Celebrating Wayne Thiebaud: With Cake (and Ice Cream and More)

“It could be considered further satire to use a conservative technique to attempt subversion. It could also be thought having and eating your cake.”—Donald Judd on Wayne Thiebaud, 1962

Today is Wayne Thiebaud’s birthday. Luckily he’s provided the cake, and ice cream, and so much more to celebrate with . . . in our forthcoming catalogue.

Organized in close cooperation with the artist, Wayne Thiebaud: 1958–1968 examines Thiebaud’s ongoing impact on contemporary art through in-depth analysis of the paintings and drawings made at the launch of his career, at a seminal moment when the art world was redefining itself.

Cover image of catalogue
Wayne Thiebaud: 1958–1968 (Available December 2017)

Published in association with the Jan Shrem and Maria Manetti Shrem Museum of Art at the University of California, Davis, this is the first study of the emergence of Thiebaud’s mature style and the only museum exhibition to date to delve into a specific period of his production, a time that coincides with the start of his teaching career at University of California at Davis.

The “soft” nature of Thiebaud’s famous subjects, his creamy pies and dripping ice creams, positioned his art as fodder for social-political review on occasion, but rarely for serious historical analysis. Since the beginning of his career Thiebaud reminded critics of his formal interests and his deep affiliation with the history of painting. This exhibition takes as its starting point an understanding of Thiebaud’s painterly language—its historical sources and contemporary affiliations.

“Thiebaud’s masterful ability to transform paint into the substance it depicts is especially powerful in his dessert paintings.”—Rachel Teagle, Founding Director, Manetti Shrem Museum

Detail photo of painting by Wayne Thiebaud
Detail from Wayne Thiebaud: 1958–1968
Photo of internal catalogue spread featuring paintings by Wayne Thiebaud
Detail from Wayne Thiebaud: 1958–1968

“Painting a row of cakes the way they are displayed on a lunch counter suggests some rather obvious notions about conformism, mechanized living, and mass produced culture. In addition there are some surprising things which are present . . . how alone these endless rows can be . . . a kind of lonely togetherness . . . each piece of pie has a heightened loneliness of its very own giving it a uniqueness and specialness in spite of its regimentation. None of us can escape our responsibility however totalitarian or utopian our world may be.”—Wayne Thiebaud

Contributions by Margaretta Lovell, Alexander Nemerov, Francesca Wilmott, and Arielle Hardy include scholarly essays and an illustrated chronology, resulting in a catalogue that is both visually rich and thought-provoking.

The exhibition opens on January 16, 2018.


Save 30% on the exhibition catalogue with online purchase. Enter code 17M6662 at checkout.


Must-Read Articles for the 2017 World Architecture Festival

The World Architecture Festival, a three-day event for architects and interior design professionals, is being held in Berlin from November 15–17. Whether or not you are attending the Festival, we invite you to read the following articles focused on German architecture from the Journal of the Society of Architectural Historians, which we are making available for free without a subscription for a limited time. 


The Cultural Center Architecture as Cultural Policy in Postwar Europe
Kenny Cupers

Luxury Apartments with a Tenement Heart: The Kurfürstendamm and the Berliner Zimmer
Douglas Mark Klahr

The Hut on the Garden Plot Informal Architecture in Twentieth-Century Berlin
Florian Urban

From “National Style” to “Rationalized Construction”: Mass-Produced Housing, Style, and Architectural Discourse in the East German Journal Deutsche Architektur, 1956–1964
Emily Pugh

Review: Die büürgerliche Villa in Deutschland 1830–1900 by Wolfgang Bröönner; German Cities and Bourgeois Modernism 1890–1924 by Maiken Umbach
Reviewed by Stefan Muthesius

Review: Albert Speer: Architecture 1932–1942, by Léon Krier
Reviewed by Barbara Miller Lane

 


Save 40% on New & Notable Western History Titles

The 2017 Western History Association convenes November 1-4 in San Diego, CA, and WHA members can save 40% on UC Press titles when they visit us at booth #28.

Get an early look at just some of the titles we’ll have on view by visiting our Western History Association landing page—and take advantage of the conference discount early. Browse new and forthcoming UC Press titles in the field of Western History, and save.


