Cynthia Wei is a Section Editor for the Ecology and Biodiversity Conservation section of UC Press’s new peer-reviewed journal, Case Studies in the Environment, as well as Associate Director of Education at the National Socio-Environmental Synthesis Center (SESYNC), based in Annapolis, Maryland.
We caught up with Cynthia as she made her way to the annual meeting of the Ecological Society of America (ESA), held this year in Portland, Oregon.
Cynthia, not only are you a Section Editor for an environmental journal which takes a case study approach, but you also developed and lead SESYNC’s short course, Teaching Socio-Environmental Synthesis with Case Studies. What is your background and how did that lead to an interest in case studies?
Cynthia: My background is in animal behavior, and when I used to tell people about my research on honeybees and birds, I found it easy to engage with non-scientists about what I did. But inevitably, the conversation would circle around to the question: “So how does your work help humans?” With some degree of exasperation, I’d often shrug and say: “Why does everything have to be about humans?!” I would have a different response now as I’ve come to realize that the human dimension is inescapable; we are hard-pressed to think of an environmental issue, ecosystem, or species that is not influenced by humans in some substantive way. These days, my work focuses more on helping students to learn about the relationships between humans and nature, particularly through the use of environmental case studies in the classroom. For me, case studies are a natural fit for teaching in the environmental arena. Understanding and addressing environmental problems involves many complex, abstract theories and concepts, and case studies help students to learn these by providing detailed examples that tangibly illustrate these difficult ideas. Furthermore, the problems presented in cases are often very compelling to students.
Why are case studies important for ecology?
Cynthia: As an experimental biologist, as many ecologists are, the concept of publishing a case study was somewhat foreign to me, and the idea of publishing a single example of a phenomenon ran counter to my trained instincts (i.e. that’s an anecdote!) However, like natural history monographs, I think there is great value in publishing research-based, detailed descriptions of a single subject, event, or issue. Because environmental problems are often deeply complex and require a systems perspective, case studies illuminate the roles and relationships between various factors in a socio-environmental system or problem in a detailed, nuanced way. Thus, case studies that can illustrate the roles of ecological factors and their relationship to other factors in a system are important for helping us understand and address a particular environmental problem involving that system.
Would you encourage ecologists to submit their own case studies to Case Studies in the Environment?
Cynthia: Absolutely! In the section that I am responsible for (along with Martha Groom, University of Washington, and Tuyeni Mwampamba, UNAM) we have already published some interesting case studies, including material on Bosque Protector Cerro Blanco, a dry tropical forest reserve in Ecuador; on an Australian woodland rehabilitation project; and an analysis of a massive data set on human-bear conflicts in New Jersey; with additional case studies coming soon on an eco-hotel in Costa Rica and on environmental justice, indigenous peoples, and development in British Columbia. I would encourage any colleagues at ESA to talk with me about case studies (you can likely find me at the SESYNC booth in the exhibit hall), or to get in touch via the journal at email@example.com.
Case Studies in the Environment is a journal of peer-reviewed case study articles, case study pedagogy articles, and a repository for editor-reviewed case study slides. The journal aims to inform faculty, students, educators, professionals, and policymakers on case studies and best practices in the environmental sciences and studies.
Through December 31, 2017, all Case Studies in the Environment content is available free. To learn more about the journal, including guidelines for prospective authors, please visit cse.ucpress.edu.
Listening for the Secret, the first volume in the new Studies in the Grateful Deadseries, is a critical assessment of the Grateful Dead and the distinct culture that grew out of the group’s music, politics, and performance. Olsson places the music group within discourses of the political, specifically the band’s capacity to create a unique social environment, and examines the wider significance and impact of its politics of improvisation.
Studies in the Grateful Dead presents original monographs and edited anthologies by experts representing a range of disciplinary perspectives and fields that highlight the complexity, power, and enduring appeal of this protean, compelling musical and cultural phenomenon.
