Paul U. Unschuld awarded China Special Book Award 2017

 

 

 

 

 

 

 

The German sinologist, public health expert and medical historian of Charité-Universitaetsmedizin Berlin will be awarded with the China Special Book Award 2017 at the opening of the Beijing International Book Fair in Beijing on 22 August 2017.

The Special Book Award of China is a national-level reward established by the State Administration of Press, Publication, Radio, Film and Television of China, aiming to recognize foreign writers, translators and publishers for their long-term contributions to introducing, translating and publishing Chinese books as well as in promoting cultural exchanges. Established in 2005, its awarding ceremony is held annually in the evening of one day before Beijing International Book Fair at the Great Hall of the People.

Chinese state leaders will attend the awarding ceremony to congratulate the recipients of the award. The award winner will get a certificate of honor, a trophy and a monetary prize in recognition of his or her contributions.

About Paul U. Unschuld

Paul U. Unschuld, born 1943, was trained in pharmaceutical science, Chinese and Political Studies at Munich University and public health at Johns Hopkins University in Baltimore. In 1976, his academic career started at the Department of Behavioral Sciences of the School of Hygiene and Public Health of Johns Hopkins University in Baltimore, MD/USA. In 1986 he returned to Germany to become Director of the Research Institute for the History of Medicine at Ludwig-Maximilians-Universitaet in Munich. On 1 November 2006, he was named Founding Director of the Horst-Goertz-Endowment Insitute for the History, Ethics and Theory of Chinese Life Sciences of Charité-Universitätsmedizin Berlin. His research focusses on the comparative history of medicine and related life sciences in China and Europe, with a focus on the history of ideas. He has published numerous articles and more than thirty monographs in various language, including annotated translations of the ancient Chinese medical classics. Among his recent publications is Huang Di Nei Jing Ling Shu – Ancient Classic of Needle Therapy, published by University of California Press, August 2016.


Richard Taruskin Wins 2017 Kyoto Prize

UC Berkeley Department of Music Professor Emeritus Richard Taruskin has been awarded the prestigious Kyoto Prize. A notable honor, the Kyoto Prize has long been regarded by many as the most significant award available in fields that are traditionally not honored with a Nobel Prize.

   

Bestowed annually since 1985 by the Inamori Foundation, the Prize is presented in three categories: Advanced Technology, Basic Sciences, and the Arts and Philosophy. Taruskin joins prominent scholars to win the award including Noam Chomsky, Jane Goodall, Witold Lutoslawski, and fellow UC Berkeley faculty member Richard Karp.

“The quality and volume of his work reveal that in music, creativity can be found not only in composition and performance, but also in meticulous discourse contextualizing the art.”—Inamori Foundation

A world-renowned musicologist, music historian, and critic Taruskin came to UC Berkeley Music in 1986. Previously he served numerous roles at Columbia University where he earned his B.A., M.A. and Ph.D. While at Columbia he worked as choral conductor and played viola da gamba with the well-known Aulos Ensemble.

UC Press is proud to be the publisher of many of Richard’s books, including the recently-released Russian Music at Home and Abroad. We warmly congratulate him on this significant recognition for his work.


BRUCE CONNER wins the 2017 Dedalus Foundation Exhibition Catalogue Award

The Dedalus Foundation Exhibition Catalogue Award is awarded annually to the author or authors of an outstanding exhibition catalogue published in a given calendar year that makes a significant contribution to the scholarship of modern art or modernism. This award is given in addition to, and as the complement of, the prestigious Robert Motherwell Book Award.

We are proud to announce the 2017 award went to BRUCE CONNER: IT’S ALL TRUE by Rudolph Frieling and Gary Garrels, published in association with the San Francisco Museum of Modern Art.

“The historic exhibition catalogue BRUCE CONNER: IT’S ALL TRUE offers a rigorous accounting and analysis of a pivotal American artist whose pioneering work in various media, including film and video, works on paper, assemblages, photographs and photograms, performance, and more, continues to exert tremendous influence on artists working today.

The catalogue offers a highly anticipated contemporary perspective on Conner, providing a definitive examination of his output and place in postwar art. It features a wide range of artworks and ephemeral materials never before published.”