Open in order to . . . . Author Anne Rademacher Explains Why She Published with Luminos

by Anne Rademacher, author of Building Green: Environmental Architects and the Struggle for Sustainability in Mumbai

At UC Press, open access—the free, immediate, unrestricted, online access to peer-reviewed research and scholarly work—is central to our mission. In celebration of 2017 International Open Access Week (October 23-29), we are highlighting open access publishing initiatives at UC Press, including our Collabra and Luminos publishing programs. This year’s OA Week theme “Open in order to . . . ” is an invitation to answer the question of what concrete benefits can be realized by making scholarly publications openly available. Follow the full blog series here#OAWeek #OpenInOrderTo


We live in an age marked by environmental vulnerability—some of it longstanding, and some completely new. In recent weeks, flooding and storm events seemed to serve as a daily reminder of environmental vulnerability: from Florida to Houston to Puerto Rico and across the Caribbean. Just a few months ago, Mumbai, the setting for Building Green: Environmental Architects and the Struggle for Sustainability in Mumbai, experienced record-setting rainfall and catastrophic floods—just one chapter in the story of 2017’s Asian monsoon, a season marked by floods, landslides, and damaging rains that affected millions across the region and killed well over a thousand people.

The frequency and intensity of storm events is just one environmental condition that cities around the world will have to face if they are to maintain basic services like water, energy, and shelter provision—to say nothing of social well being, public health, and safety. Regardless of our location on the global map, we face the question of whether and how we can realize ecological sustainability and social resilience in the context of an uncertain, but certainly unprecedented, environmental future.

If achieving sustainable cities is a key challenge to humanity, then those who seek to design and implement its components—green buildings, open spaces and parks, cleaner energy systems, and the like—are critically important for forging needed change. We might consider certain kinds of green expertise to be essential to the planners, developers, municipal officials, activists, and architects of our future cities. What are their visions and aspirations for sustainable cities and societies? How is training in a “green” urban profession different from conventional training? And, perhaps most importantly, once one knows the tools of the green expert, what does it take to implement them?

Building Green traces the experience of environmental architects as they study to acquire the skills they need, and then try, post-training, to implement what they’ve learned. By recounting architects’ experiences, the book gives us a sense of the layers of powerful interests, institutions, and history that are fundamental aspects of any kind of urban transformation. It underlines the chasm that often exists between practitioners who are trying to make cities more environmentally sound, and the forces that hold sway over how cities are ultimately built—a key obstacle we must overcome if we are to realize a more sustainable urban future.

Why open access? At the level of a future we share in common—one marked by an uncertain and even unprecedented environment—open access allows readers worldwide to learn from one another. But equally important is the potential for open access publications to reach readers who would otherwise be unable to participate in the conversation or to learn from the experiences beyond their geographic context. In the case of Building Green, it is a chance to widely share one group’s story of forging a greener urban future in a complex and unsustainable present.


Anne Rademacher is Associate Professor of Environmental Studies and Anthropology at New York University. Her books include Reigning the River: Urban Ecologies and Political Transformation in Kathmandu, Ecologies of Urbanism in India: Metropolitan Civility and Sustainability, and the edited volume Places of Nature in Ecologies of Urbanism.

Building Green is published in University of California Press’s Luminos open access book program. Click here to download a free digital copy.

Sign up for the Luminos eNewsletter to learn more about future Luminos publications and other Luminos news.


A Look at Teotihuacan for International Archaeology Day

Founded in the first century BCE near a set of natural springs in an otherwise dry northeastern corner of the Valley of Mexico, the ancient metropolis of Teotihuacan was on a symbolic level a city of elements. With a multiethnic population of perhaps one hundred thousand, at its peak in 400 CE, it was the cultural, political, economic, and religious center of ancient Mesoamerica. A devastating fire in the city center led to a rapid decline after the middle of the sixth century, but Teotihuacan was never completely abandoned or forgotten. Today the UNESCO World Heritage Site is the most visited archaeological site in Mexico.

Photograph of Sun Pyramid at Teotihuacan for International Archaeology Day
View of the Sun Pyramid looking east. At 63 meters tall, the Sun Pyramid was one of the largest and tallest structures in the Western Hemisphere until the development of the skyscraper in the nineteenth century. Photograph by Jorge Pérez de Lara Elías, © INAH. Image courtesy of the FAMSF.
Detail of pyramid sculptures at Teotihuacan
Facade of the Feathered Serpent Pyramid, assembled as a mosaic of large and small sculptures. Photograph by Jorge Pérez de Lara Elías, © INAH. Image courtesy of the FAMSF.

The recently opened exhibition at the de Young Museum is historic in many ways. The result of long-term international collaboration, including a 30 year partnership with Mexico’s Instituto Nacional de Antropología e Historia (INAH), the spectacular exhibition features more than 200 artifacts and artworks from the site displayed in dramatic and awe-inspiring ways. It is a rare opportunity to contemplate objects drawn from major collections in Mexico, some very recently excavated, and many on view in the U.S. for the first time.