For more about Listening for the Secretand this upcoming event, see the author and editor’s article introducing the book on the Summer of Love 50th Anniversary website.
It’s been about 6 months since we last caught up with Christopher Johnson, Executive Editor for Psychology. Here, we learn more about what has been unfolding for the UC Press’ newest discipline—Psychology.
It’s been an exciting few months. How have your projects been developing for the Psychology list?
I’ve been at the Press for about 18 months and it’s great to have projects at various stages of development.
My newest textbook signing is a wonderful treatment of creativity by Robert Weisberg (Temple University). This book joins two other innovative textbook signings from earlier this year—one for the psychology of adjustment course by Robert Innes and a second for the testing and measurement course by Lisa Hollis-Sawyer.
I’m particularly excited to be working with pioneering psychologist Ravenna Helson (Professor Emerita UC Berkeley) and coauthor Valory Mitchell on a book that traces the evolution of Helson’s groundbreaking Mills Longitudinal Study.
New proposals have been keeping me busy. From a new textbook for the psychology of religion course, to a thoughtful and innovative look at the evolution of the self in the digital age, to a much needed new text for the psychology of the self course. I really want to hear from authors interested in reaching audiences in undergraduate and graduate psychology courses.
Are you specializing in a particular area of psychology?
Absolutely! The UC Press has traditionally championed books that examine social issues: race, class, gender, conflict, poverty, social justice, the environment, etc. The topics are well represented in our world-class sociology, criminology, history, anthropology, and other catalogs. Psychological science sheds an indispensable light here and I’m eager to work with authors who want their research to influence the national dialog. To that end, I welcome proposals for related textbooks, scholarly works and trade books.
Big Daddy is a highly engaging biography that tells the story of an American original, California’s Big Daddy, Jesse Unruh (1922-1987), a charismatic man whose power reached far beyond the offices he held. Unruh became a larger-than-life figure and a principal architect and builder of modern California—first as an assemblyman, then as assembly speaker, and finally, as state treasurer. He was also a great character: a combination of intelligence, wit, idealism, cynicism, woman-chasing vulgarity, charm, drunken excess, and political skill. Bill Boyarsky gives a close-up look at this extraordinary political leader, a man who believed that politics was the art of the possible, and his era.
In True to Life, Weschler chronicles David Hockney’s protean production and speculations, including his scenic designs for opera, his homemade xerographic prints, his exploration of physics in relation to Chinese landscape painting, his investigations into optical devices, his taking up of watercolor—and then his spectacular return to oil painting, around 2005, with a series of landscapes of the East Yorkshire countryside of his youth. These conversations provide an astonishing record of what has been Hockney’s grand endeavor, nothing less than an exploration of “the structure of seeing” itself.
In Sidewalking, Ulin offers a compelling inquiry into the evolving landscape of Los Angeles. Part personal narrative, part investigation of the city as both idea and environment, Sidewalking is many things: a discussion of Los Angeles as urban space, a history of the city’s built environment, a meditation on the author’s relationship to the city, and a rumination on the art of urban walking. Exploring Los Angeles through the soles of his feet, Ulin gets at the experience of its street life, drawing from urban theory, pop culture, and literature. For readers interested in the culture of Los Angeles, this book offers a pointed look beneath the surface in order to see, and engage with, the city on its own terms.
Black Elephants in the Room considers how race structures the political behavior of African American Republicans and discusses the dynamic relationship between race and political behavior in the purported “post-racial” context of US politics. Drawing on vivid first-person accounts, the book sheds light on the different ways black identity structures African Americans’ membership in the Republican Party. Moving past rhetoric and politics, we begin to see the everyday people working to reconcile their commitment to black identity with their belief in Republican principles. And at the end, we learn the importance of understanding both the meanings African Americans attach to racial identity and the political contexts in which those meanings are developed and expressed.
A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs.
