Imperial Benevolence reveals how profoundly and thoroughly the ethos of empire has come to shape twenty-first-century American life and thought. Investigating multiple genres of popular culture alongside contemporary U.S. foreign policy and political economy, this is a necessary and urgent read for anyone concerned about the United States’s endless wars. Imperial Benevolence shows that while American popular culture is only rarely a product of the state, it continuously suppresses awareness of U.S. imperialism while assuming American exceptionalism and innocence. Expertly coordinated essays by prominent historians and media scholars address the ways that movies and television series such as Zero Dark Thirty, The Avengers, and even The Walking Dead, as well as video games such as Call of Duty: Black Ops, have largely presented the United States as a global force for good. Popular culture, with few exceptions, has depicted the U.S. as a reluctant hegemon fiercely defending human rights and protecting or expanding democracy from the barbarians determined to destroy it.