Celebrating Classical Music Month: Free Music Articles

To kick off #ClassicalMusicMonth, we are offering free access to articles on Classical Music curated from our collection of music journals. Enjoy free access to these articles through the end of September, and stay tuned for more Classical Music posts throughout the month!

Journal of the American Musicological Society
Editor: W. Anthony Sheppard (Williams College)

Screen Shot 2016-08-29 at 11.57.22 AMBeethoven à la moujik: Russianness and Learned Style in the “Razumovsky” String Quartets
Mark Ferraguto (Vol. 67, No. 1, Spring 2014)

Mahler’s Early Summer Journeys through Vienna, or What Anthropomorphized Nature Tells Us
Ryan R Kangas (Vol. 68, No. 2, Summer 2015)

Beyond Drama: Monteverdi, Marino, and the Sixth Book of Madrigals (1614)
Tim Carter (Vol. 69, No. 1, Spring 2016)

The Journal of Musicology
Editors: Peter Schmelz (Arizona State University), Jesse Rodin (Stanford University)

jmListening for the “Still Small Voice” of Mendelssohn’s Domestic Elijah
Peter Mercer-Taylor (Vol. 32, No. 1, Winter 2015)

Beethoven Going Blank
Daniel K. L. Chua (Vol. 31, No. 3, Summer 2014)

Metaphors of Time and Modernity in Bach
Bettina Varwig (Vol. 29, No. 2, Spring 2012)


19th Century Music
Editor: Lawrence Kramer (Fordham University)

Screen Shot 2016-08-29 at 12.02.04 PMSeascape in the Mist: Lost in Mendelssohn’s Hebrides
Benedict Taylor (Vol. 39, No. 3, Spring 2016)

“A Living, Fleshy Bond”: The Electric Telegraph, Musical Thought, and Embodiment
Inge van Rij (Vol. 39, No. 2, Fall 2015)

Dancing to the Devil’s Tune: Liszt’s Mephisto Waltz and the Encounter with Virtuosity
David Larkin (Vol. 38, No. 3, Spring 2015)


Music Perception
Editor: Lola Cuddy (Queen’s University)

mpTempo in Baroque Music and Dance
Esther Coorevits, Dirk Moelants (Vol. 33, No. 5, June 2016)

Nonlinear Changes in the Rhythm of European Art Music: Quantitative Support for Historical Musicology
Niels Chr. Hansen, Makiko Sadakata, Marcus Pearce (Vol. 33, No. 4, April 2016)

Auditory Scene Analysis and the Perception of Sound Mass in Ligeti’s Continuum
Chelsea Douglas, Jason Noble, Stephen McAdams (Vol. 33, No. 3, February 2016)