In the last several years, much has been written about growing economic challenges, increasing income inequality, and political polarization in the United States. This book argues that lessons for addressing these national challenges are emerging from a new set of realities in America’s metropolitan regions: first, that inequity is, in fact, bad for economic growth; second, that bringing together the concerns of equity and growth requires concerted local action; and, third, that the fundamental building block for doing this is the creation of diverse and dynamic epistemic (or knowledge) communities, which help to overcome political polarization and help regions address the challenges of economic restructuring and social divides.
Nonstop Metropolis, the culminating volume in a trilogy of atlases, conveys innumerable unbound experiences of New York City through twenty-six imaginative maps and informative essays. Bringing together the insights of dozens of experts—from linguists to music historians, ethnographers, urbanists, and environmental journalists—amplified by cartographers, artists, and photographers, it explores all five boroughs of New York City and parts of nearby New Jersey. We are invited to travel through Manhattan’s playgrounds, from polyglot Queens to many-faceted Brooklyn, and from the resilient Bronx to the mystical kung fu hip-hop mecca of Staten Island. The contributors to this exquisitely designed and gorgeously illustrated volume celebrate New York City’s unique vitality, its incubation of the avant-garde, and its literary history, but they also critique its racial and economic inequality, environmental impact, and erasure of its past. Nonstop Metropolis allows us to excavate New York’s buried layers, to scrutinize its political heft, and to discover the unexpected in one of the most iconic cities in the world. It is both a challenge and homage to how New Yorkers think of their city, and how the world sees this capital of capitalism, culture, immigration, and more.
Los Angeles in the 1930s returns to print an invaluable document of Depression-era Los Angeles, illuminating a pivotal moment in L.A.’s history, when writers like Raymond Chandler, Nathanael West, and F. Scott Fitzgerald were creating the images and associations—and the mystique—for which the City of Angels is still known. Many books in one, Los Angeles in the 1930s is both a genial guide and an addictively readable history, revisiting the Spanish colonial period, the Mexican period, the brief California Republic, and finally American sovereignty. It is also a compact coffee table book of dazzling monochrome photography. These whose haunting visions suggest the city we know today and illuminate the booms and busts that marked L.A.’s past and continue to shape its future.
In So How’s the Family, a new collection of thirteen essays, Hochschild—focuses squarely on the impact of social forces on the emotional side of intimate life. From the “work” it takes to keep personal life personal, put feeling into work, and empathize with others; to the cultural “blur” between market and home; the effect of a social class gap on family wellbeing; and the movement of care workers around the globe, Hochschild raises deep questions about the modern age. In an eponymous essay, she even points towards a possible future in which a person asking “How’s the family?” hears the proud answer, “Couldn’t be better.”
Water and Los Angeles:A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs.
Los Angeles rose to significance in the first half of the twentieth century by way of its complex relationship to three rivers: the Los Angeles, the Owens, and the Colorado. The remarkable urban and suburban trajectory of southern California since then cannot be fully understood without reference to the ways in which each of these three river systems came to be connected to the future of the metropolitan region. This history of growth must be understood in full consideration of all three rivers and the challenges and opportunities they presented to those who would come to make Los Angeles a global power. Full of primary sources and original documents, Water and Los Angeles will be of interest to both students of Los Angeles and general readers interested in the origins of the city.
Stranger Intimacy: In exploring an array of intimacies between global migrants Nayan Shah illuminates a stunning, transient world of heterogeneous social relations—dignified, collaborative, and illicit. At the same time he demonstrates how the United States and Canada, in collusion with each other, actively sought to exclude and dispossess nonwhite races. Stranger Intimacy reveals the intersections between capitalism, the state’s treatment of immigrants, sexual citizenship, and racism in the first half of the twentieth century.
