In celebration of Women’s History Month, we’ve removed the paywall from the guest editors’ introductions from the past nine Spring issues of Feminist Media Histories (FMH). As we anticipate the journal’s tenth …
By Raven Simone Maragh-Lloyd, author of Black Networked Resistance: Strategic Rearticulations in the Digital Age For my sanity, I’ve mostly avoided politics this 2024 season. Yet somehow, I found myself glued to …
By Francesca Sobande, author of Big Brands Are Watching You: Marketing Social Justice and Digital Culture Life can be loud. Many expressions point to different perceptions of online noise and the sounds …
By Daniel Herbert, author of Maverick Movies: New Line Cinema and the Transformation of American Film Most members of the public probably don’t know anything about New Line Cinema, the movie studio …
By Jennifer S. Clark, author of Producing Feminism: Television Work in the Age of Women’s Liberation When I started writing a book about the women’s movement and television, I imagined that it …
From the inception of cinema to today’s franchise era, remaking has always been a motor of ongoing film production. Hollywood Remaking challenges the categorical dismissal in film criticism of remakes, sequels, and …
With the recent loss of UC Press authors David Bordwell and Cari Beauchamp, our Film & Media Studies Editor Raina Polivka shares a reflection on their contributions and legacy in the film …
We are pleased to introduce J. M. Tyree as Film Quarterly‘s incoming editor-in-chief. Tyree works as an Associate Professor in the Cinema Program at VCUarts, and has served as a Writer-at-Large and …
By Kartik Nair, author of Seeing Things: Spectral Materialities of Bombay Horror What makes a vampire burn in the light? We don’t quite know. But in her stylish short film, Suicide by …