Exhibition detail from de Young Museum
Installation of “Teotihuacan: City of Water, City of Fire” at the de Young Museum. Image courtesy of the FAMSF.
Excavation photography from Teotihuacan
Two standing anthropomorphic sculptures discovered near the terminus of the tunnel beneath the Ciudadela and the Feathered Serpent Pyramid. Photograph by Sergio Gómez Chávez. Image courtesy of the FAMSF.

Today is International Archaeology Day, so curator Matthew Robb’s comments on the exhibition are especially timely.

“The ideas behind Teotihuacan: City of Water, City of Fire were really inspired by the work of my archaeologist colleagues. They selected many of the objects for the catalogue from their own projects, and we worked together to shape those selections into a coherent image of this ancient city. We had a real opportunity to showcase their work to a broader audience, as well as provide the field with an important update to what we know about Teotihuacan. Archaeology is painstaking, intensely collaborative work—it requires so much patience and discipline. The end result is that tantalizing glimpse into the past, into how people once lived and thought—a glimpse made more complete by the meticulous gathering of data and objects archaeologists carry out every day.”  —Matthew Robb, curator

In the exhibition, monumental and ritual objects from Teotihuacan’s three largest pyramids—the Feathered Serpent Pyramid, the Moon Pyramid, and the Sun Pyramid—are shown alongside mural paintings, ceramics, and stone sculptures from the city’s apartment compounds. By bringing these pieces together, and contextualizing specific sites within the city, this is an unprecedented opportunity to experience a significant place in Mexico’s cultural landscape.

Map drawing of Teotihuacan site
Site map of Teotihuacan. Composed by Hilary Olcott, Image courtesy of the FAMSF.
Detail of exhibits at de Young Museum
Installation of “Teotihuacan: City of Water, City of Fire” at the de Young Museum. Image courtesy of the FAMSF.

Edited by Matthew Robb and co-published with the de Young Museum, the beautifully illustrated catalogue is equally impressive in its scope and ability to unearth the secrets within and beneath the city that are only now coming to light.

Cover image of exhibition catalogue

For an all-access preview of the exhibition check out the Teotihuacan digital story. We expect that it will inspire not only a visit to the exhibition, but also a trip to Mexico to see the captivating and mysterious ancient city en vivo.

Note that the exhibition will also travel to the Los Angeles County Museum of Art (LACMA) in Spring 2018.

In honor of International Archaeology Day, save 30% on the exhibition catalogue with code 16M4197.

 


Save 40% on New & Notable German Studies Titles

The 2017 German Studies Association Conference convenes October 5 – 8 in Atlanta, GA.

Visit our landing page to browse new and forthcoming UC Press titles across various disciplines, including Cinema & Media Studies, Music, Art & Visual Culture, and History. Save 40% online with discount code 16E8104, or request an exam copy for consideration to use in your upcoming classes. The discount code expires December 31, 2017.

 


World Architecture Day 2017: Climate Change Action

 

The theme for this year’s World Day of Architecture, which is is celebrated annually on the first Monday of October, is “Climate Change Action!” Noting that rapid urbanization and building developments are increasing our fuel energy consumption and greenhouse gas emissions, the International Union of Architects (UIA) calls upon architects and architecture organizations to mobilize efforts to respond to the Paris Climate Change Agreement initiatives and has set aside today to celebrate achievements and visions of architecture that is responsible, innovative, and enriching for communities. An early example of these efforts is Sacramento’s Bateson Building, considered the first large-scale building to embody what we now call sustainable architecture. The Journal of the Society of Architectural Historians recently took a look at the history of the building:

 

In Sacramento, the capital of California, a new midtown government administration building, designated “Site 1-A” during design and construction from 1977 to 1981, was named at its opening ceremony for anthropologist and cyberneticist Gregory Bateson. It was commissioned following the narrow 1975 electoral victory of the thirty-six-year-old Governor Jerry Brown, and the building is acknowledged as “the first large-scale building to embody what we now call sustainable architecture.” It was referred to as “climate modulating” at the time, and the very word sustainable acquired early currency among its designers during construction. It was intended as a showcase for ecological design, integrated into what we might now describe as policies of “resilience,” demonstrating national leadership in an America newly attentive, since President Richard Nixon’s 1970 signing of the National Environmental Policy Act, to the nation-building potential of the environment. Yet the building’s place in history remains unclear. Why? Continue reading.

 

 


Banned Books Week 2017: Promoting Progressive Change

As part of Banned Books Week, occurring September 24 – 30, we’ll be sharing recommended reading lists that promote the freedom to seek and express ideas. At UC Press, we believe that scholarship is a powerful tool for fostering a deeper understanding of our world and changing how people think, plan, and govern. Our mission is to drive progressive change by seeking out and cultivating the brightest minds and giving them voice, reach, and impact.