Black and Brown in Los Angeles: The first book to focus exclusively on the range of relationships and interactions between Latinas/os and African Americans in one of the most diverse cities in the United States, the book delivers supporting evidence that Los Angeles is a key place to study racial politics while also providing the basis for broader discussions of multiethnic America. Readers will gain an understanding of the different forms of cultural borrowing and exchange that have shaped a terrain through which African Americans and Latinas/os cross paths, intersect, move in parallel tracks, and engage with a whole range of aspects of urban living. Tensions and shared intimacies are recurrent themes that emerge as the contributors seek to integrate artistic and cultural constructs with politics and economics in their goal of extending simple paradigms of conflict, cooperation, or coalition. The book features essays by historians, economists, and cultural and ethnic studies scholars, alongside contributions by photographers and journalists working in Los Angeles.
Hard-Boiled Hollywood:The tragic and mysterious circumstances surrounding the deaths of Elizabeth Short, or the Black Dahlia, and Marilyn Monroe ripped open Hollywood’s glitzy façade, exposing the city’s ugly underbelly of corruption, crime, and murder. These two spectacular dead bodies, one found dumped and posed in a vacant lot in January 1947, the other found dead in her home in August 1962, bookend this new history of Hollywood. Short and Monroe are just two of the many left for dead after the collapse of the studio system, Hollywood’s awkward adolescence when the company town’s many competing subcultures—celebrities, moguls, mobsters, gossip mongers, industry wannabes, and desperate transients—came into frequent contact and conflict. Hard-Boiled Hollywood focuses on the lives lost at the crossroads between a dreamed-of Los Angeles and the real thing after the Second World War, where reality was anything but glamorous.”
Sundance to Sarajevois a tour of the world’s film festivals by an insider whose familiarity with the personalities, places, and culture surrounding the cinema makes him uniquely suited to his role. Kenneth Turan, film critic for the Los Angeles Times, writes about the most unusual as well as the most important film festivals, and the cities in which they occur, with an eye toward the larger picture. His lively narrative emphasizes the cultural, political, and sociological aspects of each event as well as the human stories that influence the various and telling ways the film world and the real world intersect.
12:00pm: Gabriel Thompson, author of America’s Social Arsonist, in conversation in Lost Stories of the West
Raised by conservative parents who hoped he would “stay with his own kind,” Fred Ross instead became one of the most influential community organizers in American history. His activism began alongside Dust Bowl migrants, where he managed the same labor camp that inspired John Steinbeck’s The Grapes of Wrath. During World War II, Ross worked for the release of interned Japanese Americans, and after the war, he dedicated his life to building the political power of Latinos across California. Labor organizing in this country was forever changed when Ross knocked on the door of a young Cesar Chavez and encouraged him to become an organizer. Until now there has been no biography of Fred Ross, a man who believed a good organizer was supposed to fade into the crowd as others stepped forward. In America’s Social Arsonist, Gabriel Thompson provides a full picture of this complicated and driven man, recovering a forgotten chapter of American history and providing vital lessons for organizers today.
In 1930 the Olmsted Brothers and Harland Bartholomew & Associates submitted a report, “Parks, Playgrounds, and Beaches for the Los Angeles Region,” to the Los Angeles Chamber of Commerce. After a day or two of coverage in the newspapers, the report dropped from sight. The plan set out a system of parks and parkways, children’s playgrounds, and public beaches. It is a model of ambitious, intelligent, sensitive planning commissioned at a time when land was available, if only the city planners had had the fortitude and vision to act on its recommendations.
“Parks, Playgrounds, and Beaches” has become a highly valued but difficult-to-find document. In this book, Greg Hise and William Deverell examine the reasons it was called for, analyze why it failed, and open a discussion about the future of urban public space.
Why did Donald Trump follow Barack Obama into the White House? Why is America so polarized? And how does American exceptionalism explain these social changes?
