Some of the films discussed in this book include:

Five Easy Pieces

Chinatown

Carnal Knowledge

Straw Dogs

A Clockwork Orange

Mean Streets

The Conversation

Nashville

Shampoo

Taxi Driver

Apocalypse Now

David A. Cook is Founding Director of the Film Studies program at Emory University, where he is Professor of Film. He is the author of A History of Narrative Film (1996) and the "Motion Picture History" entry in the Encyclopedia Britannica.

"A book of impressive research which eschews vague impressions for a rigorous look at industry documents and publications, among other sources of information. The breakthrough in Cook's study comes primarily from the ways he figures the interrelation of the two key developments in 1970s American film around auteurism and industry reconsolidation."—Dana Polan, Film Quarterly

"Lost Illusions refers to the mid-1990s derailment of a cinema of great promise by a blockbuster mentality in Hollywood in the wake of Jaws and Star Wars. The 'art' cinema of Penn, Kubrick, Peckinpah, and Altman gave way to the 'event' cinema of Lucas and Spielberg. Cook's argument is not new, but he documents it well and presents it effectively in a discussion that ranges from cross-marketing techniques (book and record tie-ins, t-shirts, toys), the shift of studios from production to distribution, and tax shelter deals, to the rise of the agent and gross participation deals. Cook excels at industry analysis. Fine chapters by Douglas Gomery on exhibition, William Rothman on documentary, and Robin Blaetz on avant-garde films round out the book."—Choice

"David Cook's Lost Illusions is an excellent account of Hollywood in the 1970s—a decade of social upheaval around the world and major transformation in the U.S. movie industry. His book overflows with useful data, and his lucid account of mainstream entertainment is nicely supplemented by the special chapters by other scholars: Douglas Gomery on exhibition, William Rothman on documentaries, and Robin Blaetz on the avant-garde."—James O. Naremore, author of More than Night: Film Noir in Its Contexts