gutmann.

We are often more familiar with the impact of the world on Latin America than with the impact of Latin America on the world. The three C’s Conquest, Colonialism, and Christianity provide a tortured, if better-known story, about how some parts of the world have exercised control over other parts. … Although the significance of Latin America for the rest of the world is not new or sudden, it is ever more apparent. The impact that Latin America has had in the other direction, even though unmistakable, has never been as familiar a narrative. This volume, like the others in the Global Square series, seeks to remind us that regions are not just victims but also global players.

Latin America in 2016 is home to emerging global powers. In 2016, even despite massive downturns economically, Brazil had the seventh largest economy in the world and Mexico was poised to break into the top ten. Latin America is tightly bound to regions from Asia to Africa, from the Middle East to Europe, through commerce and trade, migration, and the arts. In political and economic terms, Argentina, Brazil, and Mexico are world leaders, part of the Group of 20 (G20) countries that have greatly expanded membership beyond the old geopolitical leadership of Europe, Japan, and the United States.

In Realpolitik, Latin American leaders from Argentina’s Carlos Menem to Brazil’s Luiz Inácio Lula da Silva to Venezuela’s Hugo Chávez have proposed that they are uniquely able to help to resolve global problems, from conflicts in the Middle East to energy to climate change to participatory democracy. Heavy manufacturing in Latin America is reshaping global auto, weapons, and airplane industries. Environmental measures in the enormous Amazon region, positive and negative, are central to global discussions of climate change. Truth commissions formed to document the abuses of past dictatorships in Latin America have become vital reference points for similar efforts from South Africa to Rwanda to Cambodia. …

GutmannLesser.GlobalLatinAmericaGlobal Latin America is for students, business leaders, policy makers, and global travelers interested in better understanding Latin America’s deep entanglements with and influence on our interdependent world. Chapters by academics, politicians, activists, journalists, scientists, and artists shine light on Latin American history, society, and culture. For those who want to appreciate the diversity and global relevance of Latin America in the twenty-first century, this volume collects some of the top scholarship and social analysis about global Latin America today and historically.


Julius Caesar, Pericles, and the Rise of Hitler

This post is published in conjunction with the Society for Classical Studies conference in Toronto as well as the American Historical Association conference in Denver, both taking place January 5-8.When sharing this post on social media, please be sure to use the hashtags #AIASCS or #AHA17!

Much has been written about the conditions that made possible Hitler’s rise and the Nazi takeover of Germany, but when we tell the story of the National Socialist Party, should we not also speak of Julius Caesar and Pericles? Greeks, Romans, Germans argues that to fully understand the racist, violent end of the Nazi regime, we must examine its appropriation of the heroes and lessons of the ancient world. Below is an excerpt from author Johann Chapoutot’s introduction.

What strange mania could have pushed the leaders of the Nazi regime, in the midst of the twentieth century, to talk—and to talk so much—about the Greeks and Romans? Or to commission neoclassical works of art and publish articles on the Rome of the Fabii? Or to subject research and education on antiquity to such ideologically driven revisionism?

We think of National Socialism as the apotheosis of racism in both words and deeds. But racism is an exclusionary practice: it is the distinction between friend and enemy based on a strict biological determinism that, taken to extremes, separates those who get to survive from those who must perish—among both the living and the dead. The biological transmission of racial traits precludes any casual dalliance outside the kinship group, any genealogical digression, and demands extreme vigilance and severe patrilineal discipline. There may be several branches of the racial tree, but the integrity and purity of its rootstock must be verified historically. The Germans thus traced their line far back into the distant past of paleontology and the primeval forest (Urwald), through the Teutonic Knights and the Brothers of the Sword (Fratres Militiae Christi), Frederick the Great and Bismarck, to Hindenburg and, finally, Hitler—the chosen one of the prophets and acme of the race. . . . When Rosenberg and Hitler spoke of the Greeks as a “Nordic people,” they did not simply claim their heritage, but rather asserted a form of paternity that turned the concept of lineage on its head: what if they had all come from Germany? This appropriation of the Aryan myth, which had not previously circulated beyond a few nineteenth century German linguists and historians—who had wistfully imagined that the Dorians of Sparta came from the North—was legitimized and racialized by the Nazis in their desire to give credibility to the idea that Germany possessed such greatness that it had given birth to Western civilization. In this way, Rosenberg argued, imitating antiquity was neither “shameful nor incompatible with national dignity,” since it was actually a legitimate reassertion of Indo-Germanic cultural patrimony. . . .

