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True to Life

Twenty-Five Years of Conversations with David Hockney

Lawrence Weschler (Author)

Available worldwide

Paperback, 272 pages
ISBN: 9780520258792
January 2009
$31.95, £21.95
Soon after the book's publication in 1982, artist David Hockney read Lawrence Weschler's Seeing Is Forgetting the Name of the Thing One Sees: A Life of Contemporary Artist Robert Irwin and invited Weschler to his studio to discuss it, initiating a series of engrossing dialogues, gathered here for the first time. Weschler chronicles Hockney's protean production and speculations, including his scenic designs for opera, his homemade xerographic prints, his exploration of physics in relation to Chinese landscape painting, his investigations into optical devices, his taking up of watercolor—and then his spectacular return to oil painting, around 2005, with a series of landscapes of the East Yorkshire countryside of his youth. These conversations provide an astonishing record of what has been Hockney's grand endeavor, nothing less than an exploration of "the structure of seeing" itself.
Lawrence Weschler, a staff writer for twenty years at the New Yorker, is the Director of the New York Institute of the Humanities at New York University and Artistic Director of the Chicago Humanities Festival.
“Aside from being a terrific writer, Weschler is clearly a great listener and interviewer.”—Robert L. Pincus San Diego Union-Tribune
“Hockney is a fascinating and surprising character, claiming that the stakes are no less than ‘the utter subversion of the tyrannical hegemony of traditional one-point perspective,’ but also grounded enough to declare, ‘if art isn’t playful, it’s nothing.’. . . Weschler rewards his readers with lengthy quotes, an overwhelming wealth of knowledge and a lively narrative style.”—Publishers Weekly
“‘Seeing Is Forgetting’ and ‘True to Life’ are not only about the artists talking to Weschler or, through him, to each other; they're about the artists talking to themselves.”—David Ulin Los Angeles Times Book Review
“‘Seeing Is Forgetting’ and ‘True to Life’ are not only about the artists talking to Weschler or, through him, to each other; they're about the artists talking to themselves.”—David Ulin Salt Lake Tribune
“‘Seeing Is Forgetting’ and ‘True to Life’ are not only about the artists talking to Weschler or, through him, to each other; they're about the artists talking to themselves.”—David Ulin The News & Advance (Lynchburg, Va)
“Taken together, Weschler's two books [True to Life and Seeing is Forgetting the Name of the Thing One Sees] amount to an engaging argument about visual culture and its possibilities. They shift the reader several levels above the peevish bickering that often deadens cultural discussion and remind us that contemporary art, on some of its best days, draws us into the midst of debates that are wonderfully creative and crucially important while nevertheless unresolvable—and also, like a Hockney drawing, deeply and seriously charming.”—Robert Fulford The National Post
“‘Seeing Is Forgetting’ and ‘True to Life’ are not only about the artists talking to Weschler or, through him, to each other; they're about the artists talking to themselves.”—David Ulin Walla Walla Union-Bulletin
"Lawrence Weschler is one of the most deliriously entertaining writers alive. He does what the best artists and writers should do: he makes you see the world anew."—Dave Eggers, editor of McSweeney's and author of What Is the What

"Weschler guides and entertains the reader at every turn."—John Walsh, Director Emeritus, J. Paul Getty Museum
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Interview with the author, Lawrence Weschler

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