From Francis Alÿs and Ursula Biemann to Vivan Sundaram, Allora & Calzadilla, and the Center for Urban Pedagogy, some of the most compelling artists today are engaging with the politics of land use, including the growth of the global economy, climate change, sustainability, Occupy movements, and the privatization of public space. Their work pivots around a set of evolving questions: In what ways is land, formed over the course of geological time, also contemporary and formed by the conditions of the present? How might art contribute to the expansion of spatial and environmental justice? Editors Emily Eliza Scott and Kirsten Swenson bring together a range of international voices and artworks to illuminate this critical mass of practices. One of the first comprehensive treatments of land use in contemporary art, Critical Landscapes skillfully surveys the stakes and concerns of recent land-based practices, outlining the art historical contexts, methodological strategies, and geopolitical phenomena. This cross-disciplinary collection is destined to be an essential reference not only within the fields of art and art history, but also across those of cultural geography, architecture and urban planning, environmental history, and landscape studies.
Critical Landscapes Art, Space, Politics
About the Book
Reviews
"A welcome addition to any university-level collection on contemporary art."—Art Libraries Society of North America
"The book is a wonderful hybrid, both a collection of essays and a catalog of projects by artists engaged in contemporary land use. Unlike landscape architecture, land use—according to the book’s editors—more directly engages the relationship between environmental and economic structures, not to mention demands for spatial and environmental justice."—Public Books
“… a diverse, eye-opening collection of essays and artworks…. Scott and Swenson offer a journey through the various creative ways that writers and artists are applying their crafts to challenge conventional visions of land and space.”—RANAM: Recherches anglaises et nord-américaines“This is the book I’ve been waiting for. Scott and Swenson bring together a vast variety of projects from all over the globe, providing a rigorous and sometimes brilliant examination of the social spaces into which artists have been inserting themselves for decades now. Departing from conventional landscapes and documentary approaches, informed by feminism and grassroots and global movements, authors and artists are opening the floodgates to a still broader context for art.” —Lucy R. Lippard, author of Undermining: A Wild Ride through Land Use, Politics, and Art in the Changing West
"Though in radically different ways, these authors contest the common treatment of land as neutral or a given—as if all that matters is what happens on top of it. For some the project is to make land visible, and for others it is to capture what is present even if invisible. They move against erasure or the generic. They trace and mark differences." —Saskia Sassen, author of Expulsions: Brutality and Complexity in the Global Economy
Table of Contents
Introduction
Emily Eliza Scott and Kirsten Swenson, “Contemporary Art and the Politics of Land Use”
I. Against the Abstraction of Space
1. Julian D. Myers-Szupinska, “After the Production of Space”
2. Trevor Paglen, “Experimental Geography: from Cultural Production to the Production of Space”
3. Sarah Kanouse, “Critical Daytrips: Tourism and Land-based Practice”
Short entries on individual artworks:
4. Ursula Biemann, Sahara Chronicle (2006-9)
5. Kirsten Swenson, on Francis Alÿs, When Faith Moves Mountains (2002)
6. Amy Balkin, An Archive of Melting and Sinking (2012-)
7. Ruth Erickson, on the Otilith Group, The Radiant (2012)
8. Edgar Arceneaux & Julian Myers-Szupinska, Mirror Travel in the Motor City (2005-)
II. Land Claims: Space and Subjectivity
9. Julia Bryan-Wilson, “Aftermath: Two Queer Artists Respond to Nuclear Spaces”
10. Jeannine Tang, “Look Again: Subjectivity, Sovereignty, and Andrea Geyer’s Spiral Lands”
11. Kelly C. Baum, “Earth Keeping, Earth Shaking”
Short entries on individual artworks:
12. Nuit Banai, on Sigalit Landau, DeadSee (2005)
13. Yazan Khalil, What is a Photograph? (2013)
14. Aaron Bobrow-Strain, on Allora & Calzadilla, Land Mark (footprints) (2001-2)
15. Shiloh Krupar, Where Eagles Dare (2013)
16. Nicholas Brown, The Vanishing Indian Repeat Photography Project (2011-)
17. Lorenzo Pezzani, on Decolonizing Architecture, Return to Jaffa (2012)
18. The Institute for Infinitely Small Things, The Border Crossed Us (2011)
III. Geographies of Global Capitalism
19. T.J. Demos, “Another World, and Another: Notes on Uneven Geographies”
20. Ashley Dawson, “Documenting Accumulation by Dispossession”
Short entries on individual artworks:
21. Dongsei Kim on Teddy Cruz, The Political Equator (2005-11)
22. Kelly C. Baum, on Santiago Sierra, Sumisión(Submission, formerly Word of Fire) (2006-7)
23. James Nisbet, on Simon Starling, One Ton II (2005)
24. Giulia Paoletti, on George Osodi, Oil Rich Niger Delta (2003-7)
25. Ursula Biemann, Deep Weather (2013)
26. Luke Skrebowski, on Tue Greenfort, Exceeding 2 Degrees (2007)
27. Lize Mogel, Area of Detail (2010)
IV. Urbanization With No Outside
28. Janet Kraynak, “The Land and the Economics of Sustainability”
29. Ying Zhou, “Growing Ecologies of Contemporary Art: Vignettes from Shanghai”
Short entries on individual artworks:
30. Chunghoon Shin, on Flying City, All Things Park (2004)
31. David Pinder, on Nils Norman, The Contemporary Picturesque (2001)
32. Jenna Lloyd and Andrew Burridge, on Laura Kurgan, Million Dollar Blocks (2005)
33. Lize Mogel, on The Center for Urban Pedagogy, What Is Affordable Housing? (2010)
34. Robby Herbst, on Olga Koumoundouros, Notorious Possession (2012)
35. Paul Monty Paret, on eteam, International Airport Montello (2005-8)
36. Saloni Mathur, on Vivan Sundaram, Trash (2005-8)