National Socialism offered a myth. Its narration, by the state and its institutions—and especially its artistic and academic organizations—was presented as reality. Its lies were passed off as truth: Nazi discourse did not adapt to describe an external, objective reality; rather, discourse was shaped, internally and self-referentially, to fit the preconceived notions underlying the discourse itself. . . . It was not just the past, and the legitimate pride that one could take from it, that was at stake here, but the future as well. Germans’ new identity, built upon the Nazis’ version of antiquity, was at once a story of origins and an indication of future horizons.

In Greeks, Romans, GermansChapoutot analyzes a wide range of sources to show the Third Reich’s systematic appropriation of antiquity, including the canonical texts of National Socialist ideology, the speeches and theoretical writings, journals, memoirs, and “table talks” by Hitler, Rosenberg, Goebbels, Goering, and Himmler—the men who created and framed Nazi dogma.

Johann Chapoutot is Professor at the Sorbonne, where he teaches contemporary history.

The New World History and a Brief History of the AHA

This guest post is published in conjunction with the American Historical Association conference in Denver, January 5-8. When sharing this post on social media, please be sure to use the hashtag #AHA17!

by Ross E. Dunn, one of the editors of The New World History: A Field Guide for Teachers and Researchers

Teaching and research in world history began to manifest the characteristics of an intellectual movement in the immediate decades after World War II. The broad aim of The New World History, which UC Press published a few months ago, is to survey that movement’s growth and diversification from the postwar period to the present, including numerous observations on the role of the American Historical Association in those developments. Our volume, a collection of forty-four essays plus introductory reflections, includes contributions from the movement’s early thinkers. Marshall G. S. Hodgson’s 1954 article on hemispheric interregional history, a seminal exposition of his distinctive way of thinking about the whole human past, appears in The New World History. In 1959, Philip Curtin, who is also represented in our book, founded the University of Wisconsin’s program in comparative tropical history, the first graduate world history program in the United States. Four years later, William McNeill published The Rise of the West: A History of the Human Community. In an essay reprinted in The New World History, McNeill ponders that achievement and how he might have done it differently twenty-five years later. Hodgson, Curtin, McNeill, and other scholars greatly enlivened the prospects of world history as an academic field. In fact, Curtin served as president of the AHA in 1983 and McNeill in 1985.

9780520289895Since the 1980s, the movement has inspired or encouraged many new institutions and programs, new periodicals, new theoretical formulations, and new disciplinary innovations such as global environmental history, transnational history, and big history. The founding of the World History Association in 1982 was a singular development, and the AHA generously supported it. The AHA hosted one of the WHA’s earliest organizational meetings, and for many years members gathered at the AHA convention, holding a winter business meeting and sponsoring panels. The AHA has recently honored two WHA members with the association’s presidency, Ken Pomeranz in 2013 and Pat Manning in 2016. Several WHA members, including myself, are attending this year’s Denver conclave partly to hear Manning’s presidential address and to recognize his singular contribution to the world history movement. I’m proud of the fact that Pat and I started graduate school together in Phil Curtin’s “The World and the West” course at Wisconsin. The New World History naturally includes a piece of Pat’s work. It’s a selection from his essential book Navigating World History that elucidates the theory and methodology of comparative world history. In all, nine contributors to our volume are on the AHA program, presenting papers or chairing panels.

The New World History is a comprehensive volume of essays selected to enrich world history teaching and scholarship in this rapidly expanding field. The forty-four articles in this book take stock of the history, evolving literature, and current trajectories of new world history. These essays, together with the editors’ introductions to thematic chapters, encourage educators and students to reflect critically on the development of the field and to explore concepts, approaches, and insights valuable to their own work. The selections are organized in ten chapters that survey the history of the movement, the seminal ideas of founding thinkers and today’s practitioners, changing concepts of world historical space and time, comparative methods, environmental history, the “big history” movement, globalization, debates over the meaning of Western power, and ongoing questions about the intellectual premises and assumptions that have shaped the field.

Ross E. Dunn is Professor Emeritus of History at San Diego State University, author of The Adventures of Ibn Battuta: A Muslim Traveler of the Fourteenth Century, and coauthor of Panorama: A World History.

Laura J. Mitchell is Associate Professor of History at the University of California, Irvine, author of Belongings: Property, Family, and Identity in Colonial South Africa, and coauthor of Panorama: A World History.

Kerry Ward is Associate Professor of History at Rice University and author of Networks of Empire: Forced Migration in the Dutch East India Company.


