Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films, pornography, documentaries, and many other far-flung corners of film culture. This glorious panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true center of avant-garde cinema in the United States. As he brilliantly delineates the cultural perimeter of the film business from the earliest days of cinema to the contemporary scene, David James argues that avant-garde and minority filmmaking in Los Angeles has in fact been the prototypical attempt to create emancipatory and progressive culture.
Drawing from urban history and geography, local news reporting, and a wide range of film criticism, James gives astute analyzes of scores of films—many of which are to found only in archives. He also looks at some of the most innovative moments in Hollywood, revealing the full extent of the cross-fertilization the occurred between the studio system and films created outside it. Throughout, he demonstrates that Los Angeles has been in the aesthetic and social vanguard in all cinematic periods—from the Socialist cinemas of the early teens and 1930s; to the personal cinemas of psychic self-investigation in the 1940s; to attempts in the 1960s to revitalize the industry with the counterculture’s utopian visions; and to the 1970s, when African Americans, Asian Americans, Latinos, women, gays, and lesbians worked to create cinemas of their own. James takes us up to the 1990s and beyond to explore new forms of art cinema that are now transforming the representation of Southern California’s geography.
List of Illustrations
1. Avant-Garde Cinemas in Los Angeles
2. The Twenties: Avant-Garde in Hollywood
3. Hollywood Extras: A Great Tradition in Avant-Garde Cinema
4. The Thirties: Avant-Garde in the Industry
5. An Impossible Avant-Garde: Working-Class Cinema in Los Angeles
6. The Idea of the Amateur
7. The Forties: Wizards of the Id, Maya Deren and Her Acolytes
8. Minor Cinemas: Institutions of the Avant-Garde
9. Film and the Other Arts
10. Minority Cinemas: Film and Identity Politics in the Seventies
11. Narrating Los Angeles: Art Films and Independent Features
12. Documenting Southern California: Structural Film and Landscape
Acknowledgments of Permissions
David E. James, Professor in the School of Cinema-Television at the University of Southern California, is author of Power Misses: Essays across (Un)Popular Culture (1996) and Allegories of Cinema: American Film in the Sixties (1989), among other books.
“Mercifully bereft of reader-hostile academese, James' book is a clear-sighted and often enthralling argument on behalf of philistine Los Angeles as a wellspring of provocative, challenging, icon-smashing cinema practice. . . . He is to be commended.”—The Guardian
“Film historians Scott MacDonald and Paul Arthur have written well on Fisher, and he is one of the heroes of David E. James’s splendid new book, The Most Typical Avant Garde: History and Geography of Minor Cinemas in Los Angeles.”—Artforum
“We’’ll be calling repeatedly on David James’s evocative dialectic, now and in the future.”—Cineaste
" The Most Typical Avant-Garde
transforms our sense of the history and geography of American independent cinema, by demonstrating the many and varied contributions of filmmakers who have worked in and around LA. James's range and thoroughness are astonishing. Indeed, those who have worked at chronicling independent cinema will be disappointed with only one thing: the fact that we didn't write this remarkable book!"—Scott MacDonald, author of the Critical Cinema Series