During #BannedBooksWeek, get a 30% discount on these selected titles that promote progressive change in feminism, politics, Islam, and free speech. #BannedBooks

What’s your favorite UC Press book that you think should have made the list for Banned Books Week? Let us know in the comment section below.


On Agnès Varda, Winner of 2017 Honorary Oscar Award

by Rebecca J. DeRoo, author of Agnès Varda between Film, Photography and Art


French film director Agnès Varda will receive an honorary Oscar this November from the Academy of Motion Picture Arts and Sciences. Which aspects of Varda’s career will the Academy celebrate? Her formidable directorial career spans from writing and directing her first film at age 25 to releasing her most recent film Faces, Places at age 89. Historically, critics have praised Varda as the innovative “mother” of the French New Wave film movement, with her first film, La Pointe Courte (1954), a precursor to the movement and Cleo from 5 to 7 (1961) made at the height of the New Wave. This identity has long overshadowed other parts of her career.

Cover image for Agnès Varda book
Available October 2017

More recently, scholars have recognized her as an essential feminist filmmaker. At the same time, Varda has continued to create new work, making films as well as multimedia art over the last two decades. And the Academy has the opportunity to celebrate Varda’s past and present work as even more innovative. Agnès Varda between Film, Photography, and Art shows that before Varda pursued cinema, she studied art history and practiced photography, and across her career, she has quietly yet subversively woven references to histories of art, photography, and film throughout her oeuvre. These references open out beyond the surface narrative of her work and engage contemporary cultural politics. This honorary Oscar recognizes Varda’s immense directorial accomplishments. But an interdisciplinary reading enables us to better appreciate the multidimensionality of Varda’s cinema and her career as both filmmaker and artist.


Art and cinema historian Rebecca J. DeRoo is an assistant professor at the Rochester Institute of Technology and co-curated the 2016 retrospective Agnès Varda: (Self)-Portraits, Facts and Fiction, at the George Eastman Museum.

 

 


3 Books That Go Beyond Borders for Pacific Standard Time: LA/LA

Kicking off this month throughout Southern California, Pacific Standard Time: LA/LA is a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles. Led by the Getty, PST: LA/LA is a joint effort from more than 60 cultural institutions across the region, and UC Press is thrilled to be publishing three books in conjunction with this unprecedented collaboration. 

Learn more about each title and find out about related events below. #PSTLALA

The Tide Was Always High: The Music of Latin America in  Los Angeles 
Edited by Josh Kun

The Tide Was Always High gathers together essays, interviews, and analysis from leading academics, artists, journalists, and iconic Latin American musicians to explore the vibrant connections between Los Angeles and Latin America. From Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, and from Carmen Miranda to Pérez Prado and Juan García Esquivel, Latin American musicians and music have helped shape Los Angeles culture since the birth of the city.

Related events: Musical Interventions, a series of six live musical events presented by Josh Kun at multiple PST: LA/LA institutions. Details and more at tidewasalwayshigh.com. September 23 – December 2, 2017

And tune in for monthly playlists curated by editor Josh Kun.

Ism, Ism, Ism / Ismo, Ismo, Ismo: Experimental Cinema in Latin America
Edited by Jesse Lerner & Luciano Piazza

Ism, Ism, Ism / Ismo, Ismo, Ismo is the first comprehensive, United States–based film program and catalogue to treat the full breadth of Latin America’s vibrant experimental film production. The fully bilingual catalogue features major scholars and artists working across nationalities, mediums, and time periods. Lerner and Piazza assemble a mix of original content authored by key curators, scholars, and archivists from Latin America: eighteen essays and articles translated for the first time pertaining to the history of Latin American experimental film, historical image-documents that are fundamental to the history of experimental film in Latin America, and program notes from the exhibition’s programs.

Related events: In partnership with the Los Angeles Filmforum, a series of screenings will take place between September 2017 and January 2018. The first weekend of screenings will take place September 22–24 at REDCAT. See a complete calendar of events at www.ismismism.org.

California Mexicana
Missions to Murals, 1820–1930
Edited by Katherine Manthorne

California Mexicana focuses for the first time on the range and vitality of artistic traditions growing out of the unique amalgam of Mexican and American culture that evolved in Southern California from 1820 through 1930. A study of these early regional manifestations provides the essential matrix out of which emerge later art and cultural issues. Featuring painters, printmakers, photographers, and mapmakers from both sides of the border, this collection demonstrates how they made the Mexican presence visible in their art. This beautifully illustrated catalogue addresses two key areas of inquiry: how Mexico became California, and how the visual arts reflected the shifting identity that grew out of that transformation.

Related exhibition: California Mexicana: Missions to Murals, 1820–1930 October 15, 2017 – January 14, 2018 at the Laguna Art Museum