More Stories from the Metropolis—and Beyond

The list of contributors to Nonstop Metropolis: A New York City Atlas is as diverse and varied as the maps themselves. Through poignant and powerful essays and beautifully rendered maps, they pay homage to the city while also critiquing and challenging the way we see and think about New York—from its racial and economic inequality to its incubation of artists and the avant-garde. They are journalists, artists, geographers, poets, musicians, city planners, cartographers, and historians who celebrate the complexity, the unique vitality, the hidden layers, the overlooked stories, and both the ugly and beautiful aspects that shape New York.

This week we highlight some recommended books by just a few of the contributors to further your reading, and while not comprehensive or exhaustive, this is a fine place to begin as you learn about the people within the Nonstop Metropolis.

Teju Cole

Teju Cole’s surreal and haunting 2012 novel, Open City (Random House, 2012) about identity and dislocation follows a young med student as he wanders the streets of Manhattan, “this strangest of islands.” The book garnered numerous accolades, including the Pen/Hemingway Award for Debut Fiction and is a perfect accompaniment to Nonstop Metropolis.

You can find his writing in Nonstop Metropolis included in “Our City of Songs,” an essay celebrating the music about New York’s parks, corners, subway lines, and neighborhoods. His piece on Mos Def , Talib Kweli, and Common’s “Respiration,” which he says has “taught me something about how to love a city’s complicated dreams,” is not to be missed.

Continue reading “More Stories from the Metropolis—and Beyond”

Integrating Current Events in Your Courses: Immigration and Latino Studies

Latinos have been integral in the shaping of the U.S. yet their identity is constantly brought into question.

In the wake of the November presidential election and the impending inauguration of Donald Trump, how can you integrate discussions on immigration—particularly from Latin American countries—into your classes?

Help your students understand the effects of today’s political climate. Find new titles for your courses on Immigration or Latino Studies below and click on each title to quickly and easily request an exam copy. Review our exam copy policy. And feel free to email us with questions–we’re here to help!

Select Titles for Your Courses on Immigration and Latino Studies


The New Latino Studies Reader: A Twenty-First Century Perspective edited by Ramon A. Gutierrez & Tomas Almaguer

“[This reader] brings together the most innovative scholarship being generated within history and the social sciences and is surely to become a standard within Latina/o studies courses.” —Raúl Coronado, inaugural President of the Latina/o Studies Association

“They integrate historical, social scientific and cultural studies approaches, which is rarely done in readers.”—Patricia Zavella, UC Santa Cruz



Lives in Limbo: Undocumented and Coming of Age in America by Roberto G. Gonzales

“Superb. . . . An important examination of the devastating consequences of ‘illegality’ on our young people.”—Junot Díaz, author of The Brief Wondrous Life of Oscar Wao and This is How You Lose Her

“It will stand as the definitive study of the undocumented coming of age in our midst. It is a book every teacher, every policymaker, indeed every concerned citizen should read and ponder.”—Marcelo M. Suárez-Orozco, coeditor of Latinos: Remaking America


GutmannLesser.GlobalLatinAmericaGlobal Latin America: Into the Twenty-First Century edited by Matthew C. Gutmann and Jeffrey Lesser

“A superb sampling of the cutting edge in connecting approaches across subfields, such as gender studies, Latin American Studies, ethnic studies, and area studies.”—Jerry Dávila, University of Illinois

“The volume is the perfect book for class use in a variety of settings.”—Miguel Angel Centeno, author of State Making in the Developing World




Returned: Going and Coming in an Age of Deportation by Deborah Boehm

“[Deborah Boehm] challenges sterile depictions of deportations in the media and political debates. This urgent book is a must read.”—Cecilia Menjívar, author of Immigrant Families

“A stellar and nuanced ethnographic exploration of the impact of deportation on Mexican families on both sides of the U.S.-Mexico border. It is a critical addition to existing work on transnationalism and migration, and required reading for academics and policy makers.”—Susan J. Terrio, author of Judging Mohammed

HighCreatives_ads_rev22 Higher Education

Last-Minute Gift Idea: See New York in Dozens of New Ways

Take a peek inside the book the New York Times calls “a document of its time, of our time.” Named a “Best Book of 2016” by the San Francisco Chronicle and one of Publishers Weekly‘s “20 Big Indie Books of 2016,” Nonstop Metropolis: A New York City Atlas by Rebecca Solnit and Joshua Jelly-Schapiro has garnered love and praise from far and wide, from New York to London and beyond. This week we take you to a few stops on the maps through the lenses of some of the media—who are among those who walk, live, breathe New York as well as those who love it from afar.

