Mary Lou Williams—pianist, arranger, composer, and probably the most influential woman in the history of jazz—receives the attention she has long deserved in this definitive biography.
Linda Dahl writes frequently about jazz. Her groundbreaking book Stormy Weather: The Music and Lives of a Century of Jazzwomen was published in 1984.
"[An] account of the artist's hard life and heady times. With impressive attention to detail, Dahl traces Williams from her childhood in Atlanta, where she was born in 1910, and Pittsburgh through her ongoing battle for her art on and off the bandstand."—Calvin Wilson, Kansas City Star
"Dahl's straightforward prose is filled with details gleaned from interviews and Williams' personal diary [that] highlight both the strength of Williams' character and her professionalism. In one particularly compelling and funny segment, Williams punches fellow pianist Phil Moore in the mouth after a dispute over equipment. Rather than let the sexism of the industry lay claim to her, Williams often fought toe to toe with male counterparts for respect and recognition."—Mark Anthony Neal, Emerge
"A serious and engaging historical portrait of one of jazz's greatest underappreciated figures. . . . During the 1940s Williams held piano-queen court of Café Society, the famed Greenwich Village nightspot that catered to the rich and intellectual left, and was one of the first to break the color bar. Meanwhile, she mentored bop outlaws like Thelonious Monk (who wrote 'Rhythm-a-ning' from one of her riffs), Bud Powell (who fell in love with her) and Dizzy Gillespie. Her capacity to absorb new sounds and idioms into her own voice and her restless quest to forge new forms of jazz composition had few equals."—Gene Santoro, New York Times Book Review
"This unsettling book about an unsettled woman, who became an inspiration to everyone who loved her music, can impart a history lesson about the travails of most women jazz musicians until the last two decades of the twentieth century. . . . Morning Glory should move those readers who didn't know Williams' music to go in search of it."—Leslie Gourse, Women's Review of Books
"Until the release of Linda Dahl's definitive biography, not all that much had been written about Mary Lou Williams beyond her musical life. Dahl tells the full story, warts and all, and the result is a portrayal of a very talented by troubled and often-confused woman, one with good intentions and grand schemes who was not always very realistic or able to follow through on her dreams. Dahl did a superb job of weaving together stories from relatives (including Mary Lou's first husband John Williams), friends and fellow musicians plus the pianist's own writings to tell the full Mary Lou Williams story."—Scott Yanow, Jazz Improv
"An engrossing life of the great jazz arranger, composer and pianist."—New York Times Book Review
Named a "Notable Book of 2000" by the New York Times Book Review
“A serious and engaging historical portrait of one of jazz's greatest underappreciated figures.”—New York Times Book Review
My mama pinned a rose on me,Mary was marked from birth with a sign of significance in African-American culture, a sign that indicated special powers, especially a tendency toward "second sight." She writes in her memoir, "The midwife told my mother that I was born with a veil over my eyes and for her to save this veil and dry it out and she could tell when I was sick and all that." (This is the caul, a portion of the membrane that sometimes covers a fetus's head at birth.) "My mother," Mary concludes, "was frightened." Yet Mary did fulfill the omen of the "veil": she soon was drawn to the supernatural, seeing ghosts and having visions and premonitions. As a girl, and even as a young woman, she would sometimes become so agitated at her fearful hallucinations (of cows and dogs) that those around her would resort to tying her to the bed.
She pinned it where everybody could see. . .
Everybody is talking about the way I do.
I'm gonna leave this hard-luck town,
I'm gonna leave before the sun goes down,
Everybody is talking about the way I do.