To learn more about the exhibition, listen to the Modern Art Notes podcast interview with curator Gary Garrels.

Save 30% on the catalogue with online purchase—enter discount code 16W6596 at checkout.


Better Git It in Your Soul Wins ‘Jazz Book of the Year’ Award

Congratulations to Krin Gabbard on winning the Jazz Journalists Association‘s 2017 ‘Jazz Book of the Year’ for Better Git It in Your Soul: An Interpretive Biography of Charles Mingus.

In addition to this significant recognition, Gabbard’s book has garnered praise from many corners:

“Will likely long stand as the definitive account of the genius, and enigma, that was this great bassist, bandleader, and composer. Certainly no one has heretofore delved as deeply and thoroughly into what made him tick.”—W. Royal Stokes Blog

“‘Better Git It In Your Soul draws the reader to listening to its subject’s productions. If already familiar with Mingus’ music, a reader may return to favorites with fresh ears and deeper insights. . . . Gabbard’s greatest personal contribution to understanding Mingus is his contextualization of events through his own broad, well-informed perspective.”—DownBeat

“Offers several lenses through which to view Mingus and his music. . . . There is much in Better Git It In Your Soul to limn one’s understanding of and approach to Mingus’ tremendous body of work as well as the challenges he faced and orchestrated as a black artist in America.”—The New York City Jazz Record

“This is a wonderful book! This book completely absorbed me. . . . You really took me in with your own emotional palette.”—NPR/On Point with Tom Ashbrook

“This isn’t simply a new telling of Mingus’ life story, although Gabbard does an excellent job of that in just under 100 concise and nicely paced pages. Gabbard also takes a deep dive into specific aspects of Mingus’ output. Most notably, he performs forensic work in exploring how Beneath the Underdog came to be.”—PopMatters

To get yourself a copy of this keeper, save 30% by entering discount code 16M4197 at checkout.


Krin Gabbard retired after thirty-three years of teaching at Stony Brook University, and he now teaches in the jazz studies program at Columbia University. His previous books include Hotter than That: The Trumpet, Jazz, and American Culture and Jammin’ at the Margins: Jazz and the American Cinema. He lives in New York City with his wife, Paula, and he is busy playing his trumpet and writing a memoir about his parents.


2017 Kraszna-Krausz Book Award Winners

We’re delighted to announce that multiple UC Press titles have been recognized at this year’s Kraszna-Krausz Foundation Book Awards! Celebrating excellence in photography and moving image publishing, the KKF Awards are the UK’s leading prizes for books published in the fields of photography and the moving image (including film, television and new media).

This year, we’re pleased to share that Anatomy of Sound: Norman Corwin and Media Authorship, edited by Jacob Smith and Neil Verma, has been selected for the Kraszna-Krausz Best Moving Image Book award for 2017.

“At long last, the most important radio auteur of the twentieth century (and a gifted screenwriter to boot) has received the attention he deserves. This book is not only an indispensable guide to Norman Corwin’s work but also a foundational study of the aesthetics and politics of radio and screen.” —James Naremore, author of An Invention without a Future: Essays on Cinema

       
 

Other UC Press finalists include:

These titles, along with the other Moving Image award finalists, will be among the books exhibited at the Somerset House during the Photo London Exhibition this month.

Many congratulations to our authors, and to all other authors recognized at this year’s awards!

See the selection of UC Press titles that were recognized last year.


Camilo D. Trumper Awarded the Southern Cone Studies Section Book Prize by the Latin American Studies Association

Congratulations to Camilo D. Trumper on winning the Latin American Studies Association‘s Southern Cone Studies Section Book Prize for his book, Ephemeral Histories: Public Art, Politics, and the Struggle for the Streets in Chile.

The LASA Southern Cone Studies Section Book Prize each year honors a book of exceptional merit published during the previous year by a scholar who is a section member and whose book contributes original scholarship to the field.

Ephemeral Histories has received considerable praise from reviewers, and we’re proud that Camilo’s work has earned this significant recognition.