Nonstop Metropolis_cloth cover (1)

“. . . the maps themselves are things of beauty.”New York Times 

While the New York Times praised Nonstop Metropolis and its various contributors for capturing this time and place in the city, it also celebrated the book’s artistry, pointing out the level of attention and engagement it took to create this extraordinary series of documents. (To see how that magic was made, go behind-the-scenes with the book’s Art Director, Lia Tjandra, and Principal Editor, Dore Brown.) Twenty-six in total, the gorgeously rendered maps chart New York’s layered and hidden histories and truths. Take a quick flip through a couple of the maps below:

Continue reading “Last-Minute Gift Idea: See New York in Dozens of New Ways”

Holiday Research Roundup

As the holidays approach, we wanted to unwrap notable holiday-themed articles published across UC Press Journals. From the history of Christmas dinner to Chrismukkah multiculturalism, Dickensian literature to Russian holiday foods (and recipes!), we wish you happy holidays from UC Press Journals!

Screen Shot 2016-12-08 at 1.24.37 PM
Harper’s Weekly, December 1860. Source: cathy kaufman (for Gastronomica)

Chrismukkah: Millennial Multiculturalism
Samira K. Mehta
Religion and American Culture (Vol. 25 No. 1, Winter 2015)

The Ideal Christmas Dinner
cathy kaufman
Gastronomica: The Journal of Critical Food Studies (Vol. 4 No. 4, Fall 2004)

Dickens and Christmas: His Framed-Tale Themes
Ruth F. Glancy
Nineteenth Century Literature (Vol. 35 No. 1, Summer 1980)

First edition frontispiece and title page (1843). Source: Heritage Auctions





Borscht – A Love Story  (Bonus: recipe included!)
Bryan Demchinsky
Gastronomica: The Journal of Critical Food Studies (Vol. 15 No. 3, Fall 2015)

Believing in the Black Messiah: The Legio Maria Church in an African Christian Landscape
Matthew Kustenbauder
Nova Religio: The Journal of Alternative and Emergent Religions (Vol. 13 No. 1, August 2009)

Mapping the Metropolis: City of Women

As we make our way through Nonstop Metropolis: A New York City Atlas by Rebecca Solnit and Joshua Jelly-Schapiro, we’re dipping into some of the maps and essays featured within the atlas—each offering a vividly imagined version of New York that reveals a richly layered, social history. For more peeks inside, head here.

In New York, most of the city streets, stations, monuments, and bridges have been named for men. In Rebecca Solnit’s essay “Power of Names,” featured alongside the map “City of Women,” she describes the conventions and power structures behind the naming of cities and even whole regions:

“. . . names perpetuate the gendering of New York City. Almost every city is full of men’s names, names that are markers of who wielded power, who made history, who held fortunes, who was remembered; women are anonymous people who changed fathers’ for husbands’ names as they married, who lived in private and were comparatively forgot­ten, with few exceptions. This naming stretches across the continent; the peaks of many western mountains have names that make the ranges sound like the board of directors of old corporations, and very little has been named for particular historical women, though Maryland was named after a Queen Mary who never got there.”

Here, editors Rebecca Solnit and Joshua Jelly-Schapiro along with cartographer Molly Roy have renamed New York’s subway stations with the names of women by plotting the places where significant women have lived, worked, gone to school, danced, painted, wrote, and rebelled in order to come up with “a feminist city.”


Solnit goes on to recognize some of the outstanding women whose efforts have contributed to society as a whole and what the map “City of Women” symbolizes:

“New York City has had a remarkable history of charismatic women from the beginning, such as seventeenth-century Quaker preacher Hannah Feake Bowne, who is routinely written out of history—even the home in Flushing where she held meetings is often called the John Bowne house. Three of the four female Supreme Court justices have come from the city, and quite a bit of the history of American feminism has unfolded here, from Vic­toria Woodhull to Shirley Chisholm to the Guerrilla Girls. Not all the subway stations are marked, and many of the women who made valuable contributions or might have are forgotten or were never named. Many women were never allowed to be someone; many heroes of any gender live quiet lives. But some rose up; some became visible; and here they are by the hundreds. This map is their memorial and their celebration.”

Peruse the map above (click to expand it) and take a look at a few highlights below:

Nonstop Metropolis is available now in paperback and hardcover.

Dance RecitalJJ SchapiroNonstop Metropolis: A New York City Atlas is the final volume in our trilogy of atlases by Rebecca Solnit, Joshua Jelly-Schapiro, Rebecca Snedeker, and a host of notable contributors. Following the publication of the critically lauded Infinite City (San Francisco) and Unfathomable City (New Orleans), we bring you this homage—and challenge—to the way we know and see New York City, in an exquisitely designed and gorgeously illustrated atlas that excavates the many buried layers of all five boroughs of New York City and parts of New Jersey.