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Greeks, Romans, Germans

How the Nazis Usurped Europe's Classical Past

Johann Chapoutot (Author), Richard R. Nybakken (Translator)

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Paperback, 520 pages
ISBN: 9780520292970
September 2016
$29.95, £24.95
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Much has been written about the conditions that made possible Hitler's rise and the Nazi takeover of Germany, but when we tell the story of the National Socialist Party, should we not also speak of Julius Caesar and Pericles? Greeks, Romans, Germans argues that to fully understand the racist, violent end of the Nazi regime, we must examine its appropriation of the heroes and lessons of the ancient world. When Hitler told the assembled masses that they were a people with no past, he meant that they had no past following their humiliation in World War I of which to be proud. The Nazis' constant use of classical antiquity—in official speeches, film, state architecture, the press, and state-sponsored festivities—conferred on them the prestige and heritage of Greece and Rome that the modern German people so desperately needed. At the same time, the lessons of antiquity served as a warning: Greece and Rome fell because they were incapable of protecting the purity of their blood against mixing and infiltration. To regain their rightful place in the world, the Nazis had to make all-out war on Germany's enemies, within and without.
INTRODUCTION

PART ONE. ANNEXING ANTIQUITY
1. ORIGIN MYTHS: EX SEPTENTRIONE LUX
2. A NORDIC MEDITERRANEAN: GREECE, ROME, AND THE NORTH, BETWEEN GERMAN COUSINS
3. MENS SANA: ANTIQUITY, THE HUMANITIES, AND GERMAN YOUTH

PART TWO. IMITATING ANTIQUITY
4. FROM STONE TO FLESH: THE BODY OF THE NEW ARYAN MAN BETWEEN AESTHETICS AND EUGENICS
5. THE RACIAL STATE AND TOTALITARIAN SOCIETY: PLATO AS PHILOSOPHER-KING, OR THE THIRD REICH AS SECOND SPARTA
6. FROM EMPIRE TO REICH: THE LESSONS OF ROMAN RULE AND CLASSICAL COLONIALISM

PART THREE. RELIVING ANTIQUITY
7. HISTORY AS RACIAL STRUGGLE: THE CLASH OF CIVILIZATIONS BETWEEN EAST AND WEST IN ANTIQUITY
8. VOLKSTOD OR RASSENSELBSTMORD: HOW CIVILIZATIONS DIE
9. THE CHOREOGRAPHY OF THE END: AESTHETICISM, NIHILISM, AND THE STAGING OF THE FINAL CATASTROPHE
CONCLUSION

NOTES
INDEX

Johann Chapoutot is Professor at the Sorbonne, where he teaches contemporary history.

"Official Nazi racial doctrine inverted traditional analyses by interpreting antiquity as a product of Nordicism. Although Hitler, Himmler, Goebbels, and Speer understood the limited archaeological evidence of early German society differently, biological determinism (the struggle between races) defined the baseline of historical change. In this light, Rome declined as it shed its Nordic blood in battle against Carthage. Alexander the Great's empire declined as it absorbed foreign elements, including Persians. Beyond Max Weinreich's Hitler's Professors (1946), Chapoutot (Sorbonne) identifies largely German classicists and philologists, including Hans F. K. Günther and Joseph Vogt, who coupled social Darwinistic ideas and biological racism into their interwar publications on antiquity. Consistent with Michael Wildt's Hitler's Volksgemeinschaft (CH, Feb'13, 50-3486), the pre-war Nazi curriculum reforms, Berlin's Olympiastadion, the German pavilion for the Paris International Exposition in 1937, the Reichsautobahn, and Nuremberg's Reichsparteitagsgelände united Germans with an illustrious history and physical reminders of its continuity under Nazi leadership, generally, and Adolf Hitler, specifically. Although racial scientists and academics had established the foundations of biological racism decades earlier, Nazi party officials and pedagogues (for example, Dietrich Klagges) endorsed Nordicism in new textbooks and a revised secondary curriculum. In short, the Nazis usurped Europe's classical past. Summing Up: Highly recommended." -- D. A. Meier, Dickinson State UniversityCHOICE connect

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