Jouet describes why Americans are far more divided than other Westerners over basic issues, including wealth inequality, health care, climate change, evolution, gender roles, abortion, gay rights, sex, gun control, mass incarceration, the death penalty, torture, human rights, and war. Raised in Paris by a French mother and Kenyan father, Jouet then lived in the Bible Belt, Manhattan, and beyond. Drawing inspiration from Alexis de Tocqueville, he wields his multicultural sensibility to parse how the intense polarization of U.S. conservatives and liberals has become a key dimension of American exceptionalism—an idea widely misunderstood as American superiority. While exceptionalism once was a source of strength, it may now spell decline, as unique features of U.S. history, politics, law, culture, religion, and race relations foster grave conflicts. They also shed light on the intriguing ideological evolution of American conservatism, which long predated Trumpism. Exceptional Americadissects the American soul, in all of its peculiar, clashing, and striking manifestations.
Sidewalking: “In this brief but engaging book, Ulin chronicles his wanderings through the streets and his conversations with friends, entrepreneurs, and officials, and he makes it clear that he has read every book and seen every movie on his subject. Those who know the city will have the advantage, but Ulin casts his net widely, so most readers will enjoy his observations of Los Angeles in literary and popular art as well as his thoughtful personal views.”—Kirkus
Black and Brown in Los Angeles: “Exceeds [its] categories and adds to an emerging corpus of comparative knowledge . . . the book shows what interdisciplinary scholarship can do for America’s understanding of itself, especially when it comes to culturally promiscuous, ethnically heterogeneous megapolises like LA.”—Ryan Boyd The Los Angeles Review
A note from Rebecca: This event has been planned for a long time. But after the election, we’re making it a focus on cities as cosmopolitan places of coexistence, tolerance, subversion, resistance, and joy, of Black, Asian, Latino, Muslim, Jewish, Quaker, immigrant, queer, drag, trans, feminist lives and victories. Please join us tomorrow evening for this free community celebration.
“In orienting oneself in this atlas…one is invited to fathom the many New Yorks hidden from history’s eye…thoroughly terrific.”—Maria Popova, Brain Pickings
“Rebecca Solnit and Joshua Jelly-Schapiro’s collection achieves the trifold purpose that all good cartography does — it’s beautiful, it inspires real thought about civic planning, and, most of all, it’s functional.”—The Village Voice
“…the New York installment [of the Atlas Trilogy] is eccentric and inspiring, a nimble work of social history told through colorful maps and corresponding essays. Together, Solnit, Jelly-Schapiro and a host of contributors — writers, artists, cartographers and data-crunchers — have come up with dozens of exciting new ways to think about the five boroughs.” —San Francisco Chronicle
Nonstop Metropolis, the culminating volume in a trilogy of atlases, conveys innumerable unbound experiences of New York City through twenty-six imaginative maps and informative essays. Bringing together the insights of dozens of experts—from linguists to music historians, ethnographers, urbanists, and environmental journalists—amplified by cartographers, artists, and photographers, it explores all five boroughs of New York City and parts of nearby New Jersey.
We are invited to travel through Manhattan’s playgrounds, from polyglot Queens to many-faceted Brooklyn, and from the resilient Bronx to the mystical kung fu hip-hop mecca of Staten Island. The contributors to this exquisitely designed and gorgeously illustrated volume celebrate New York City’s unique vitality, its incubation of the avant-garde, and its literary history, but they also critique its racial and economic inequality, environmental impact, and erasure of its past. Nonstop Metropolis allows us to excavate New York’s buried layers, to scrutinize its political heft, and to discover the unexpected in one of the most iconic cities in the world. It is both a challenge and homage to how New Yorkers think of their city, and how the world sees this capital of capitalism, culture, immigration, and more.
Rebecca Solnit is a San Francisco writer, historian, and activist, and the author of seventeen books about geography, community, art, politics, hope, and feminism. She is the recipient of many awards, including the Lannan Literary Award, and the National Book Critics Circle Award. A product of the California public education system from kindergarten to graduate school, she is a contributing editor to Harper’s, where she is the first woman to regularly write the Easy Chair column (founded in 1851).