“Bold and original, built upon repeated acts of disciplinary transgression, Ephemeral Histories is a remarkable work of historical recuperation. Rarely has the promise of interdisciplinarity been so vividly realized.”

— Raymond Craib, author of The Cry of the Renegade: Politics and Poetry in Interwar Chile

With a sensitive eye for the ephemeral and the mundane, drawing from a diverse and neglected archive of public life, Trumper tells the story of a creative moment in Chilean and Latin American history, and explains the broad repression that followed it. His innovative approach to the public sphere offers new possibilities for a strongly conceptualized yet empirically rich history of politics and culture.”

— Pablo A. Piccato, Columbia University


Camilo D. Trumper is an Assistant Professor of American Studies and Latin American History at the University at Buffalo, SUNY.


Jennifer L. Roberts Awarded the 29th Annual Eldredge Prize by the Smithsonian American Art Museum

Congratulations to Jennifer L. Roberts on winning the Smithsonian American Art Museum‘s 29th Annual Charles C. Eldredge Prize for Distinguished Scholarship for her book, Transporting Visions: The Movement of Images in Early America.

The jurors wrote in a joint statement:

“Roberts’s adventurous account provides an exciting indication of where the field of American art is going as it pushes analysis of visual material into new terrain.”

UC Press is incredibly proud of this recognition in particular, and the continued acknowledgement of our American Art History publishing program by the Eldredge Prize: we have now won this distinguished award a total of nine times.


Jennifer L. Roberts is Elizabeth Cary Agassiz Professor of the Humanities at Harvard University. She teaches American art from the colonial period to the present, with particular focus on issues of landscape, expedition, material culture theory, and the history of science, and is the author of Mirror-Travels: Robert Smithson and History and Jasper Johns/In Press: The SI-207-2017 2 Crosshatch Works and the Logic of Print.

 

 


Nonstop Metropolis Wins the Municipal Art Society of New York’s 2017 Brendan Gill Prize

We are excited to announce that the Municipal Art Society of New York has awarded this year’s Brendan Gill Prize to Nonstop Metropolis: A New York City AtlasCONGRATULATIONS to editors Rebecca Solnit and Joshua Jelly-Schapiro!

The Gill Award jury recognized the book:

“For its thought-provoking, well-informed essays, and innovative, story-telling mappings, as a work of art that brings rich life, social and literary history, and perspective to the urban journeys all New Yorkers share. By inviting a diverse host of collaborators to contribute to this beautifully plural portrait of our urban archipelago, the book resonates the resiliency of the myriad of communities that contribute to our city’s dynamism.”

About the Brendan Gill Prize:

In 1986, the MAS trustee, Jacqueline Kennedy Onassis, announced the creation of the Brendan Gill Prize. Inspired by the renown New Yorker theater and architecture critic, social historian and former MAS President, the endowed prize has been given annually for the past 29 years to the “creator of a building, book, essay, musical composition, play, film, painting, sculpture, choreographic work or landscape design, that best captures the energy, vigor and verve of our incomparable city.” The creation must have been accomplished in the previous year and is not for a life’s work. The Brendan Gill Jury, comprised of eight civic-minded professionals representing the arts and design community, selects the awardee through nominations submitted to the MAS website and e-newsletter. The list of previous winners is attached; the range is diverse, and the book, Josh, and Rebecca are in extraordinary company.


Alien Ocean Wins the 2017 J.I. Staley Prize

We are delighted to announce that Stefan Helmreich was awarded the J.I. Staley Prize for his book, Alien Ocean: Anthropological Voyages in Microbial Seas on behalf of the School for Advanced Research.

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The School for Advanced Research (SAR) presents the J. I. Staley Prize to a living author for a book that exemplifies outstanding scholarship and writing in anthropology. By recognizing groundbreaking books and their authors through the J. I. Staley Prize, SAR seeks to stimulate the best in anthropological research and writing.

Published by the press in 2009, Alien Ocean: Anthropological Voyages in Microbial Seas has received considerable praise from reviewers, and we’re proud that Stefan’s work has earned this significant recognition.

