Living Materials
A Sculptor's Handbook
"Beautifully researched, organized, and written, by a man who knows both how to make art, and how to teach it. The materials give the book its structure. Each chapter focuses on a single material, and is its own compact, concise textbook, complete with bibliography, sources for materials and safety precautions. . . . A marvellous book."—Craft International
"The late Oliver Andrews, well-known sculptor and teacher, writes with great clarity and thoroughness on many current technical processes of sculpture. His response to materials is unusually affectionate and understanding. . . . Chapters include discussion of living materials, clay, plaster, molds, cement, stone, wood, plastics, metals, welding, bronze and shell casting, new forms, and planning a studio."—Choice
"Concisely presents an impressive amount of information. Many photographs illustrate tools and procedures as well as examples of finished sculptures. . . Useful in universities, art schools, and museums."—Library Journal
"The late Oliver Andrews, well-known sculptor and teacher, writes with great clarity and thoroughness on many current technical processes of sculpture. His response to materials is unusually affectionate and understanding. . . . Chapters include discussion of living materials, clay, plaster, molds, cement, stone, wood, plastics, metals, welding, bronze and shell casting, new forms, and planning a studio."—Choice
"Concisely presents an impressive amount of information. Many photographs illustrate tools and procedures as well as examples of finished sculptures. . . Useful in universities, art schools, and museums."—Library Journal
Every material has an active presence and every material is susceptible to change. The task of the sculptor is to understand the natural properties of a chosen material, to know in the process of creation how best to work with, or against, its characteristics. In this generously illustrated studio manual, sculptor Oliver Andrews takes a new approach to sculpture, focusing on how the innate assertiveness of materials affects the complex act of making a sculpture.