Joshua Jelly-Schapiro is a geographer and writer whose work has appeared in The New York Review of Books, New York, Harper’s, and the Believer, among many other publications. He is the author of the newly-released Island People: The Caribbean and the World.
Contributors: Sheerly Avni, Gaiutra Bahadur, Marshall Berman, Joe Boyd, Will Butler, Garnette Cadogan, Thomas J. Campanella, Daniel Aldana Cohen, Teju Cole, Joel Dinerstein, Paul La Farge, Francisco Goldman, Margo Jefferson, Lucy R. Lippard, Barry Lopez, Valeria Luiselli, Suketu Mehta, Emily Raboteau, Sharifa Rhodes-Pitts, Luc Sante, Heather Smith, Jonathan Tarleton, Astra Taylor, Alexandra T. Vazquez, Christina Zanfagna
Interviews with: Valerie Capers, Peter Coyote, Grandmaster Caz, Grandwizzard Theodore, Melle Mel, RZA
A city is made of layers—of vitality, of diversity, of richness, but also of inequity and erasure. Weaving together a tapestry of this robust city, Nonstop Metropolis collects writings from linguists, music historians, cartographers, artists, and more. LIVE from the NYPL welcomes the minds behind this project—writer and activist Rebecca Solnit, geographer Joshua Jelly-Schapiro, essayist Garnette Cadogan, and authors Suketu Mehta and Luc Sante—for a discussion about this thriving metropolis.
JOSHUA JELLY-SCHAPIRO is a geographer and writer whose work has appeared in The New York Review of Books, New York, Harper’s, and the Believer, among many other publications. He is the author of Island People: The Caribbean and the World.
GARNETTE CADOGAN is a Visiting Fellow at the Institute for Advanced Studies in Culture at the University of Virginia, and a Visiting Scholar at the Institute for Public Knowledge at New York University. He is the editor-at-large of Nonstop Metropolis: A New York City Atlas and is at work on a book on walking.
SUKETU MEHTA is the New York-based author of Maximum City: Bombay Lost and Found which won the Kiriyama Prize and the Hutch Crossword Award, and was a finalist for the 2005 Pulitzer Prize, the Lettre Ulysses Prize, the BBC4 Samuel Johnson Prize, and the Guardian First Book Award. He has won the Whiting Writers’ Award, the O. Henry Prize, and a New York Foundation for the Arts Fellowship for his fiction. Mehta’s work has been published in The New Yorker, The New York Times Magazine, National Geographic, Granta, Harper’s Magazine, Time, and Newsweek, and has been featured on NPR’s ‘Fresh Air’ and ‘All Things Considered.’ Mehta is an Associate Professor of Journalism at New York University. Mehta was born in Calcutta and raised in Bombay and New York. He is a graduate of New York University and the Iowa Writers’ Workshop.
LUC SANTE‘s books include Low Life, Evidence, The Factory of Facts, Kill All Your Darlings, and The Other Paris. He has been a frequent contributor to The New York Review of Books since 1981 and had written for a wide variety of other publications. His awards include a Whiting Writers Award, an Award in Literature from the American Academy of Arts and Letters, a Grammy (for album notes), an Infinity Award in Writing from the International Center of Photography, and Guggenheim and Cullman fellowships. He teaches writing and the history of photography at Bard College.
UC Press is headed to the Los Angeles Times Festival of Books this weekend and we hope to see you there! The Festival will be held April 9-10 on the USC campus in downtown Los Angeles.
We have a number of current and former authors speaking at the Festival; among the highlights:
Former LA Times Book Editor and Critic David Ulin will talk about Sidewalking: Coming to Terms with Los Angeles. Part personal narrative, part investigation of the city as both idea and environment, Sidewalking is many things: a discussion of Los Angeles as urban space, a history of the city’s built environment, a meditation on the author’s relationship to the city, and a rumination on the art of urban walking. Exploring Los Angeles through the soles of his feet, Ulin gets at the experience of its street life, drawing from urban theory, pop culture, and literature. Whet your appetite with an excerpt from the book.