“Unique [and] innovative. . . . Captures the excitement and crucial nature of oceanographic research. . . . Perhaps Alien Ocean will inspire the next generation to fulfill the promise of environmental genomic sequencing.” —Nature

“Erudite, widely ranging account of currently important aspects of marine microbiology and their broader implications.” —A. J. Kohn, Choice


UC Press Music Journals Celebrate American Music

As musicologists gather in Montreal for the Society for American Music conference, UC Press’s music journals are pleased to make select content available to non-subscribers for a limited time. Please enjoy our #AmMusic17 offerings from the Journal of the American Musicological Society, the Journal of Musicology, Music Perceptionand 19th-Century Music.

Film Scholars gathering in Chicago for the annual meeting of the Society for Cinema and Media Studies will also find some articles of interest in the offerings below and should see our separate post with offerings from Film Quarterly and Feminist Media Histories.


The Journal of the American Musicological Society is proud to have been the recipient of six Irving Lowens Article Awards from the Society for American Music since 1997. Read these articles for free through the end of March:

Sam Cooke as Pop Album Artist—A Reinvention in Three Songs
Mark Burford
Vol. 65 No. 1, Spring 2012

The Testimonial Aesthetics of Different Trains
Amy Lynn Wlodarski
Vol. 63 No. 1, Spring 2010

Louis Armstrong, Eccentric Dance, and the Evolution of Jazz on the Eve of Swing
Brian Harker
Vol. 61 No. 1, Spring 2008

Henry Cowell and John Cage: Intersections and Influences, 1933–1941
Leta E. Miller
Vol. 59 No. 1, Spring 2006

The Early Life and Career of the “Black Patti”: The Odyssey of an African American Singer in the Late Nineteenth Century
John Graziano
Vol. 53 No. 3, Autumn, 2000

For Those We Love: Hindemith, Whitman, and “An American Requiem”
Kim H. Kowalke
Vol. 50 No.1, Spring 1997


The Journal of Musicology is pleased to make the following articles, which look at various aspects of American music (including an article on Irving Berlin’s Holiday Inn) free through the end of March:

Consensus and Crisis in American Classical Music Historiography from 1890 to 1950
David C. Paul
Vol. 33 No. 2, Spring 2016

On the Scenic Route to Irving Berlin’s Holiday Inn (1942)
Todd Decker
Vol. 28 No. 4, Fall 2011

University Geographies and Folk Music Landscapes: Students and Local Folksingers at the University of Illinois at Urbana-Champaign, 1961–1964
David K. Blake
Vol. 33 No. 1, Winter 2016

Grasp the Weapon of Culture! Radical Avant-Gardes and the Los Angeles Free Press
Andre Mount
Vol. 32 No. 1, Winter 2015


Music Perception offers the following articles free through month’s end:

Viewers’ Interpretations of Film Characters’ Emotions: Effects of Presenting Film Music Before or After a Character is Shown
Siu-Lan Tan, Matthew P. Spackman, Matthew A. Bezdek
Vol. 25 No. 2, December 2007

Swing Rhythm in Classic Drum Breaks From Hip-Hop’s Breakbeat Canon 
by Andrew V. Frane
Vol 34 No. 3, February 2017

Rhythm in the Speech and Music of Jazz and Riddim Musicians
Angela C. Carpenter, Andrea G. Levitt
Vol. 34 No. 1, September 2016

The Asymmetrical Influence of Timing Asynchrony of Bass Guitar and Drum Sounds on Groove
Soyogu Matsushita, Shingo Nomura
Vol. 34 No. 2, December 2016


19th-Century Music celebrates #AmMusic17 and #SCMS17 by offering a selection of articles on American film music. As with the articles above, you can read the following for free through the end of the month:

Black Voices, White Women’s Tears, and the Civil War in Classical Hollywood Movies
Robynn J. Stilwell
Vol. 40 No. 1, Summer 2016

Screwball Fantasia: Classical Music in Unfaithfully Yours
Martin Marks
Vol. 34 No. 3, Spring 2011

Listening to the Self: The Shawshank Redemption and the Technology of Music
Daniel K. L. Chua
Vol. 34 No. 3, Spring 2011