Widely recognized as one of the West Coast's most important and critically acclaimed practitioners of conceptual and installation art, David Ireland (born 1930) has taken the concept of art itself as one of his subjects. A self-described "post-discipline" artist, guided by Zen thought and postmodern aesthetics, Ireland moves fluidly from making small drawings to creating sculptures as large as houses. Freely incorporating anything within his conceptual or physical reach—dirt, concrete, wire, and other everyday materials—his work is subtle, puzzling, and witty, and consistently challenges traditional definitions of art.
In this book accompanying the first full-scale retrospective of Ireland's work, curator and author Karen Tsujimoto provides an insightful overview of more than thirty years of the artist's accomplishments, from his drawings, sculptures, and site-specific installations to his remarkable series of architectural transformations, including his well-known house at 500 Capp Street in San Francisco. Chronicling Ireland's circuitous route to his calling, Tsujimoto explores how key life experiences have influenced his artistic perspective—from his early art-student days, through his years as an African importer and safari guide, to his long-standing interest in Eastern, and particularly Zen, philosophy and his deep connections with the San Francisco Bay Area conceptual art community. An illuminating essay by art historian and curator Jennifer R. Gross also considers Ireland's art in terms of historical materialism—assessing his use of neglected materials and artifacts as a process of cultural preservation.
Dennis M. Power
Scratching the Surface
Consider the Object as Evidence
Jennifer R. Gross
Selected Exhibition History
Kathy Borgogno and Barbara Eaton
Exhibition Checklist and List of Illustrations
Sharon E. Bliss and Barbara Eaton
Karen Tsujimoto is Senior Curator of Art at the Oakland Museum of California, the coauthor of The Art of Joan Brown (California, 1998) and The Art of Peter Voulkos (1995), and the author of Wayne Thiebaud (1985). Jennifer R. Gross, Seymour H. Knox, Jr. Curator of Modern and Contemporary Art at Yale University Art Gallery, has written about and organized numerous exhibitions on modern and contemporary art, including the work of Abelardo Morell, Jessica Stockholder, and Richard Tuttle.
“It is sure to delight devotees of conceptual and freewheeling creativity.”—Raymond J. Steiner Art Times / Css Publications
"David Ireland is an extraordinary artist who has played a pivotal role in the art of the Bay Area for three decades. His approach to art making continues to push the definitions of art and to influence a generation of artists. This important monograph is long overdue and contributes to many discussions regarding contemporary art production."—Jeff Fleming, Senior Curator of the Des Moines Art Center
"Like a great naturalist who sees life in the landscape when others see only trees, David Ireland has an uncanny ability to find art in forgotten histories and castoff materials. His work is subtle, beautiful, and as lean as Haiku. This insightful survey of the artist's work and life is much needed, and a revelation."—Richard Andrews, Director, Henry Art Gallery, University of Washington