David will be participating on three panels:
SATURDAY, APRIL 9, 2016, 10:00 a.m.
Fiction: The Art of the Short Story
Moderator: David L. Ulin
Karen Bender, Tara Ison, Lincoln Michel
SATURDAY, APRIL 9, 2016, 2:30 p.m.
The Art of the Essay
Moderator: Dinah Lenney
Emily Rapp Black, Meghan Daum, David L. Ulin, Geoff Dyer
SUNDAY, APRIL 10, 2016, 10:00 a.m.
Fiction: The Art of the Real
Moderator: Isaac Fitzgerald
Elizabeth Crane, David L. Ulin, Anne Enright, Diana Wagman
We’re also delighted to be able to highlight Gabriel Thompson’s biography of Fred Ross, one of America’s most influential community organizers, America’s Social Arsonist. Ross’s activism began alongside Dust Bowl migrants, where he managed the same labor camp that inspired John Steinbeck’s The Grapes of Wrath. During World War II, Ross worked for the release of interned Japanese Americans, and after the war, he dedicated his life to building the political power of Latinos across California. He is perhaps best known for mentoring both Cesar Chavez and Dolores Huerta. Techniques and strategies Ross developed are widely used by activists today. Read more about the book by clicking here.
Gabriel will be joined by Tom Hayden, Pulitzer Prize-winning Cesar Chavez biographer Miriam Pawel, and fellow UC Press author, William Deverell on a panel focused on activism:
SUNDAY, APRIL 10, 2016, 11:30 a.m.
Rise Up: Power to the People
Moderator: Thomas Curwen
William Deverell, Tom Hayden, Miriam Pawel, Gabriel Thompson
Before or after you’ve had your fill of the many fascinating panels, please come take a look at new titles and old favorites from UC Press in the combined Skylight/UC Press booth. Our friends on the Skylight staff will be happy to help you find/order any UC Press titles that pique your fancy.
This is just a small sample of what’s on offer at this incredible celebration of all types of books. Check out the Festival’s website for the full program and more information.
If you’re in Los Angeles we hope to see you there!
“Through her vision, dedication, and exacting standards, Marian brought not only gender equality but also greater opportunity for all—more slots for young scholars and for non-traditional thinkers… Although we can regret that there is no Hall of Fame for such things, by proclamation we can declare Marian Greene a foundational figure in American musicological journalism.”—Craig Wright, Henry L. and Lucy G. Moses Professor of Music, Yale University
Professor Green LaRue founded the journal—one of few comprehensive peer-reviewed journals in musicology—in 1981, with its first issue publishing in January 1982. Since that time, The Journal of Musicology has offered articles in every period, field, and methodology of musicological scholarship, with contributors from all over the world, and ranging from senior scholars to new voices in the field.
As notes Lawrence F. Bernstein, Karen and Gary Rose Term Professor Emeritus, Department of Music, at the University of Pennsylvania, “By single-handedly establishing a new, distinguished, and enduring journal in musicology, Marian Green LaRue achieved nothing less than creatio ex nihilo. In the decades of her tenure as editor and thereafter, JM helped to expand the methodological perimeters of the discipline in a spirit of openness and respect for high standards. Over the years, it fostered the careers of generations of young scholars through its willingness to publish the most exciting early fruits of their efforts.”
In addition to founding the journal, Marian has taught musicology at New York University and the University of Louisville, and has presented numerous papers including “Aspects of Stylistic Evolution in Two Mozart Concertos: K. 271 and K. 482,” “On the Origins of the Aosta Manuscript,” and “The Songs of Willie Nelson: Voice of the Self in America’s Age of Protest.”
Please join the Board of The Journal of Musicology and UC Press in celebrating a remarkable career.
Timed with the centennial of the Panama-Pacific International Exposition (PPIE) of 1915, Jewel City presents a large and representative selection of artworks from the fair, emphasizing the variety of paintings, sculptures, photographs, and prints that greeted attendees. It is unique in its focus on the works of art that were scattered among the venues of the exposition—the most comprehensive art exhibition ever shown on the West Coast. It notably included the first American presentations of Italian Futurism, Austrian Expressionism, and Hungarian avant-garde painting, and there were also major displays of paintings by prominent Americans, especially those working in the Impressionist style.
This slideshow showcases just some of the delights of the exhibit.
Don’t miss visiting the museum for this rich and fascinating study of a critical moment in American and European art history. You will be transported back to an artistic salon inside the Palace of Fine Arts, and impressed by stunning works by famous and unknown artists alike.
Member preview hours are today, and the opening day of the exhibit (Saturday, October 17th) coincides with a free community day in celebration of 10 years of the new de Young.
Coverage of the exhibition can be explored via the below links, and for additional events celebrating the centennial of the PPIE visit, http://www.ppie100.org/
Once again, UC Press is a proud sponsor of Litquake, the literary festival that runs October 9-17 in venues throughout San Francisco, Marin, and the East Bay. The event calendar offers an impressive bounty, including notable events featuring UC Press authors, detailed below. For event logistics, and the full calendar, check out the Litquake website. Some events are free and some are ticketed.
Hope to see you!
Mark Twain Project editor Ben Griffin (Autobiography of Mark Twain) joins a cast of writers and performers to discuss “Foolishness, Stupidity, and Vice,” October 10, 8pm.
Event Description: Noted playwright and Algonquin Round Table member George S. Kaufman is said to have once uttered, “Satire is what closes on Saturday night.” Come see us prove him wrong, on our opening night Saturday, with this star-studded lineup of satirical writers, artists, and performers. Doors open at 7 pm, and in the words of Mark Twain, “the trouble begins at 8.”
On October 11, join us for a day-long celebration of food and literature, “Eat, Drink, and Be Literary,” which will be held at Z-Space (450 Florida Avenue), San Francisco. Dan Warrick, of our second edition of The Way to Make Wine, will be set up in the entrance, pouring his own wine and signing books.
Event Description: Join six leaders in the Bay Area culinary world—a master chef, cheese maker, chocolatier, charcutier, bread baker, and food purveyor—to explore the origins and evolution of the artisanal food movement. Followed by audience Q&A.
Authors Judith Lowry (Gardening with a Wild Heart) and Jonah Raskin (Field Days: A Year of Farming, Eating, and Drinking Wine in California) join other gardeners and gatherers, October 11, 4pm, for “What is Genius Loci?”
Event Description: And how does it affect foragers, gatherers, and gleaners? Six savvy, sexy veterans of field, forest, and sea come together for a delicious conversation about feral foods in the era of crazy weather, rainless days and nights, and the unimpeded civilized craving for wild nettles, mushrooms, sea weeds, and much more. Followed by audience Q&A.
In the East Bay, at the Lafayette Library and Learning Center, Tom Turner, of our new David Brower book, joins others for “Wilderness Where You Find It,” October 11, 1pm.
Event Description: Wilderness is personal, political, historic, and threatened. This panel of original thinkers discusses what we talk about when we talk about wilderness, and how they connect with the wild in original and accessible ways.
Event Description: San Francisco Poet Laureate Alejandro Murguía calls the 24th Street Corridor/Calle 24 “Bookstore Row,” where the coalition of stores—Adobe Books, Alley Cat Books, and Modern Times Bookstore Collective—all deliver unique attributes to a neighborhood already rich in history and culture. Yet given the changes in the Mission and citywide, independent booksellers, authors, and artists remain besieged by displacement. Tonight we celebrate what bookstores bring to our neighborhoods. Hosted by Alejandro Murguía, with Denise Sullivan and Kate Rosenberger. Music by Cambiowashere, Penelope Houston, Christine Shields, and Bob Forrest. Proceeds to benefit United Booksellers and Litquake.